Archive for the ‘assessment’ Category

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Book Arts Making a Difference School Wide

March 7, 2023

Gardiner High School

Periodically I have learning opportunities that are so pleasurable! I am grateful that I have more flexibility in my schedule at this point in my life to consider options. Last fall I participated in a Book Arts class that took place at a beautiful location, a stones throw from Mussel Ridge Channel, in the mid-coast called 26 Split Rock Cove located in S. Thomaston. 26 Split Rock Cove is owned by artist and poet Sandy Weisman who moved to Maine in 2010 after working at Massachusetts College of Art as the director of museum education.

It was fun to take the class alongside retired Bangor High School art teacher Kal Elmore. It was like a mini-Haystack workshop with a variety of people (artists, educators, and creatives) attending. A pleasant surprise was meeting Gardiner Area High School (GAHS) science teacher Sharon Gallant.

This wasn’t the first book making class that Sharon had taken. In fact, in the summer of 2021 she had taken a week-long bookmaking summer class at the University of Southern Maine. At the conclusion of the class Sharon was so excited that she wrote a grant to Oak Grove for funds to support a school wide book making project. Her goal for the 2021-22 school year was simple but enormous – transition the school/subjects/teachers and students from paper and pencil to creating books. Sharon provided book art training to staff. We all know the value of professional development for teachers and when a staff come together to learn, community is created and expanded upon. In this case Sharon noticed that the staff confidence grew, classrooms opened to possibilities for projects, and conversation was stimulated among staff implementing projects as curriculum options were considered.

“Participants discussed ways they might use the book art samples in their classes in the varying content areas in the upcoming year. Participants were informed of the grant and the opportunities for supplies to be checked out from the library, prep of supplies by students doing community service, and support from us. In November (2021) and in March (2022), 21 staff members across all content areas participated in learning book art creation techniques.”

You might be asking WHAT? and wondering WHY! This is an example of one teacher getting excited about something learned, trying it in her classroom and understanding the potential of student learning all because of making books!

Librarian Debra Butterfield has been incredibly supportive and added so much to the project. A room off of the library was set up to store the materials and provides access for students to check out the materials, the same as library books. The school has a community service component as part of high school graduation. Debra worked with three trained student volunteers and as other students saw volunteers using professional cutting machines and a variety of tools provided by the grant, other students offered to volunteer. The student volunteers have grown to twenty who are not involved in sports or other clubs. The preparation of materials before, during, and after school has connected them to GAHS in a meaningful way. One student stated, “ I love preparing book art materials because I see in classes how much teachers and students appreciate that the supplies are prepped for them.” Volunteers have learned the importance of quality control, deadlines, and school service.

After I met Sharon at the Book Arts workshop we arranged a day for me to visit GAHS. I spent time with students in the social studies class with teacher Susan LeClair. Students were totally engaged in creating accordion books on The Great Depression and New Deal. The approach was structured but flexible, the materials plentiful, the atmosphere was supportive, relaxed and creative. The classroom was set up similarly to a ‘workshop model’. Students are introduced to history material, art materials and techniques at different intervals in the book making process. They work independently understanding their goals using a rubric based on a total of 100 points.

  • Causes of the Great Depression – 50 points
  • New Deal Programs – 50 points
  • Illustration – 25 points
  • Organization – 25 points

Susan is a veteran teacher having seen many changes during her teaching career. She shared that students had become passive, going through the motions of learning, memorizing for the test and to obtain a good grade. Many immediately forgetting material as soon as information was spit out for the paper and pencil test. Making books provided the opportunity for students to demonstrate learning in an engaging way. Understanding and retention of the material was evident as they created the story using illustrations. Not to mention students were proud of their creations.

