Archive for the ‘assessment’ Category

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MALI Teacher Leader Story: Catherine Newell

March 13, 2019

Music Educator 

This is the last of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Anthony for sharing your story!

Catherine teaching

Catherine Chesley Newell is a music educator who calls herself a “Once-And-Future Elementary Music Teacher”, because that’s what she was before she had her daughter and what she plans to do again in the future. Recently Catherine said: “Right now I have the supreme joy of teaching music with small groups of children ages 2-5 at Beansprouts Early Learning Center in Freeport. From a child development standpoint, this has been the most fascinating part of my career!”

CATHERINE’S STORY

What do you like best about being a music educator?

The magic of making a song or a rhyme or a movement artful. Children’s hands become beehives or sparks or stuck in the mud. A word becomes a laugh, a shout, or a sigh. A song becomes a declaration, an adventure, or maybe a wish. Everything is transformed by imagination into what is needed in that moment. What could be better than that?

What do you believe are three keys to ANY successful visual and performing arts education?

A passion for learning and growth, delight in the success of others, and flexibility. Maybe not THE three keys, but they’re certainly my keys.

How have you found assessment to be helpful to you in your classroom?

If I don’t know where my students are, I can’t lift them up to where they want to go next. Assessment has an undeserved, negative reputation. It needs a rebrand! Assessment isn’t the problem; the problem is when some administrators and politicians think the data gathered should be used to punish educators.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

There’s nothing like spending time with other passionate educators. I come away feeling energized and motivated and full of hope and inspiration. This has been one of the very best things I have been part of and I am so excited to continue our work.

What are you most proud of in your career?

All of the times I was afraid to try something new and did it anyway, or worked through a challenging experience. Especially if it was particularly scary (public speaking leaps to mind!) or the stakes were high. Those are the times I’ve grown the most as a person, musician, and educator.

What gets in the way of being a better teacher or doing a better job as a teacher?

There so very many misconceptions about who is and who is not a musical person or learner. I find that reshaping perception around this is challenging work!

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

My transformation from a “band person” to a “little kids” person. I worked incredibly hard at the Kodály Music Institute to develop the skills I use today. I spent a good part of three years learning repertoire, solfege, pedagogy, and analyzing music. I studied until one or two in the morning every night of my summer sessions in Boston. It was wonderful and worthwhile and I loved it, but it was some of the hardest academic work I’ve ever done. It was, however, luck that landed me in a district that (despite having limited means) supported my summer study. Our local Maine Education Association chapter did a wonderful job negotiating a contract that prioritized professional development!

Look into your crystal ball: what advice would you give to teachers?

Keep growing, keep learning, but take care of yourself, too. Say no when you need to, accept help when you can, and rejoice in your achievements harder than you dwell on your disappointments. Long-term goals are wonderful to have, but the climb is a lot easier if you celebrate along the way!

If you were given a $500,000.00 to do with whatever you please, what would it be?

A good friend of mine passed away at 26 from a lifelong, chronic disease. Her greatest wish was to live long enough to get to be a music teacher. I have long thought that if I ever became fabulously wealthy, I would start a fund in her name to support music education. I think $500K would probably be a good start!

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

Taking so long to join MALI, of course!

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MALI Teaching Artist Leader Story: Kerry Constantino

February 19, 2019

Teaching Artist – Dancer

This is one of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Kerry for sharing your story!

Kerry Constantino

Kerry Constantino began teaching dance to kids right out of college when she graduated college in 2003. Even though she really enjoyed teaching, Kerry felt like she needed more time and experience just creating art. She stepped away from teaching and turned her focus towards developing her technique, studying movement and choreographic theory, and participating in the practice and creation of dance for herself and others. Nearly a decade later, Kerry found herself wanting to teach again, so she applied and was accepted in the San Diego Young Audiences Teaching Artist Training, where she re-learned a lot of things that would prepare her for her role as  a teaching artist. And, she loved it! Kerry really feel at home working with all members of the community. Whether through a school residency or at a private studio, she finds that working with dancers of all ages is so satisfying.

What do you like best about being a teaching artist?

I love being a teaching artist because people, especially young people, are natural dancers.           Giving people permission to move, when so often in a school and work setting, we are told to stay sedentary, is one of my greatest joys.

