Archive for September, 2016

h1

Portland Museum of Art

September 30, 2016

Two opportunities

Polly Apfelbaum (United States, born 1955), Night Flowering, 2009, multicolor woodblock print on paper, 16 x 16 inches. Courtesy of the artist and Durham Press.

Polly Apfelbaum (United States, born 1955), Night Flowering, 2009, multicolor woodblock print on paper, 16 x 16 inches. Courtesy of the artist and Durham Press.

IN CONVERSATION: CONNECTING PAINTING AND PRINTMAKING
Saturday, October 1, 3 p.m.
Free for members, MECA students, and Skowhegan School of
Painting and Scultpure alumni, $8 general public
Bernard Osher Foundation Auditorium

Since 1964, the Skowhegan School of Painting and Scultpure has brought together diverse and talented groups of artists for concentrated periods of artistic creation, interaction, and growth. In the spirit of the discursive environment of Skowhegan’s rural Maine campus, artist Polly Apfelbaum (Skowhegan resident faculty, 1999) and art historian Faye Hirsch will engage in a conversation inspired by the PMA exhibition Skowhegan at Seventy. Join us in exploring how the printmaking process sparks a spirit of inquiry and experimentation in the studio, and delve into the intersection between printmaking and painting in contemporary practice.

Pre-registration strongly encouraged. Click here for tickets.

Henri Matisse, (France, 1869 - 1954), Icare (Icarus) 8 of 20 in "Jazz" (detail), 1947, stencil, lithograph, pochoir on arches, 16 1/2 x 25 1/2 inches. Ex2.2016.9. Bank of America Collection. 2016 Succession H. Matisse/ Artists Rights Society (ARS), New York.

Henri Matisse, (France, 1869 – 1954), Icare (Icarus) 8 of 20 in “Jazz” (detail), 1947, stencil, lithograph, pochoir on arches, 16 1/2 x 25 1/2 inches. Ex2.2016.9. Bank of America Collection. 2016 Succession H. Matisse/ Artists Rights Society (ARS), New York.

BOOK ARTS: A PANEL DISCUSSION
Friday October 21, 4 p.m.
Free for members and MECA students; $8 general public
Bernard Osher Foundation Auditorium

The vast world of book arts spans from the medieval bookbinding and letterpress tradition to today’s installation art; limited edition, hand-made books; modern novel constructions. Join us to explore the history of book arts, the nuances of the realtionships between the visual and textual, and the various printing and writing processes.

Moderated by Yale’s Jae Jennifer Rossman and featuring panelists Susan Webster, Stuart Kestenbaum, and Rebecca Goodale.

Pre-registration encouraged. Click here for tickets.

 

h1

Deadline October 13

September 29, 2016

Teaching Artist roster – 2 weeks left to apply

Brian Evans-Jones, Teaching Artist

Brian Evans-Jones, Literary Teaching Artist – Why I teach

The Maine Arts Commission is now accepting applications for fall submissions to it PK-12 Teaching Artists Roster. The application deadline is Thursday, October 13 at 5 p.m. The roster, launched in 2014 and available at https://mainearts.maine.gov/Pages/Education/Teaching-Artist-Roster, includes Maine artists whose applications reflect their expertise and commitment to providing learning opportunities for students and/or teachers in PK-12 educational settings. There are currently 56 artists on the roster in disciplines including dance, literary arts, media arts, music, theater, and visual arts. Applications are accepted only two times per year.

img_3168

Nancy Salmon Dance Teaching Artist – Why I teach

The Arts Commission defines Teaching Artists as professional artists who are dedicated to lifelong learning and arts education, have made it an integral part of their professional practice, and who have cultivated skills as educators in concert with their skills as artists.

Successful applicants demonstrate mastery of an artistic discipline; knowledge and expertise in sequential arts instruction; good communication skills; planning and organizational ability; and an understanding of PK-12 learners.

To learn more about the Maine Arts Commission teaching artist program and to access the application please go to https://mainearts.maine.gov/Pages/Education/Teaching-Artists#.

