FOR IMMEDIATE RELEASE
Exhibition: now through August 30, 2014
Christine Macchi, Executive Director
Maine Fiberarts, 13 Main Street, Topsham, ME 04086
207-721-0678, email@example.com http://www.mainefiberarts.org
GEE’S BEND QUILTS ON VIEW AT MAINE FIBERARTS
“Do It Your Way: Gee’s Bend Quilts and Quilters in Maine” is an exhibition on view now through August 30 at Maine Fiberarts, 13 Main Street, Topsham. The exhibition includes twelve large quilts created by the quilters of Gee’s Bend, Alabama—a group that has been quilting since the sixties and who became famous for their freeform and original style. The New York Times once hailed these quilts as “some of the most miraculous works of modern art America has produced.”
In 2002, art collector Will Arnett recognized these quilts as important works of art and organized an exhibition which began at the Houston Museum of Fine Arts and travelled to nine major museums across the country including the Boston Museum of Fine Arts and the Whitney Museum in New York City. The quilts and the quilt makers of Gee’s Bend garnered national media attention, including articles in Newsweek, O, Smithsonian Magazine and Martha Stewart Living. In 2006 the United States Post Office issued Gee’s Bend quilt commemorative stamps.
Boykin, Alabama, the home of most of the Gee’s Bend quilters, has been described as one of the most isolated villages in the U.S. Here, undeterred by a scarcity of materials and long days working in their gardens or in the cotton fields, generations of black women have developed a unique tradition of quilting. Traditional ideas and sewing techniques are passed on, back and forth in this tightly-knit community, but the highest praise is saved for quilts that follow their own inspiration. In Gee’s Bend, quilting rules are broken. Often unable to afford new materials, the makers use pieces from feed bags, worn patches from blue jeans, and other incongruous materials together in one quilt. A seemingly quiet cotton top deviates with one shocking red flannel edge. Corduroy remnants, available for a while from an adjacent clothing factory, even polyester—nothing is wasted or forbidden. Dissimilar materials can be found side by side. If a traditional log cabin pattern is established in one-quarter of the quilt, then in the other three-quarters, that pattern is twisted to other ends, turned sideways or upside down and backwards, done in many or in one color instead of two—becoming more interesting as the rules are flaunted.
The quilts demand that the viewer, see, feel, and deal with the unpredictable.
Unlike African American “story quilts,” Gee’s Bend quilts are not narratives. They are expressive in the way that the best abstract paintings are—more like “jazz,” than “folk song.” Patterns may start from tradition, but then are improvised upon. Corners do not always abut precisely. Lines need not always be straight. Ripping has its own charms. Once stated, often a pattern is exploded, turned and run askew. If it is pieced more regularly, then colors are used contradictorily.
It is perhaps entirely natural that during the show of Gee’s Bend quilts at the Whitney Art Museum in 2003, a New York Times art critic raved. Leaping in one single move from the periphery to the center of the art world, these quilts were at home.
This exhibition marks the first time the quilts and the quilters have been north of Boston and is part of an exciting collaboration. A second exhibition of different quilts takes place at the Penobscot Marine Museum in Searsport, August 2-September 7. Finally, Fiber College in Searsport, initiator of the events, offers classes and special programming to celebrate the women. Four of the Gee’s Bend quilters—China Pettway, Stella Mae Pettway, Revile Mosley and Lucy Mingo—will teach classes between September 2-8. The evening of September 3 has been reserved for a public New England boiled dinner and forum and gospel singing (during which two quilts will be raffled) at the Searsport Congregational Church moderated by Suzette McAvoy of the Center for Maine Contemporary Art. Tickets for the dinner are available through http://www.fibercollege.org
Since the year 2000, Maine Fiberarts has hosted exhibitions that change every two or three months. This Fall, the group will bring shows of contemporary fiber art to both the Glickman Family Library at USM in Portland, and to the galleries at Maine Fiberarts. The statewide arts nonprofit currently hosts a free online Fiber Resource Guide, Bulletin, and Folio to promote Maine’s fiber community. Visit the group in Topsham Tuesday-Friday, 10-4, Saturday, 11-2, or online at http://www.mainefiberarts.org.
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“Gee’s Bend Quilts and Quilters in Maine” is an exhibition of large, colorful, free style quilts created by the women of Gee’s Bend, Alabama. Quilts are on view at Maine Fiberarts, 13 Main Street, Topsham now through August 30 and the gallery is open Tuesday-Friday, 10-4, Saturdays, 11-2. For more information, 207-721-0678, http://www.mainefiberarts.org A second exhibition, workshops and a dinner and forum to meet four of the quilters takes place through September 8. Check the websites of Maine Fiberarts, Penobscot Marine Museum, and Fiber College for more information.