What do you believe are three keys to ANY successful visual and performing arts education?

I have no idea what would be the key to having a successful arts education, however, I think the thing that stops people from having a successful arts education is a pressure from society that the arts are not valid, or that they are superfluous. The arts give us tools to be creative problem solvers, to think three-dimensionally, and to have the confidence to improvise if we need to. I think all kinds of industries and workplace environments benefit when there are artists at the table.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

Assessment is part and parcel to being a teaching artist. Whether I’m teaching 3 year olds or 70 year olds, having tools to assess how my students are understanding me is important. When teaching dance, so much is dependent on being a clear communicator, I want my students to dance articulately, safely, and joyfully. Knowing how much of my information is getting across is accomplished through using assessment throughout class.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

I have loved my experiences learning with the other educators in the MALI. It has been inspirational to hear their stories and learn from what they are currently practicing in their classrooms. Learning from other teachers and seeing how they organize and strategize their teaching techniques is invaluable.

What are you most proud of as an artist and/or a teaching artist?

I think what I am most proud of in my art is that I haven’t gotten stuck with just one medium. I began as a dancer, but over the years I have continued to be a voracious learner in many different mediums. I don’t think I will ever be satisfied just practicing and teaching one thing, there is so much more to learn. As I have learned new mediums I’ve incorporated it into my own art and into my teaching as well. Sometimes it feels like I’m a bit of a “Jack of all trades” it’s during those times that I remind myself that if I stop learning new things, then I have stopped growing.

Kerry Constantino

What gets in the way of doing a better job as a teaching artist?

I think that the biggest challenge for me as a teaching artist is navigating the process of finding residencies. I still feel really new to teaching, so I’m hoping this gets easier the more that I do it. I tend to retreat a bit when it comes to pursuing residencies because I feel like there are other people who are doing what I do, but with more experience and better. I talk myself out of things a lot and I think this is all born out of fear.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Everything. I have spent years pushing and finding a way to continue as a dancer and movement artist. Sometimes it feels too hard, like if being a dancer and choreographer is this hard, then I just shouldn’t do it, but for some crazy reason I keep going. Every piece of choreography I have shown, every informal performance, every single time I have made dance and shown it there has been a period during my creative process that has felt impossible.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

Go for it! Practice saying what you want to say to your students before you are actually in front of a class. Write down everything. Get a calendar and use it. Don’t worry if you get flustered on the first day and forget your whole lesson plan, you will be ok!

MALI Summer Institute, August 2018, USM

If you were given a $500,000.00 to do with whatever you please, what would it be?

There is so much I could do with $500,000. I have always hoped to own a home that would have a dance/art/movement studio in it. Dance requires a lot of open space, so I think that would be a big thing for me, to have a proper studio where I could hold classes and have informal performances in my own home. One of my first dance teachers lived in a huge old victorian house and the “ballroom” was her dance studio. It is definitely a dream of mine to do that. Oh, and more travel, I have terrible wanderlust.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

If I make it to be 94, I hope that I can see that all of my choices were what made my long beautiful life. I can’t say there would be any regrets at this point.

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MALI Teaching Artist Leader Story: Shawna Barnes

February 5, 2019

Teaching Artist – Sculptor

This is one of six blog posts in 2019 that include stories of the Maine Arts Leadership Initiative (MALI) Phase 8 Teacher Leaders and Teaching Artist Leaders. This series includes a set of questions so you can learn a little bit about each leader. CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 96 Teacher Leaders and 11 Teaching Artist Leaders. CLICK HERE  for Arts education resources. CLICK HERE for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. Thank you Shawna for sharing your story!

Shawna N.M. Barnes is a Ceramic Sculptor who has been focused on teaching for three years. Her favorite group to teach is the one full of people who “don’t think they can” because of a disability. Or never gave art a try because of their disabilities. “Problem solving and finding ways to show them they can create and engage in creativity… is amazing.”

What do you like best about being a teaching artist?

I love all the people I have met as a teaching artist. Doors that have been opened, and opportunities presented. It has provided me the ability to share my passions with others who appreciate it.

What do you believe are three keys to ANY successful visual and performing arts education?

First, allowing for differential interpretations of a topic. Essentially acknowledging that the world is full of gray. And when it comes to art, the spectrum of how art and its concepts are perceived, truly is a spectrum.