To learn more about the Arts Commission’s other PK-12 arts education programs contact Argy Nestor at argy.nestor@maine.gov or 207-287-2713.

h1

MICA Conference

September 28, 2016

Registration still open

screen-shot-2016-09-28-at-9-08-12-amLooking for some creative inspiration? How about learning about how we can create cultural equity for all Mainers, or leading from a place of making? These are just two samples of the many inspiring keynotes and sessions you’ll get at the Maine Arts Commission Maine International Conference on the Arts (MICA) October 6-7 in Lewiston/Auburn. Poet and advocate Crystal Williams will speak on “Practical Approaches to Creating Impact: Getting to Cultural Equity” Thursday night at 5:30 p.m., and Friday lunch keynote is “Stop Asking for Permission! Leading from a Place of Making (Things Happen)” by Sherry Wagner-Henry. Advance Registration closes September 30: go to mainearts.com/MICA to learn more and to register today!

MAINE INTERNATIONAL CONFERENCE ON THE ARTS (MICA)

Following the arts education conference on Thursday afternoon, October 6, the MICA officially opens at 4:00 pm with a reception at 4:30 pm, Franco Center, Lewiston. Following the reception Pam Breaux, CEO of the National Assembly of State Arts Agencies (NASAA) will provide a brief “State of the States”. Crystal Williams will be the opening keynote at 5:30 pm. Poet, essayist, and Bates College VP and Chief Diversity Officer Crystal’s keynote. Following the keynote in downtown Lewiston: cultural offerings including Downtown Lewiston Gallery Crawl, showcases at The Community Little Theater in Auburn, Franco-Fest at Bates College, Poetry Reading at the Lewiston Library, and more.

FRIDAY, OCTOBER 7

MICA opens on Friday morning with an Idea Lab – 5 artists presenting in a Pecha Kucha format. Included in the Idea Lab is Nancy Frolich who established an arts and literacy with a program she created called LEAPS of Imagination. During the day participants have choices between 20 sessions – 5 different strands with 4 sessions under each of these topics: Leveraging Investment, Visibility of the Arts & Culture Sector, Arts Education, Cultural Tourism, and Building Capacity. A general schedule is located at THIS LINK. A pdf and more schedule info is located at THIS LINK.

I hope to see you in Lewiston! If you have any questions please don’t hesitate to email me at argy.nestor@maine.gov.

h1

Arts Ed Conference

September 27, 2016

Hulteen comes to Maine

Cheryl Hulteen presents:

“Teaching Artful Practice/Practice Artful Teaching”

Thursday, 6 October 2016, 11:30am – 4:00pm

Franco American Heritage Center

46 Cedar St, Lewiston, ME

4 contact hours provided

$40 includes lunch (no cost for full time students)

Registration located at http://mica.bpt.me/

Screen Shot 2016-08-30 at 9.03.10 AMDESCRIPTION of CHERYL’S SESSION
Arts teaching professionals have much to share in their partnership to create personal artful pathways for students to express and explore creative voice through the arts. Using the Multiple Intelligences Theory, join us in a collaboration defining, exploring, celebrating and understanding different practices of artful teaching. We will build a learning community that reflects the role the arts play in everything we do, teach and learn by strengthening the creative exchanges of artful process and practice-defining, exploring, celebrating and understanding different practices of artful teaching. We will build a learning community that reflects the role the arts play in everything we do, teach and learn by strengthening the creative exchanges of artful process and practice.

FOR REGISTRATION CLICK HERE

PRESENTER

Screen Shot 2016-08-30 at 9.03.58 AMAuthor of “YES YES GOOD, The HeART of Teaching”, Master Teaching Artist Cheryl Hulteen has spent over 20 years providing consulting services for school districts, teachers, administrators, parents and students to foster greater learning and insight through building Creative Classroom Cultures. “YES YES GOOD” works with stakeholders across the educational landscape to build exciting, innovative and positive environments for teaching, learning, and arts integrated curriculum development through motivational workshops, professional development and one-on-one coaching. In addition to founding YES YES GOOD, Cheryl also serves as teaching faculty for Connecticut Higher Order Thinking Schools, an initiative of the Connecticut Office of the Arts, managed in partnership with Wesleyan University’s Green Street Arts Center.  “However we may speak, it is through the voices of our children we will most clearly be heard.”

MICA

Following the Arts Ed conference is the Maine International Conference on the Arts. Thursday night and all day Friday. ARTS EDUCATION TRACK for FRIDAY MICA plus other great sessions being offered at the Lewiston Bates Mill.