As the school year, 2021-22 continued the ideas morphed and grew. Sharon’s description of what followed, thanks to the enthusiasm of teachers and the grant funding:

We have supported a range of projects this year with our support with instruction in classes. Following is a sample of some of the projects implemented this year that replace traditional paper and pencil assessment. A biology teacher created nature journals with compartments for collecting samples. A foreign language teacher had year four students create illustrated children’s literature books and then hosted a student lead reading to other foreign language levels. Social studies teachers have created a variety of projects as they have learned about the founding of our country, abolitionists, immigration, and world cultures. English teachers are currently having students create illustrated poetry selections for National Poetry Month, a showcase for learning from a variety of texts read this school year, and another focused on the exploration of fairy tales. Our library is physically in the center of our school with an English/social studies wing on one side and a science/math wing on the other. Historically students have rarely shared about their assessments for learning from one side of the building to another. Book art, however, has changed the culture. It has been a connecting force with students talking with each other across classes and disciplines. Through these projects, we have had a focus on developing templates as rough drafts and this repeated experience has fostered a habit of mind focused on quality, planning, and revision that we see transferring to research, the writing process, and scientific inquiry. This has been an unexpected benefit of the grant. Students have been more present in their learning and deepened their own personal expectations for quality. One student stated, “Thank you so much for letting me make a book to show what I know. I don’t test well, and I’ve never felt the teacher knows what I know.”

Beyond projects in the classrooms, we have offered opportunities for students and staff to come together for after school sessions to learn advanced book art making techniques with holiday card making in December and Valentine card making in February. The sessions were intended from 2:00 to 3:30, but because students and staff were in the flow of creating together, the events lasted closer to 5:00 pm. Several students reflected on how amazing it was to be a learner along with their teachers. These experiences, which created amazing positive school energy, showed students the role that book art can play beyond the classroom for personal pleasure and engagement.

Due to such a positive response from students, we quickly realized that students needed a venue to showcase their impressive book art. We approached the art teacher, who has an annual K-12 art show, to feature book art as an added feature to expand the show to an art extravaganza. We have invited all students who have made a book to participate in the show. One student, who struggles academically, exclaimed in shock and delight, “You seriously want to show my book. No one has ever asked to have my work displayed!” This reaction alone exemplifies our belief that students need an alternative form of assessment. Book art fills that space.

No doubt about it, the excitement and impact that one person has made, the collaborative spirit and flexibility of staff and the support from administration has all come together to make a huge difference in teaching and learning at GAHS. Evaluating the program helped determine the next steps for Year 2. And, funding helped again. Sharon’s words describe it best:

During our tremendous success with book art as an alternative form of assessment, we quickly realized that there was still work to be done. We have a large population of students without access to materials at home, a space at school to complete book art projects, and the need for additional after school enrichment experiences.

The first year of Turn the Page funding allowed us to introduce a new form of assessment and purchase materials for multiple classes to simultaneously work on these projects. While several class periods are devoted to time in class for these projects, to ensure the quality of work required to complete a book, students are asking to work on the books at home. With the additional funding, we created supply kits, issued through the school library catalog, with all necessary materials for students to bring home to further work on their books. Not only does this assist students who need more time, but it also makes it easier for those who are economically challenged to have access to all materials not available at home. Through all of the amazing success of year one, we did note the disparity between students who had home access to additional embellishment and those who struggled with the basics. These kits eliminate any barrier for success.

Book art has truly made a significant shift in our attempt to establish learning environments and experiences that feature collaborative relationships, rigorous and meaningful curriculum, and shared instruction. It also addresses various forms of inequity and empowers young adults to thrive at school.

GAHS’s commitment to responding to and making needed changes are exemplary. What an outstanding example filled with possibilities. I am grateful that I had the opportunity to meet Sharon and visit the school to see the project in action! Are they proud of their accomplishments? You betcha; again in Sharon’s words:

We are very proud and grateful for what this grant has allowed us to do for professional development, student engagement, and expanded community connections. We have presented to the Plymouth State art class, at Viles for a pre-service teacher training , and a Saturday Maine Association of School Libraries conference session scheduled. Students have told us that they want to create with their hands, do meaningful projects, and have deep engagement with their learning.

Susan LeClair, Social Studies teacher – Sharon Gallant, Science teacher

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Critical Thinking

July 26, 2022

Resource

This resource came across in my email recently. Even though the source is not specifically an organization focused on education I think it might be useful in planning lessons/units for teachers/students.

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World Alliance for Arts Education

June 27, 2021

World Summit – October 11-15

The World Alliance for Arts Education (WAAE) 2021 Virtual World Summit will take place from October 11-15, 2021. The summit is titled Arts Impact 2021: Context Matters, and focuses on Arts Assessment and Evaluation. The purpose of the summit is to bring together arts education professionals worldwide to share the latest research, thought, and practice in arts education assessment and evaluation. We invite primary and secondary school arts educators, higher education professionals, arts education researchers and policymakers, national, state and local education officials from across the world to come together virtually at this international event.