Second, the ability to acknowledge that art is a bridge between worlds. Whether that be yours and mine, real and fantasy, or past and future. It allows for difficult conversations to be had, often bridging a divide caused by a lack of understanding. Teaching this concept to our students is vital.

Third, the ability to appreciate content, subject matter and skills needed to complete a work of art without having to like the art itself. The ability to see it with an objective eye.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

Thus far, assessments have helped guide the evolution of my classes and workshops. By evaluating what is working, what is not; what different ages and abilities respond to; I have been able to fine tune the classes so that the highest number of people fund value and enjoyment from the class.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

The benefits have been innumerable! It has been the push I needed to create the resource center in my website. I have been given the opportunity to grow my speaking career by giving presentations at conferences. It has sparked collaborations between several members for brand music, for upcoming tutorials, and similar applications. It has introduced me to a group of peers that have become my support network. It has given me the confidence in my own set business that my intuition is right and I am on the right path.

What are you most proud of as an artist and/or a teaching artist?

I am most proud of breaking barriers and showing others where barriers exist. As a disabled artist, I often chose to just not participate in events and workshops because it was easier. I’m taking my challenges and helping create solutions that benefit not just me… but hopefully generations of disabled learners and artists so that they can have access to creative outlets.

What gets in the way of doing a better job as a teaching artist?

My health, admittedly. It can cause me to be unreliable and miss deadlines. Another factor is physical accessibility to facilities that may want to host me for workshops or seminars

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Simply being an artist is hard work and requires determination every day to put the work in. I work through a variety of disabilities just to be able to create; myasthenia gravis,  cervical dystonia,  hypermobility joint syndrome, seizures, chronic pain, peripheral neuropathy and PTSD are the heavy hitters.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

You will stumble as you find your footing but don’t let that detour you from continuing to put the work in to build the foundation of your career. Don’t be afraid to ask for help.  There’s plenty of room for everyone at the top, do not entertain a scarcity mindset. 

If you were given a $500,000.00 to do with whatever you please, what would it be?

Build my handicap accessible studio. Give a few grants to local artists and arts organizations looking to make their space accessible by adding ramps or stairlifts to their infrastructure. And spend a few weeks in Paris, soaking up all the amazingness that is the Louvre.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

None.

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MICA – Day 2

September 29, 2018

A day filled with GREATNESS

Kaitlin Young in the Idea Lab

The Maine International Conference on the Arts (MICA) wrapped up yesterday with a very full and high spirited, exciting day. The day started with a lively performance by the Maine Taiko Drummers. The Maine Artists Idea Lab stories followed in Hannaford Hall reaching across the many “arts” lines and inspiring folks bringing many to tears.

One of the Idea Lab presenters was Sedomocha School Music Educator Kaitlin Young (Maine 2018 Teacher of the Year) who shared her “teacher” story and reminded me of the importance of “life-long learning”! All of us who call ourselves “educators” can be proud that Kaitlin represents Maine educators who are continuously striving to provide an excellent education for all learners!

The day was filled with breakout sessions on a variety of topics relating to the Maine Arts Commission (MAC) Cultural Plan – Leveraging Investment, Building Capacity, Visibility of Arts & Cultural Sector, Arts Education & Lifelong Learning, and Promoting Cultural Tourism.

Teaching, learning, and assessment panel

Just before lunch Arts EngageME presented their Inaugural Maine Arts Awards to the surprised recipients. Throughout the day there were pop-up performers including Sara Juli, Oratorio Chorale, Portland Piano Trio, Celebration Barn, Golden Oak, and MAMM students.

The PK-12 arts education sessions were informative, enlightening, and inspirational. Thank you to the following who contributed their expertise to the sessions designed especially for educators.

How do teaching, learning and assessment work together in a positive, productive standards-based Visual and Performing Arts classroom? 

Jeff Beaudry, Jen Etter, Kelly Hrenko, Michelle Kaschub, Holly Leighton, and John Morris!

Teaching artists and PK-12 arts teachers session

When Teaching Artists and Arts Teachers Connect, Students Win

Kate Smith, Brian Evans-Jones, Kris Bisson, Tim Christensen, Lori Spruce, John Morris, Carmel Collins

Empowering Your Voice for Arts Education 

Catherine Ring

MAC provides MICA biennially so if you missed it this year mark your calendar for the next one being held in 2020. It will be a great way to celebrate the Bicentennial of our state.