FOR REGISTRATION CLICK HERE

h1

MacArthur Fellow

September 26, 2016

Anne Basting – TimeSlips

The Maine Arts Commission has offered training in TimeSlips as part of the Creative Aging program. Anne Basting, theater artist and educator created the program and has recently been named a MacArthur Fellow!

Anne Basting, 2016 MacArthur Fellow, Milwaukee/Wisconsin, 9-6-2016.

Anne Basting, 2016 MacArthur Fellow, Milwaukee, Wisconsin

Anne Basting is a theater artist and educator demonstrating the potential of storytelling and creative expression to improve the lives of elders experiencing cognitive impairment. Across a variety of formats and platforms—theater, memoir, narrative, collaborative public performance, and academic research—Basting has developed an alternative concept of aging, one that focuses on its possibilities as well as its challenges and views sustained emotional connections as critical to our well-being as we age.

Her breakthrough project, TimeSlips, is an improvisational storytelling method in which older adults with cognitive impairment imagine stories and poems in response to inspiring cues. Basting used a collection of poems by the residents of Luther Manor Home in Wisconsin to create and stage a theater piece with the residents in 2000. She then refined and transformed TimeSlips into a formal therapy protocol guided by her fundamental insight that the creation of new stories can be an enriching substitute for lost memories. Basting has since created several theater pieces with elder collaborators around specific themes or community issues. The most ambitious of these, The Penelope Project (2010), grew out of a series of writing, visual arts, and music and movement exercises that imagines the life of Penelope as she awaits the return of Odysseus in Homer’s tale. Other projects, such as Islands of Milwaukee (2012) and The Crossings (2014), have encouraged community engagement, promoted intergenerational interactions, and raised awareness around elder safety.

Basting’s perspective on aging and the power of stories is changing the perceptions of caregivers, family members, and policy makers around the artistic and creative capabilities of older adults, regardless of age or cognitive status. Her nonprofit, TimeSlips Creative Storytelling, offers online and in-person training programs and has helped long-term care facilities and caregivers around the world implement TimeSlips. Through performances and scholarship about the development and efficacy of her approach and theater projects, Basting is widening the reach of her artistic advocacy and ensuring that all citizens age with vital human connection.

Anne Basting received a B.A. from Colorado College (1987), an M.A. (1990) from the University of Wisconsin, and a Ph.D. (1995) from the University of Minnesota. She is currently a professor of theater in the Peck School of the Arts at the University of Wisconsin at Milwaukee (UWM), founder (in 1998) and president of TimeSlips Creative Storytelling, and founder and coordinator of Creative Trust Milwaukee. She is the author of Forget Memory: Creating Better Lives for People with Dementia (2009), The Stages of Age: Performing Age in Contemporary American Culture (1998), and The Penelope Project: An Arts-Based Odyssey to Change Elder Care (2016) in addition to numerous articles, plays, and public performances.

h1

MMEA Conference

September 25, 2016

September 30

The Maine Chapter (American Orff- Schulwerk Association) with MMEA (Maine Music Educators Association) are proud to present:

Jonathan Rappaport & Charlyn Bethel

 Flavors of Kodály and Weikart:

Surefire songs, dances, games, and part songs

Sessions to include:

Introduction to the Kodály Concept

A Baker’s Dozen–13 Ways to Teach a New Song

The Sequential Development of Part Work

Teaching Movement and Dance Using Education Through Movement

Friday, September 30, 2016, 9 AM – 3:30 PM at Le Club Calumet – Augusta, ME (334 West River Road Augusta). Credit: 1.5 CEUs from the University of Southern Maine with a paper and lesson plan ($12. charge must be sent to USM at a later date – info at workshop).

For a registration form or more information please contact Nancy Cash-Cobb mainemmeagmpk5vp@gmail.com or call her at 446-1762, Windham Primary Sch00l.

Learn about this internationally-renowned approach to teaching students of all ages in a child-developmental approach of learning music through the human voice, movement, sight-reading, and comprehensive musical understanding. The process of learning is key, with careful preparation, presentation, and practice of all elements, concepts and skills. Covered will be choice of musical materials, sequencing, tools of Kodály teaching (hand signs, solfa, rhythm syllables, letter names), and learning a variety of classroom tested, successful song material.