The WAAE 2021 summit will host one pre-summit event, the Young & Emerging Leaders Forum (YELF). This event provides a space for young scholars, emerging leaders, and new colleagues to the field of arts education to share work and develop a community of learning for expanding the pipeline of leaders in the global field of arts and cultural education. The Forum will be coordinated by Jeff M. Poulin, the managing director of Creative Generation.

Proposals are now being accepted for the Virtual World Summit and YELF.

Registration will open on July 6, 2021. If you are interested in registration information, please enter your contact information here

Please help us spread the word. At the close of this email, please find pre-written blurbs to include on social media or in organizational newsletters.

Sincerely, 

The Summit Co-Chairs

Dr. Timothy Brophy, University of Florida

Marcia McCaffrey, State Education Agency Directors of Arts Education (SEADAE); New Hampshire Department of Education

Jeff M. Poulin, Creative Generation

SAMPLE NEWSLETTER, FACEBOOK, OR LINKEDIN BLURB:

Call for Proposals: World Alliance for Arts Education Virtual Global Summit 

The World Alliance for Arts Education is partnering with the University of Florida and SEADAE to host a virtual World Summit from October 11-15, 2021. This event invites out-of-school time, primary and secondary school arts educators, higher education professionals, arts education researchers and policymakers, national, state and local education officials from across the world to submit proposals and attend the summit to network; share research; and examine quality structures, processes and practices. Ahead of the summit, there will be a Young & Emerging Leaders Forum on October 11. Deadline to submit a proposal is July 19, 2021, with decisions by August 30, 2021. More info: http://bit.ly/WAAE2021

SAMPLE SOCIAL MEDIA POST:

Submit a proposal now for the World Alliance for Arts Education Virtual Global Summit focused on examining quality structures, processes and practices of assessment and evaluation in #ArtsEd. The Summit will be held virtually from October 11-15, 2021.  More info: http://bit.ly/WAAE2021
— 
Jeff M. Poulin (he/him/his)Managing Director Creative Generation www.Creative-Generation.org@Campaign4GenC on TwitterInstagram, and FacebookFind us on LinkedIn

jeff@creative-generation.org

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APPLY now!

June 21, 2021

Deadline tomorrow for MAEPL

Curious about the Maine Arts Commission (MAC) program, Maine Arts Education Partners in Leadership (MAEPL)? Wonder why you should consider applying? Listen to arts educator and veteran MAEPL Teacher Leader Charlie Johnson at THIS LINK explain his reasons and the benefits that he’s experienced during his ten years of participation!

DEADLINE TO APPLY IS TOMORROW, JUNE 22, 2021! DON’T DELAY!

DETAILS – THIS LINK

APPLICATION – THIS LINK

DOWNLOAD THE BROCHURE that contains all the information you need!

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Great Opportunity

June 18, 2021

What are you doing July 27-28?

Interested in getting together with other Maine Arts Educators and Teaching Artists? Learn more about Maine Arts Education Partners in Leadership (MAEPL) and consider applying to attend the summer institute and become a Teacher Leader or Teaching Artist Leader for the 2021-22 school year.

At the Summer Institute new Teacher Leaders and Teaching Artist Leaders will learn foundational practices in instructional design and leadership skills. Participants will take part in a variety of workshops focused on emerging needs in Arts Education professional development.  

Collaboration, networking, and the sharing of resources are an expectation as a member of the MAEPL community.  During the Institute participants will develop an individualized growth plan that will be shared with others for feedback and suggestions.  

Throughout the school year, participants will continue to share how their individualized growth plan is developed and implemented, and they will have the opportunity to share at a Critical Friends Day, and with a thought partner.        

There is a Winter Retreat with participants to review and reflect on the work done, and allow for time to get feedback to plan for the next Summer Institute.  