Catherine Ring presenting

Some of the MALI folks in attendance

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Assessment for Learning Series

September 20, 2018

Penobscot River Educational Partnership

Leveraging Assessment Practices to Motivate Student Learning with Jan Chappius. Co-leading this series of PD opportunities are Dr. Jeff Beaudry and Dr. Anita Stewart McCafferty both Educational Leadership faculty at the University of Southern Maine. PREP is delighted to be able to offer this opportunity to not only members of PREP but also to other area school districts. All sessions will be held at Jeff’s Catering in Brewer and will go from 8:30 – 3:00 each day.

The sessions will take place on October 3, January 25, and April 26. To attend just October 3 the cost is $175 and to attend all three the cost is $250.

REGISTRATION

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MICA Arts Ed Sessions

September 8, 2018

Three amazing sessions

This is the third blog post that provides information about the learning opportunities being happening in September from the Maine Arts Commission – the Pre-MICA At the HEART of Education, Thursday, September 27 at USM, Portland campus, Abromson Center. And, yesterday’s post with the overall details for the Maine International Conference on the Arts being held, same place, on Friday, September 28. This post includes the details on the ARTS EDUCATION track with 3 sessions for your interest. Below you will find the details.

CONFERENCE REGISTRATION

Kaitlin Young

Kaitlin Young is one of five speakers that will start off the day presenting in the Maine Artists Idea Lab. It is a fast-paced and engaging peach kulcha-style format that will knock your socks off with the newest innovations.  an Idea Lab.

Kaitlin Young is the 2018 Maine Teacher of the Year and Music Educator from Sedomocha School in Dover-Foxcroft. The room will be filled with Maine’s arts community members including educators. Very exciting opportunity for her to represent arts education among arts supporters.

ARTS EDUCATION SESSIONS

  • 11:00 – 12:00 How do teaching, learning and assessment work together in a positive, productive standards-based Visual and Performing Arts classroom? 

Description

The use of “standards” and “assessments” in visual and performing arts (VPA) education have been discussed, planned for, and developed over many years. A panel of educators will share the work they have underway. Participants are invited to join the conversation – bring your thoughts, questions, and curiosity on why standards and assessments are used in the arts.

Facilitator

Jeff Beaudry

Panel

Jen Etter, Kelly Hrenko, Michelle Kaschub, Holly Leighton, John Morris

Bios

Jeffrey S. Beaudry, Ph.D., Professor, Educational Leadership, University of Southern Maine

Jeff Beaudry

Dr. Beaudry is focused on high impact, classroom and leadership strategies, and how they relate to assessment literacy, assessment for learning (formative assessment), evidence-based practices, and STEAMSS (STEM and arts and service learning). Dr. Stewart MCafferty and Dr. Beaudry just co-authored a book, Teaching Strategies to Create Assessment-literate Learners and Educators, which Corwin Press released in May, 2018. The book provides the research base and multiple examples of practices of high impact strategies of assessment for learning. He also wrote a textbook, Research Literacy: A Primer for Understanding Research, and a book of teaching case study about concept mapping and critical thinking. Jeff passionate about the use of visual thinking in teaching, learning and assessment. He is also very proud of his time as co-director of the Southern Maine Partnership, a regional collaboration of schools and the University of Southern Maine.

Jen Etter

Mrs. Etter is a music teacher at York Middle School in York, ME.  She is currently in her 11th year of teaching chorus, general music and beginning band at YMS.  Within her district, Jen serves on the Leadership Team and played an integral role in helping to transition the York School Department to a proficiency based, student centered model of instruction and assessment.  She has presented on proficiency education at the regional and state level and is passionate about spreading the story of how this has transformed her classroom. Jen has been a teacher leader with the Maine Arts Leadership Initiative since 2013 and in 2014 was selected to featured in the Initiative’s video series on standards-based, student centered learning.  She is extremely proud of the work of this organization and feels blessed to have had the opportunity to be involved with MALI. It is a privilege to be able to work with such amazing arts educators from around the state of Maine.