A Baker’s Dozen–13 Ways to Teach a New Song

presented by Jonathan

Successful learning of a wide variety of song material is critical for the success of the general music classroom at all grade levels. Learn 13 ways of teaching songs that intrigue students, keep them focused, and offer variety to the routines of teaching songs. Songs presented will be time-tested, successful songs useful in a variety of elementary grades.

The Sequential Development of Part Work

presented by Jonathan

Developing part-singing skills takes time and careful sequencing for children to gain confidence, ability, and proficiency. This workshop examines part-work development in a successful sequence of learning. It will include a variety of part music suitable for young voices, including rounds, canons, partner songs, part songs, and folk song arrangements.

Teaching Movement and Dance Using Education Through Movement

presented by Charlyn

This session will outline how to build a movement foundation for your students. Education Through Movement is a process that has analyzed locomotor and non-locomotor movements, which helps the teacher start with what is easiest and progress into more challenging movement sequences that are used in simple folk dances. Topics will include ways of engaging learners to move creatively, the prerequisites to teaching dance, and then practical application to some actual folk dances. Wear comfortable shoes and expect to have some fun!

Jonathan C. Rappaport is Executive Director of Arts|Learning (Medfield, MA), a statewide non-profit organization that advocates for and promotes arts education and systemic education reform, and the Co-Founder/Director emeritus of the Kodály Music Institute, Southborough, MA, (founded 1998) where he teaches conducting and advanced pedagogy and materials analysis.  He was formerly Head of School, Conservatory Lab Charter School (Brighton, MA), and the Performing Arts Liaison of the Worcester (MA) Public Schools.

Jonathan is a conductor, educator, composer, pianist, singer, author, and consultant for school systems.  He has served as the choral director of numerous schools, children’s festival honor choirs, churches, synagogues, and community choral groups. Rappaport has published 18 choral works and 5 books, and is the recipient of awards for his work advocating for the arts in public schools from the MA Music Educators, the MA Alliance for Arts Education, the New England Theatre Conference, and the MA Art Educators Association.  He has taught music, trained teachers nationally, presented at national and state conferences in over a dozen states, and directed choruses for 45 years.

Charlyn Bethell has been using Kodály Methodology in her Concord Public Schools K-5 classes for 28 years. She has been teaching at the Kodály Music Institute since its inception (1998) and presently teaches Pedagogy and Materials to Level II students in that program. She has given workshops for the Organization of American Kodály Educators, the MA Music Educators Assn, and the Boston Area Kodály Educators. Charlyn is the Music Director of her UU church in Watertown and she is a freelance oboist in the Boston area. She is the adjunct oboe teacher at Phillips Andover Academy and she plays regularly with Solar Winds Quintet and Kaleidoscope Chamber Ensemble. She has performed with Monadnock Music, the Rhode Island Philharmonic, Pro Arte Chamber Orchestra, Emmanuel Music, New Hampshire Symphony, and the Opera Company of Boston. She was a founding member of the New Art Winds (woodwind quintet), which made its New York debut in Carnegie Recital Hall in 1985. She has recorded for CRI.

h1

Farnsworth Art Museum

September 24, 2016

Fall Festival

0a698086-c395-46be-b3f7-bdcfa91834d0

h1

Poetry Out Loud

September 23, 2016

Registration for high schools is open

screen-shot-2016-09-21-at-4-42-48-pm

REGISTER NOW!

Poetry Out Loud is organized by the National Endowment for the Arts and the Poetry Foundation; it is administered at the state level by the Maine Arts Commission. Begun in high schools nationwide in 2006, this dynamic program encourages our nation’s youth to learn about great poetry through memorization and recitation. Students have the opportunity to choose from among 900+ poems in the official Poetry Out Loud anthology and then bring their selected poems to life. The program helps students master public speaking skills, build self-confidence and learn about their literary heritage. In addition to providing a meaningful educational experience of poetry in written and spoken form, over $100,000 in awards is given to successful students and schools at the state and national level, including $20,000 awarded to the National Champion.