Listen to Teacher Leader Kris Bisson talk about her experiences being involved with MAEPL

Teacher Leader/Teaching Artist Leader Annual Expectations: 

  • Attend Summer Institute 
  • Work with a thought partner 
  • Develop a individualized growth plan 
  • Share the outcomes of your individual growth plan within the MAEPL community and beyond (i.e. workshop, resource, video, article, etc.) 
  • Share feedback and information about MAEPL through teacher leader stories and as part of your outcomes of your personal growth plan 
  • Collaborate, network, and share resources 
  • Participate in Critical Friend Day 
  • Attend Winter Retreat

Teacher Leader/Teaching Artist Leader Opportunities: 

  • Membership in the vibrant MAEPL community
  • Access to online resources 
  • Learn/Experience creative activities together 
  • Collaboratively develop educational resources 
  • Establish and work toward an individualized growth plan
  • Take on leadership and facilitator roles in MAEPL, Arts Organizations, and school communities 
  • Connect and make long-lasting relationships with other arts educators  
  • Network across diverse arts disciplines 
  • Access cutting edge professional development for emerging needs of our students and leaders within the arts educational community and beyond
  • Learn from experienced leaders 
  • Gain recertification hours 
  • Partner with the Maine Arts Commission Arts Education Program 

JOIN US!  Become a Teacher Leader and Change Lives.  

APPLY TODAY — CLICK HERE  June 22, 2021 deadline for new and returning applicants

IMPORTANT THINGS TO KNOW: 

SUMMER INSTITUTE

Pilgrim Lodge is a camp run by the United Church of Christ of Maine on Lake Cobbosseecontee in West Gardiner, with cabins with electricity and plumbing, large indoor and outdoor meeting spaces, modern dining facilities, wifi in main buildings and good general cell reception, and recreation options, including swimming, human-powered boating, and trails.  

APPLICATION

Administrator Name/contact information

Paragraph of Interest — Selected individuals will be expected to be active leaders in helping to develop and support excellence in teaching and learning in Maine. A full commitment to the Institute timeline is expected as seen in the online information sheet.  Please attach a brief overview of your interest and current/past experience (if any) in Leadership. Include your experience collaborating with other arts educators and experiences relevant to the initiative.  (Please no more than ~ 500 words, about 1 page.) 

Resume/CV —  If you are a Teaching Artist, please also include websites or documentation of your teaching work.  

Letter of Reference – TEACHERS: This should be from your administrator.  TEACHING ARTISTS: This should be from a school or community  organization with whom you have worked.   Please attach a Letter of Recommendation in which the person includes comments and/or examples reflecting your leadership potential and your ability to work collaboratively.  Selected individuals will be responsible for sharing their newly developed expertise and related classroom experiences with other arts educators.

Questions? Contact Maine Arts Commission Director of Education, Martha Piscuskas at Martha.Piscuskas@maine.gov.

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The Art of Education University

May 24, 2021

Learning opportunities for art teachers

PODCAST

The Art of SEL is a limited-run podcast about connecting social-emotional learning to what we already do every day in our teaching. Throughout eight episodes, Jonathan Juravich and his guests will explore how we can help ourselves and our students understand emotions, thoughts, feelings, and behaviors and why that understanding is crucial right now.

Each episode is based on one of the core competencies of SEL, self-awareness, self-management, social awareness, relationship skills, and responsible decision-making, with practical applications at every turn for you and your students. The first episode was released on Monday, May 17th.

Find The Art of SEL podcast and get started listening to the informative content that the Art of Education University is providing.

SUMMER CONFERENCE

Art teachers world-wide are invited to attend the summer conference provided by The Art of Education University on July 29. Enjoy a day full of artmaking, creativity, and discovery with thousands of art teachers from around the world—all without leaving your home! You’ll walk away with loads of inspired ideas, resources, and downloads you can immediately implement into your art room.

Highlights include:

  • Highly-engaging, fast-paced TED Talk-style presentations full of real-world, practical art room strategies.
  • Connect with over 2,000 art teachers from around the world!
  • Over 20 highly-practical and relevant art ed presentations, handpicked and expertly curated by AOEU.
  • Useful downloads ensure you can actually put the tips and strategies you learn to use right away in your real-world art room.

REGISTRATION

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MECA Courses

March 25, 2021

May Online Term

Maine College of Art’s (MECA) Office of Continuing and Professional Studies in collaboration with the college’s Master of Arts in Teaching program are pleased to offer two fully online courses for this May term. These Graduate-level courses offer 3 credits each at a discounted, non-matriculated rate. The two art education classes are certification requirements for folks seeking a Visual Art teaching endorsement. If you know any community artists or educational technicians that may be interested in becoming an art teacher, this would be a perfect opportunity for them to move closer to that endorsement. 