Kelly Hrenko, Ph.D., Associate Professor, Art Education, University of Southern Maine

Kelly Hrenko

Dr. Hrenko’s current scholarship is within the field of integrated arts and multimodal creative literacies. She uses her position as a teacher educator in the visual arts as a place where several intersections occur; between art and culture, community and school; and interdisciplinary education. She comes from the Midwest where she worked in public and Native American BIA schools, assisting k-12 teachers as they work to integrate the visual arts and native cultures across curricula. Dr Hrenko’s recent publication, Decolonizing Vacationland (Hrenko & Paul, 2017) in Staikidis and Ballengee-Morris (Eds.) Transforming Our Practices: Indigenous Art, Pedagogies, and Philosophies, shares examples of culture based work from Maine classrooms, in partnership with Maliseet teaching artist Mihku Paul. Additionally, Dr. Hrenko works closely with Side X Side, a local arts education non-profit, to support the integration of creative teaching practices and arts-based curriculum across k-12 subject areas.

Michele Kaschub, Ph.D., Professor of Music, Coordinator of Music Teacher Education, Director-Center for Collaboration and Development, University of Southern Maine

Michele Kaschub

Dr. Kaschub is Professor of Music and Coordinator of Music Teacher Education in the School of Music, as well as Director of the Center for Collaboration and Development at the University of Southern Maine. Prior to teaching at the college level, Dr. Kaschub taught 6-12 general and choral music in Camden, ME, and elementary music in Glencoe, IL. Her research interests include children’s composition, composition pedagogy, choral music education, curriculum design/assessment, and the professional development of teachers at all levels. She is co-author of Minds on Music: Composition for Creative and Critical Thinking (Rowman & Littlefield, 2009) and Experiencing Music Composition in Grades 3-5 (Oxford University Press, 2016), co-editor of Composing Our Future: Preparing Music Educators to Teach Composition (OUP, 2013) and Promising Practices in 21st Century Music Teacher Education (OUP, 2014), and has contributed chapters to several pedagogy texts and articles to multiple professional journals.  Michele is currently the Chair & Academic Editor of Music Educators Journal, the most widely disseminated journal for music practitioners in the world. An active clinician and guest lecturer, she has presented research papers and workshops at conferences throughout the United States and abroad.  

Holly Leighton, B.S., Art Education, K-12 Mattanawcook Academy, RSU 67, Lincoln

Holly Leighton

Ms. Leighton is an art teacher at Mattanawcook Academy, RSU 67, Lincoln, Maine.  Holly began her teaching career in the district 20 years ago at the Ella P. Burr Elementary School by developing and implementing the first art program at the elementary level in RSU 67.  Holly is currently in her 4thyear as the art teacher at the high school. Over the past 4 years Holly has participated in district courses and workshops led Dr. Beaudry and Dr. Stewart MCafferty on assessment literacy which has become an important part of her teaching philosophy.  She has continued working with them by attending USM Literacy Conferences and co-presenting at workshops. Holly believes in creating a classroom environment of trust and respect where formative assessments are welcome and occur continuously between teacher and students and between students themselves.   Holly is proud to have become a MALI Teacher Leader and a Teacher Leader at Mattanawcook Academy.

John Morris

Mr. Morris is a dance educator and teaching artist based in Bridgton, Maine. Born and raised in Maine, John performed and taught dance for many years in New York City, before living in the United Kingdom for four years with his wife and stepdaughter. John promotes creative exploration and expression in his teaching, specializing in improvisation and inter-disciplinary collaboration. His writing on creativity and dance has been published in “Creativity Across Domains: Faces of the muse,” edited by James C. Kaufman and John Baer. In addition, he has created a resource for the Maine Arts Leadership Initiative Resource Bank on creativity and dance. He also has a background in large-scale arts assessment, as a consultant for the NAEP arts assessment and the A.P. Studio Art assessment. John is a member of the MALI design team, and is on the Maine Teaching Artists Roster.

  • 2:00 – 3:00 When Teaching Artists and Arts Teachers Connect, Students Win  Description: During the past 4 years, teaching artists and arts educators in the Maine Arts Leadership Initiative have collaborated to provide meaningful, purposeful and authentic learning opportunities for students. Educator collaborations provide opportunities for learners that can surpass what a teacher, working alone, can offer. Hear the stories from these collaborators, bring your questions, share your experiences and imagine the possibilities in more Maine schools and communities.