Rose Horowitz, Mt. Ararat High School, 2016 Maine State Champion

Rose Horowitz, Mt. Ararat High School, 2016 Maine State Champion

Poetry Out Loud offers high school teachers an easy-to-use, standards-based program to help students discover a range of poets from Emily Dickinson to Richard Blanco to Gwendolyn Brooks. Participating teachers receive free materials including a teacher’s guide, lesson plans, and access to audio-visual materials on the art of recitation.

The Maine Arts Commission is pleased to announce that schools can now find online all information about Poetry Out Loud 2016-2017 and register quickly and easily. Schools must register with the Maine Arts Commission by November 7, 2016. Immediately following registration, your school’s identified contact teacher will be sent this year’s program materials and teacher toolkits, which include the newly revised Poetry Out Loud 2016-2017 Teacher’s Guide.

We are thrilled that almost 10,000 students and 220 teachers from 45 high schools across Maine participated in Poetry Out Loud in 2015-2016. We anticipate that this school year will be just as exciting and we encourage all teachers to consider giving their students throughout your school the opportunity to shine in this nationwide celebration of poetry!

Please take a few minutes to view and share the promotional national videos entitled “Get involved in POL!” and “Why Poetry Out Loud?” Also, the Maine Arts Commission has produced a short video highlighting the 2015 Maine State Finals. Lastly, we recommend that you share a short article from The Atlantic entitled “Why Teaching Poetry Is So Important” (April 2014) with students, teaching colleagues, administrators and parents. It is our hope that these resources may help you publicize Poetry Out Loud in your school and support your school’s participation in the program this year.

Please note that Poetry Out Loud can take place in your school anytime between now and January 9, 2017, as the program does not require full class periods and can be completed in just two to three weeks; however, teachers are encouraged to consider making Poetry Out Loud a larger part of their school’s curriculum. Specific lesson plans are available at www.poetryoutloud.org/teaching-resources/lesson-plans. In addition, an explanation of the alignment with both the NCTE (National Council of Teachers of English) Standards and Common Core State Standards is available at www.poetryoutloud.org/teaching-resources/ncte-english-teaching-standards.

Please review the following timeline as you consider registering your school

September – November 2016                   School Registration (ongoing)
November 7, 2016                                       Last day to register for Poetry Out Loud
January 9, 2016                                           Last day for school-wide competitions
January 17, 2017                                          Last day for Regional Finals Registration
January 26, 2017                                         Northern Regional Workshop (4-6 p.m.) (Hampden Academy)
January 31, 2017                                          Snow date for Northern Regional Workshop
February 7, 2017                                          Southern Regional Workshop (4-6 p.m.)  (Portland Public Library)
February 10, 2017                                        Snow date for Southern Regional Workshop
February 13, 2017                                        Northern Maine Regional Finals (Performing Arts Center, Hampden Academy)
February 14, 2017                                        Snow date for Northern Maine Regional Finals
February 28, 2017                                       Southern Maine Regional Finals (Garland Auditorium, Thornton Academy)
March 2, 2017                                              Snow date for Southern Maine Regional Finals
March 13, 2017                                            Maine State Finals (Waterville Opera House)
March 14, 2017                                            Snow date for Maine State Finals
April 24-26, 2017                                        Poetry Out Loud National Finals (Washington, DC)

The Maine Arts Commission believes that the arts are an essential part of a well-rounded education. Through our Arts Education program, we create and support innovative arts learning opportunities that engage both students and teachers in creative thinking, arts participation and the building of vibrant learning communities. Please visit mainearts.maine.gov/Pages/Education/Arts-in-Education to find more information about the benefits of Poetry Out Loud, as well as information on all educational programming offered by the Maine Arts Commission.

If we can provide any assistance with registration or program planning for your school’s Poetry Out Loud program, please contact Argy Nestor, Director of Arts Education at argy.nestor@maine.gov.

h1

STEAM in Poland

September 22, 2016

STREAM camp

img_4192xThank you to Poland Community School art educator, Jonathan Graffius who shared the following information on the summer “STREAM camp” that took place in RSU16. As you will read it was a fabulous opportunity for elementary school student to dive deep into the connections between science, technology, reading, engineering, the arts, and math. During February break 2016 Jonathan designed a STEAM camp so this next step was built on what he learned from that first experience. A meartsed blog post on the STEAM camp is at THIS LINK.