To learn more go to MECAs Continuing Studies webpage with the class listings.

May Term at MECA is five weeks, from May 15 to June 20. May Term 2021 offers: MAT 806: Teaching Exceptionality in the Art Classroom with Heather Nunez-Olmstead. MAT 815: Methods of Teaching Art in the K-12 Classroom with MAT Program Chair, Dr. Rachel Somerville, Ed.D.

Below is a video that provides information on the two courses being offered.

If you have questions please contact Rachel E. Somerville, Ed.D. Interim Chair & Director of Art Education Outreach at rsomerville@meca.edu. For more information about May Term classes, visit: https://cs.meca.edu/​ or call us at 207.699.5061.   

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Assessment in Maine

February 3, 2021

Maine Department of Education release

As the nation  explores the future of education and embraces opportunities for new and innovative approaches to student instruction and assessment, the Maine Department Of Education (DOE) is excited to develop a more meaningful approach to assessment.  

The federally-mandated State summative assessment is an essential component of an equitable instructional cycle. The assessment serves multiple purposes for educators, students, parents, policy makers, and community members, all with the shared goal of supporting student growth for lifelong learning. 

The COVID-19 global pandemic has afforded educators the opportunity to meaningfully reflect on instructional practice, outcomes and student learning. As educators continue to explore opportunities for authentic learning, we are observing an increase in  interdisciplinary/integrated instruction and the ability of students to apply their learning in a real-world context. With this in mind, and to ensure we are assessing student learning in a similar and authentic manner, the redesign of state assessment is underway.  

The Maine DOE is seeking individuals interested in being involved in role specific assessment redesign focus groups. These focus groups will serve as collaborative thought partners as Maine’s approach to assessment and accountability is redefined, reframed and redesigned. 

From these role alike focus groups, an ESSA Advisory/Maine TAC will be established. The ESSA Advisory/Maine TAC will represent the geographic and demographic diversity across the state and will be responsible for assisting the Department in synthesizing focus group feedback, suggestions, and best practice approaches to develop a cohesive assessment and accountability plan that addresses and supports the needs of Maine students while assisting Maine in meeting ESEA Federal assessment and accountability requirements 

In the coming months, role specific focus groups will meet for a half day on a bi-monthly basis. Additionally, those nominated from within focus groups to serve on the  ESSA Advisory/Maine TAC will meet for ninety (90) minutes once per month for an extended period of time.  If you are interested in being a part of this work, please complete the intent to participate form by February 26.  

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MALI Becomes MAEPL

December 8, 2020

Teacher Network Rebrands its Commitment to Arts Education

The Teacher Leader network known as MALI, or Maine Arts Leadership Initiative, has taken on the new mantle of MAEPL, Maine Arts Education Partners in Leadership, with the revised mission to develop and promote high quality arts education for all.” Leaders of MAEPL say the new name and mission statement better encapsulates what this community of arts educators has been and will continue to be. The process evolved as a result of bringing in new staff and expanding the organization’s leadership structure. Jake Sturtevant, music educator at Falmouth High School, longtime MALI member and Chair of the MAEPL Vision Team, said, “We are still committed to partnering with each other to be resilient, compassionate, and curious Teacher Leaders for our students and in our communities.”

2014 Summer MALI Institute

MALI, now MAEPL, a program of the Maine Arts Commission, is a unique teacher leader development program specifically for preK-12 visual and performing arts (VPA) educators from across the state, one of the very few in the country.  Led by active educators, they focus on the emerging needs of the field.  Components of the year-long program for both classroom teachers and teaching artists in all arts disciplines include community-building, an annual Individualized Professional Development Plan, structured mutual accountability, and leadership development. Over 120 Maine VPA teachers, as well as teaching artists, have participated in the last ten years.  

Even before the pandemic, teachers of the arts often felt isolated.  School district-level trainings are often geared towards general or “core” subject teachers.  “I’m only one of two in my district teaching elementary music.  We are in our little islands, far from anyone else doing what we do,” said Kate Smith, 2014 York County Teacher of the Year and MAEPL Program Team Leader.  “MALI changed all that.” 