Description

During the past 4 years, teaching artists and arts educators in the Maine Arts Leadership Initiative have collaborated to provide meaningful, purposeful and authentic learning opportunities for students. Educator collaborations provide opportunities for learners that can surpass what a teacher, working alone, can offer. Hear the stories from these collaborators, bring your questions, share your experiences and imagine the possibilities in more Maine schools and communities.

Facilitator

Kate Smith

Panel

Brian Evans-Jones, Kris Bisson, Tim Christensen, Lori Spruce, John Morris, Carmel Collins

Bios

Kate Smith

Mrs. Smith is an energetic music teacher currently teaching music to preK-third grade students in South Berwick, Maine. Kate earned her music education degree from USM and a Master’s degree in Technology in Education from Lesley University. Kate was honored as 2014 York County Teacher of the Year for her passion for innovation and creativity. Kate serves as a teacher leader and design team member for the Maine Arts Leadership Initiative, the Parade Coordinator for South Berwick’s annual Lanternfest and a coordinator for Central School’s farm-to-table program. Kate lives in southern Maine with her husband and three children.

Brian Evans-Jones and Kris Bisson

Mrs. Bisson is Director of Choruses and a music educator at Marshwood Middle School in Eliot, Maine. She received her Bachelor’s and Master’s degrees in Music Education from the University of Southern Maine and has served as adjudicator and guest conductor for several district choral festivals. She is a teacher leader for the Maine Arts Leadership Initiative, and a member of the National Association for Music Education and the American Choral Directors Association. Her passion for student engagement is reflected in each class she teaches.

Mr. Evans-Jones is a former Poet Laureate of Hampshire, UK, now living in South Berwick, Maine. He studied Literature and Creative Writing at the University of Warwick, UK, and received his MFA in Poetry from UNH in 2016. His poems have appeared in magazines and competitions in America and Britain, and he was the poetry winner of the 2017 Maureen Egen Writers Exchange Award from Poets & Writers. Brian has taught creative writing to children and adults since 2005, and has run poetry residencies and workshops in schools, historic houses, prisons, libraries, and other community and educational venues.

Tim Christensen

Mr. Christensen is a well known ceramic artist, and teaching artist, living in the woods of Downeast Maine. In his practice working in sgraffito on porcelain, he seeks to understand and record the complexities of the systems operating, and changing, in our world today.  In his teaching practice, he helps facilitate learning through the use of visual art as a language, supporting students, teachers, and administrators as they unlock the wonders of our world through art and visual literacy. He has worked in clay since 1999, and been teaching since 2003.

Carmel Collins

Ms. Collins is both a visual arts and dance teacher at Lake Region High School, Maine.  She teaches a variety of arts classes that include ceramics, drawing, fundamentals and the latest addition graphic design.  The dance program offers dance showcase (primarily a performance class) and dance academy, as well as supporting a dance outreach program which serves the district schools. She has served on several educational boards and acted as teacher leader for MALI several times, and served as a member of the reviewing committee in the formulation of the NCCAS. In addition to her classroom duties Carmel also serves the district as K-12 fine arts coordinator and serves on the teacher evaluation committee.

John Morris

Mr. Morris is a dance educator and teaching artist based in Bridgton, Maine. Born and raised in Maine, John performed and taught dance for many years in New York City, before living in the United Kingdom for four years with his wife and stepdaughter. John promotes creative exploration and expression in his teaching, specializing in improvisation and inter-disciplinary collaboration. His writing on creativity and dance has been published in “Creativity Across Domains: Faces of the muse,” edited by James C. Kaufman and John Baer. In addition, he has created a resource for the Maine Arts Leadership Initiative Resource Bank on creativity and dance. He also has a background in large-scale arts assessment, as a consultant for the NAEP arts assessment and the A.P. Studio Art assessment. John is a member of the MALI design team, and is on the Maine Teaching Artists Roster.

Lori Spruce

Mrs. Spruce is a visual art educator at Brewer High School in Brewer, Maine. She teaches multiple art classes including Art 1, Painting, Photography, Graphic Design, and Advanced Placement Studio Art.  Lori received her Bachelor’s Degree in Art education and Studio Art from the University of Maine in Orono. She is proud to have been instrumental in creating the digital media arts program that is now offered at her school that includes a traditional black and white photography darkroom as well. She is also the curriculum leader for the visual and performing art department at Brewer. She is a teacher leader for the Maine Arts Leadership Initiative, a member of the Maine Arts Education Association, and Art in the Heart of Maine. Lori lives in Lamoine, Maine, with her husband and son and is a painter in her artist time.