For the STREAM camp, Jonathan designed the concept and the art projects, as well as, making the contacts at the Maine Wildlife park, but there was a team approach to providing the instruction and assessments related to reading, writing and math.  The funding came from a grant that was written by the RSU16 assistant superintendent who also assembled the entire instructional team. Since Jonathan states up front that his expertise is not in reading and writing, therefore he sees the benefits of bringing the staff together who specialize  in literacy and its related classroom instruction. The team worked extremely well together and developed a “center” approach to the STREAM camp instruction that brought individualized literacy instruction to the project. 

RSU 16 SUMMER SCHOOL EXPERIENCE  – In Jonathan’s own words…img_3586

This summer, RSU 16 received a grant allowing Title I students entering grades 3 and 4 to participate in a unique and engaging 4 week STEAM experience. Our goal was to maintain spring reading scores, while providing an engaging program that focused on researching, reading, writing, and creating art based on the animals who live at the Maine Wildlife Park in Gray, Maine. Throughout this program, students positively responded to literacy instruction, participated in a variety of engineering projects, received small group instruction, went on field trips to gather information to influence their work, and were given individualized instructional time with teachers from multiple backgrounds. The staff consisted of classroom teachers, literacy specialists, general education and special education ed techs. Together the team brought their expertise and experience to deliver instruction through center rotations and three highly engaging field trips to the Maine Wildlife Park.

img_3705Each morning students were greeted with a written building challenge. Students were allowed to work individually or in small groups. Students primarily used wooden blocks and craft sticks to solve the daily building challenges, which involved architectural concepts like column, post, beam, cantilever, arch, and span. Building challenges included specific criteria that allowed for a personal aesthetic and individualized problem-solving. These engaging challenges also required students to apply math skills, primarily through the measuring and recording of data, such as height, number of blocks, span distances, and carrying weight, in their science journals. All of the finished products were photographed.

We gathered every morning after our building challenge to conduct a morning meeting. Following components from the responsive classroom model, morning meeting was an important part of every day because it allowed us to become comfortable and familiar with one another, make connections, share information on a personal level, and build our classroom community. During morning meeting, each student was greeted by name and often had the opportunity to share information about themselves to the whole group. Before our meeting ended, the group collectively reviewed the expectations that were drafted by the students on the first day of meeting each other. Students and teachers signed their name in agreement of the expectations, holding everyone accountable for their actions and words. This familiar routine of welcoming and accepting one another each morning helped set a comfortable, safe, and productive tone for the rest of the day.

img_4088After morning meeting, students broke off into four different groups (which were determined by reading performance data) to rotate among four different centers. Our centers included guided reading groups, phonics focus groups, writing workshop, and art. Through small group center rotations, students were able to receive more focused instruction to meet their academic needs.

At writing workshop, students used iPads and laptops to research information about the animal they had chosen to study from the Wildlife Park. Students wrote poems, riddles, and informational pieces about their animal’s habitat. Students used graphic organizers, wrote drafts in their science notebooks, revised and edited their work with support from their teachers, and all ended up having three pieces of writing published in our final, collaborative anthology of the animals we studied at Maine Wildlife Park.

img_4251When students went to the guided reading group center, they were able to receive direct reading instruction at their level while reading a variety of nonfiction texts. Students were supported by reviewing and practicing reading strategies, listening to each other read, and by writing facts about what they learned from their reading in their individual reading notebooks. Students also had the opportunity to use iPads as a technology resource to read or listen to stories and to take comprehension quizzes about the books they were reading right on their device. Using the guided reading model gave the students the opportunity to recall and reinforce skills learned throughout the school year. Our data showed that students had regressed from the end of the school year to the beginning of the summer program. Our work together helped students get back to where they had ended the school year.

img_3922During the phonics focus group, students participated in a variety of vocabulary and word work activities that related to the animal research they were doing for their writing. Students learned visual and oral cues to match all the vowel teams to bump their sounding out skills to the next level. Practice reviewing phonemic sounds and patterns influenced their reading decoding and performance. Students also read silly animal rhyming poems to recognize and read spelling patterns, as well as talk about their animals and what they were learning through their research.