Pamela Kinsey, Lori Spruce, Kate Smith, Pam Chernesky, Julie Richard, Winter Retreat 2020

This past year the group took a deep dive into their own organizational structure, assessing and clarifying their policies and processes. Even through the pandemic, the Leadership Teams met and solicited input from the entire membership, and determined a new name, a refined mission, and a new logo. “We chose the whirling maple seed pod as our new symbol because we felt it reflected the best of what we do – taking new ideas, learning and sharing together, then planting them throughout our school communities,” said Jennie Driscoll, visual art educator at Brunswick High School and Vision Team member. “It’s got our energy.”  

In 2020 they also delivered a virtual Summer Institute to 50 VPA educators, addressing the social and emotional resiliency needed this year. In addition, many members led efforts to support and connect with other teachers quickly adjusting to online instruction, leading virtual seminars through the Maine Department of Education and the Maine Arts Commission.

Group exercise at Winter Retreat, 2020

 “MALI grew a wealth of resources and committed members over the years,” said the current Director of Arts Education for the Maine Arts Commission, Martha Piscuskas, referring to the online Resource Bank and Arts Assessment Resources website, available free to all teachers. “We wanted to build on those strengths.” In addition to the professional development programs, next steps include creating an advisory council, streamlining their web presence, and continued advocacy for the sector. 

The group formed in 2010 to focus on student assessments, an emerging need for visual and performing arts teachers at that time. After learning from other states, a small group of educators led by Argy Nestor, the former Director of Arts Education at the Commission, Rob Westerberg, Choral Director at York High School, and Catherine Ring, former school administrator and art teacher, created the Maine Arts Assessment Initiative. They established the multi-day Summer Institute, sharing a framework and best practices for successful arts assessment in the classroom. “We quickly became the assessment experts in our schools,” said Sturtevant. 

Hope Lord and Adele Drake, MALI Summer Institute 2017

In 2015 the group added “teacher voice” and advocacy to their mission, becoming the Maine Arts Leadership Initiative (MALI), again addressing emerging needs of the sector. “I never would have thought to seek out leadership positions, continue my graduate studies, or have presented at conferences without the support and influence of MALI,” said Iva Damon, visual art teacher and Humanities Department Head at Leavitt Area High School.    

For more information about MAEPL, and to learn about how to get involved, contact Director of Arts Education for the Maine Arts Commission, Martha Piscuskas at martha.piscuskas@maine.gov. Arts education resources developed over the years are accessible through the Maine Arts Commission’s website, https://mainearts.maine.gov/pages/programs/maai.

The Maine Arts Commission is a state agency supporting artists, arts organizations, educators, policy makers, and community developers to advance the arts in Maine since 1966.  www.Mainearts.com


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Institute for Arts Integration and STEAM

October 28, 2020

13 Strategies for Making Thinking Visible in the Classroom

For many educators focusing on the process and not the product has been a gradual change. The pandemic has forced this shift rapidly and educators are gracefully embracing it in many cases. This requires a growth mindset and ideas and suggestions from supportive colleagues. Susan Riley’s Institute for Arts Integration and STEAM has put together a comprehensive list of strategies that you can apply (in person and/or remotely) in your classroom environment that will make your students thinking visible.

Why make learning more visible you may wonder? Critical and creative thinking skills are an integral part of teaching and learning, always have been part of arts education. I’m glad that other educators have gotten on board with this in this 21st century. One key for developing and assessing critical and creating thinking skills is to making thinking more visible. If we can see the process students are using to analyze problems, make predictions and draw conclusions, teaching and guiding students thinking becomes easier.

I encourage you to take a look at the ideas Susan Riley suggestions below to support your teaching and students learning.

  1. Use Artful Thinking Routines
  2. Try Close Reading of an Art Composition
  3. Connect with Cooperative Poetry
  4. Explore Ekphrasis Poetry for Vivid Language
  5. Generate One Word Focal Points
  6. Develop Collaborative Narrative
  7. Sketch to Write
  8. Create an Art Recipe
  9. Design Haibun Poems
  10. Perform a Human Slideshow
  11. Build Summarizing Skills
  12. Composing a Soundtrack
  13. Produce Curriculum-Based Reader’s Theatre
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