  • 3:15 – 4:15 Empowering Your Voice for Arts Education 

Description 

We often underestimate the power of our passion and voice for arts education. Yet, we’ve seen students, educators, artists, arts organizations and community members find their voice, build their stories and messages, back them up with research and evidence, and become leaders and advocates for arts education in powerful ways. In this session, we will explore ways to empower our voices, use helpful resources that are just clicks away, and be on our way to making an impact with our hopes and dreams for the arts in education!

Presenter

Ms. Ring is Executive Director of the New England Institute for Teacher Education and teaches graduate level courses to educators across the state of Maine. She co-founder of the Maine Arts Leadership Initiative and has served on the core leadership team since it was established in 2010. Catherine completed her Education Leadership studies at the University of Vermont and received her Master of Arts from Vermont College of Norwich University. For her thesis, entitled “Education and the Arts, Toward Creative Intelligences,” she researched the role of the arts in learning and has worked closely with classroom teachers, helping them to integrate the arts into their regular curricula. As Principal, Catherine helped to bring to her school district the Kennedy Center’s National Partnership program. She assists school districts throughout Maine with differentiated instruction, arts integration, and gifted and talented programs. Catherine is the 2014 Advocate of the Year by the Maine Art Education Association. Catherine returned to the art classroom in 2016 and is teaching on Isle au Haut. 

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MALI Summer Institute

August 7, 2018

Work is just beginning

Even though another Maine Arts Leadership Initiative Summer Institute (MAL) is history (number 8), the work for the MALI Teacher Leaders and Teaching Artist Leaders is just beginning.

I am so impressed with the topics that participants have taken on – each year the work is more comprehensive! I will include information about the research the leaders have underway in a future blog post.

The work is challenging and participants make a commitment to stretch themselves as they build on their knowledge and expertise as educators in the arts. MALI’s educators are committed to providing quality arts education for every Maine learner.

Often I am asked so what’s MALI all about and how can it impact me as a teacher? Below you will find some of the initial feedback received at the conclusion of the institute. The comments reflect the thoughtfulness of the participants and will provide a glimpse of the power of participating in MALI as a “leader”.

  • This institute may have changed my entire outlook. I feel like I have value and can help others through my work.
  • The energy was great.
  • Thank you for bringing us all together! The constant stimulating conversations are exhilarating! (joyfully exhausting). I LOVED the storytelling element.
  • Powerful presentations great stories
  • Gained a tremendous amount of insight into other teacher’s schools, jobs and lives. Always amazing experiences with MALI.
  • Thank you for the community connection of the Museum of Art and Ashley. Very inspiring.
  • Lots of great info. Introduced to new concepts. Networking and connections.
  • Amazing sharing! Inspired beyond belief by my peers.
  • Once again, I’m leaving excited about this year.
  • Leadership and creativity hit the spot for me personally. As always you can’t beat the connections made and renewed at MALI. I think I have benefitted a lot from a few key conversations.
  • OMG! I needed a 4thday now! Can you believe it? Great re-boot to my goals as an educator. Focused organization to start the year!
  • It was great! I have much to ponder over the coming months.
  • Lots of great information and inspiration. I liked the small workshops best.
  • I feel motivated and empowered by being around so many like-minded people. The positive energy that is found in this room is amazing.
  • This might be my favorite yet! I feel so fulfilled but not overwhelmed! So re-energized! Thank you and so much love for this organization!
  • I find it fascinating that as we add years on to our MALI gatherings our topics and ideas for our projects and presentations get bigger, better, deeper, more thoughtful, more global. I am so lucky to be part of this organization. Your hard pre-game work was truly appreciated!
  • Love the peeps – Love the sharing – especially the personal journeys. Leadership and artistic.
  • My overall reflection brings me to WOW! I have thoroughly been challenged, inquisitive, curious, exhausted, reignited, and REWARDED. Being surrounded by greatness has, again, been humbling.
  • This was an awesome opportunity to converse with people with similar professions and a wealth of experience to reflect on.
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