During the visual arts center, students had the opportunity to be creative in a multitude of ways using a large variety of mediums. Students created works of art that related to their chosen animal and its habitat. Student-led inquiry and research provided a solid foundation for realistic and objective representation in their works of art. All students completed representational drawings, “painted-paper” collages, hand-built clay sculptures, and folded paper trioramas of their animal’s habitat. Many students also used digital cameras, iPads and other portable electronic devices to visually record their observations and experiences from their perspective.

img_3676We also were able to utilize our reading specialist during our center rotations as a resource for our most at-risk students. She was able to pull students for 1:1 reading to help them maintain their spring reading scores.

All students contributed research, writing and art work on a chosen animal at the Maine Wildlife Park that was published in their collaborative book Maine Animals–Their Stories. Learning extended beyond the school walls as students had the opportunity to take three field trips to Maine Wildlife Park and observe their animals firsthand. Students filled the role of field researchers at the park, receiving guided tours with volunteer park guides who answered students’ questions about their chosen animal. At the Park, students also photographed their animals in their habitats and took notes in their science journal. Through expeditionary primary research, students gained an authentic purpose to their research, writing and art.

img_4022The grant that was allocated to RSU 16 stated that 90% of our students would maintain their Fountas and Pinnell reading level at the end of the 2015-2016 school year. Students were able to meet this goal through the use of our STEAM model.

Jonathan will be on the STEAM panel at the Maine International Conference on the Arts, sponsored by the Maine Arts Commission on Friday, October 7, at the Bates Mill, Lewiston. The STEAM panel is one of 4 sessions in the education strand being held that day. There are 3 other arts strands along with other opportunities taking place that day and the pre MICA conference for arts educators on Thursday, October 6. To learn more and to register please CLICK HERE or contact me at argy.nestor@maine.gov.

h1

Pecha Kucha in Waterville

September 21, 2016

October 1

pk-v22_poster_oct12016

Held in collaboration with Maine Craft Weekend at the Waterville Opera House on October 1st.

PechaKucha Night Waterville (PK WTVL) Volume 22 promises to be the craftiest PechaKucha Night yet! Held in collaboration with Maine Craft Weekend, all PK WTVL V22 presentations will feature a wide variety of craft stories — including a presentation focused on the history of the Hathaway shirt factory presented by a former Hathaway employee. This will be a night to remember, not a night to miss! PechaKucha Night Waterville is scheduled for Saturday, October 1, 2016 at the Waterville Opera House with presentations starting at 7:20 PM. This event is free and open to the public.

The PK WTVL Volume 22 presenters are Lisa Eaton, Lee Folsom, Laurie LaBar, Johanna Moore, Jennifer Olsen, Nicholas Rossi, Claire Unsinn, and Geoffrey Warner. The event will feature a wide variety of craft stories including hand forged knives, furniture design, historical frame making, Franco-American history in quilted portraits, bow tie making, history of the Hathaway shirt factory and more. Waterville Creates! board President Larry Sterrs will be the emcee. PechaKucha Night Waterville volume 22 will be a fantastic night of merriment, community, storytelling, creativity, and celebration!

PK WTVL is Waterville’s connection to a global storytelling network of creative people sharing their creative muse in 20×20 (20 images showing for 20 seconds each). For more than six years, PK WTVL has brought thousands of area residents together in celebration of passions and creativity. A free opening reception will take place from 5p-7p in the Common Street Arts gallery located at 93 Main Street, Waterville, ME. Light refreshments will be provided in conjunction with the gallery’s mud. works in clay by maine artists exhibition opening. All are invited to this free event!

About PechaKucha Night Waterville
PK WTVL is presented by a volunteer Team PK, Waterville Creates!, and the Waterville Public Library. Four events are held per year. The Colby Center for the Arts and Humanities is the PK WTVL 2016-2017 season sponsor. PK WTVL V22 event is a collaboration with Maine Craft Weekend, Ticonic Tales, Common Street Arts, and the Waterville Opera House. PechaKucha Night was created in 2003 by Klein Dytham Architecture in Tokyo and has become an international phenomenon with events happening in more than 900 cities around the world. The 20×20 format makes presentations concise, keeps the evening moving at a rapid pace, and allows for plenty of discussion among participants and attendees.

%d bloggers like this: