Archive for the ‘Food for thought’ Category

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Leadership

September 19, 2020

Simon Sinek

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Role of Joyful Music

September 18, 2020

Report from Wolf Brown

Dennie Palmer Wolf is a friend of Maine Arts Education having been the consultant in our first state wide census that was a project of the Maine Alliance for Arts Education. The Maine Department of Education and the Maine Arts Commission collaborated on the project in 2007.

In July 2020 Wolf Brown released a report for the Bernard van leer Foundation called Making a Joyful Noise: The Potential Role of Music Making in the Well-Being of Young Families. I encourage you to download the report (no matter what grade level you teach) and use segments of it to support your music programs. It is timely with the pandemic dictating parents to take a more active role in their child’s education. We know it is critical that the school and home teaching and learning be filled with balance. Not to mention the enormous benefits to the development of young children and how to support learners on the ‘human’ side through all of this.

The report highlights several areas and provides a substantial overview of why music is important to our youngest learners. It is broken down by periods of development; Pre and Perinatal Period, Early Infancy: 2-5 Months, Later Infancy: 6-12 Months, Interdependence and Autonomy: 1-3 Years, and Expanded Learning: 4-5 Years. Researchers looked closely at programs across the country and around the world. Schools with pre-school programs would find this report useful. Many of our students have younger brothers and sisters so sharing the report through school and district newsletters would help build future elementary programs.

Wolf Brown include techniques and activities for adults to guide young children in their development and joy of making music, what an emphasis on music provides young children and families, and how music impacts their well being and social emotional learning.

Interestingly enough the opening report statement on “why music matters” is comprehensive and supports why music matters for every individual and family in the world.

Find the report at THIS LINK

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The Ways of Our World

September 17, 2020

Rapid changes

I don’t know about you but ideas continue to fly into my email box on how best to do “school” at this time. I trust and value some resources more than others, sometimes depending on the source. Edutopia from the George Lucas Educational Foundation provides thought provoking and action packed articles, many times written by practicing educators. When I see that, it’s a 5 Star resource. Below are links to articles sent by Edutopia that contain valuable teaching strategies. Most of them include addressing the social and emotional learning needs of students. Even though not all are not specific to arts education they can be adapted and I hope you find at least one useful. You can sign up to receive Edutopia emails by going to their website.

  • Teaching Drama in Distance Learning written by Shana Bestock. Shana provides tips for transferring practices to virtual spaces, how to dig deeper with students, create community, and reminds us that how in uncertain times the arts helps us embrace uncertainty and foster resilience.

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Dance Education

September 16, 2020

Andrew auditions – don’t miss this

Watching this video reminds me of why we should focus on the whole child and why dance is so important. It’s often the art form forgotten in schools. And, during the pandemic dance education is more critical. The dance education programs in place across the state are excellent, sadly there are not many, especially at the high school level. The good news is that almost all music and physical education teachers at the elementary level include dance and movement in their curriculum in some way.

The benefits that dance offer to developing and supporting the body and mind are enormous. There is plenty of research that emphasizes the benefits of dance.

Interestingly enough the Maine Arts Commission (MAC) Teaching Artist Roster has 14 dance teaching artists. Consider bringing a dance educator to your school this year. There is funding available through MACs Arts Learning grants which will become available in January 2021 with a deadline of April 2, 2021. Plan ahead for the next school year.

Let’s think about the possibilities for dance and why the time, right now, is PERFECT!

  • We’re wearing masks, dance doesn’t require speaking or singing, just movement
  • Some dancing requires close contact but it certainly doesn’t have to as you’ll see in Andrew’s video below
  • Dancing doesn’t require dirty hands so there is little reason to be concerned about hygiene
  • Bodily-Kinesthetic is one of the 8 Multiple Intelligences and it is ‘dancing’ – coordinating your mind and your body.

If you’re wondering about the benefits of dancing for all learners watch Andrew in this video.

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Incredible Resources in Maine

September 15, 2020

Ashley Bryan

As educators around the world seek ways to incorporate racial justice into their curriculum right here in Maine we have a treasure that leads us to multiple resources. Ashley Bryan, now 97, has been sharing stories, songs, history, and the culture of black people for years through his work as an artist.

Ashley first came to Maine in 1946 to study at the Skowhegan School of Paining and Sculpture Ashley. In 1988 he retired from Dartmouth College and moved to Little Cranberry Island where he has continued to create. In 2013 the Ashley Bryan Center was established to preserve the over nine decades of Ashley’s work. His art has a strong message but is stated in a joyful way, as only Ashley Bryan can do. He has received many awards including the Coretta Scott King Award for illustrators multiple times and the John Newberry Medal.

Ashley’s work is on display in the Maine State House until December 30 as part of Art in the Capital provided by the Maine Arts Commission (MAC) with a virtual show on the MAC site.

Recently Maine Public Broadcast featured I Know a Man … Ashley Bryan, a film created by Kane Associates and available streaming.

The Ashley Bryan Resource & Activity Guide is available for free. In addition is the companion short film. Thanks to Richard Kane, Melody Lewis-Kane, and Kane Productions for their outstanding work.
In 2018 Kate Smith and I traveled to Ashley’s home on Little Cranberry. It was a special day and I shared the adventure in a blog post.
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Safe at School

September 14, 2020

Keeping arts ed there!

 

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9/11 Boatlift!

September 11, 2020

Narrated by Tom Hanks

Today marks 19 years since 9/11. I’m sure that many of you remember exactly where you were on September 11, 2001 when our country was attacked and many Americans lost their lives. There are many stories from that day but I am forever moved by the community of boat owners and captains who put others first and made a difference.

NEARLY 500,000 CIVILIANS WERE RESCUED BY BOAT IN LESS THAN 9 HOURS 

The epic story of the 9/11 boatlift that evacuated half a million people from the piers and seawalls of Lower Manhattan. The American spirit and resilience is shown in “Boatlift”, narrated by Tom Hanks. I had no idea that the 9/11 boat evacuation was larger than the evacuation at Dunkirk during World War Two and they completed it so fast. Everyone who participated in the search and rescue operation on 9/11 and the days after is a true hero. Never Forget the lives lost on this tragic day or the heroes that emerged from it.

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What Does 6 Feet Look Like?

September 9, 2020

Moose, salmon, blueberries, Chamberlain, Lobster

The Nature Conservancy of Maine has created images that illustrate what and in some cases how many of something represents 6 feet distance. They asked me to share but to be sure and give them credit if you reuse them.


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New Blog

September 8, 2020

Bill Buzza

Bill at the Richard Rodgers Theater, NYC, set of Hamilton

Many of you know veteran music educator (27 years) Bill Buzza. He’s one of those people who has a warm smile and a soft voice. And, he’s such a thoughtful person that when he enters a conversation you know he’s listening carefully to what you’re saying (and not focusing on how he’ll respond). Bill is the music teacher/band director at Edward Little High School in Auburn.

Just like the rest of us he’s been dealing with the pandemic since March 13. Always one for thinking deeply Bill decided to start a blog that will document his learning and begin a dialogue.  Bill’s calling it Teaching Instrumental Music During COVID-19.

Bill says: As I think about the coming year, I anticipate many new experiences and a journey that will redefine my career of instrumental music education.

This is a great opportunity for you to read about Bill’s experiences and know that you’re not alone. While thinking about returning to school and all the details of it Bill’s been doing research on how to play an instrument with a face mask on. Yes, of course you can read all about it on Bill’s blog. Subscribe in the sidebar of the front page of the blog.

Bill earned his M.S. Ed in Educational Leadership from the University of New England and B.M. in Music Education from the University of Southern Maine. At Edward Little High School, he conducts the concert, marching, pep and jazz bands. He also teaches three levels of guitar, and a beginning band class. Bill was a Finalist for the 2011 Maine Teacher of the Year and was chosen as a Teacher Leader, phase 1, of the Maine Arts Leadership Initiative (MALI). He also served on the MALI Leadership Team.

Phase 2, MAAI/MALI, Bill front row, 1st on left

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Spoken Word

September 7, 2020

Brandon Leake – America’s Got Talent

I’ve been thinking, listening, reading, having conversations and researching on how to address racial justice in my teaching and learning. I think the world works in magical ways when ‘stuff’ happens that I’m not looking for. And sometimes ‘different stuff’ intersects which, in this case, has led to this blog post.

First I want to say that my favorite podcast at the moment is Cult of Pedagogy started by a middle school Language Arts teacher Jennifer Gonzalez. Jennifer has brought together an experienced group of educators who help make the Cult of Pedagogy. If you’re looking for a podcast that will push on your thinking and curious where you might find ideas that are sometimes raw and grounded in reality combined with thoughtful educational research, then I suggest that you check out Cult of Pedagogy. Many of the episodes are Jennifer’s interviews with teachers, learning experts, parents, and other people who make things happen in education. There are a handful on the social justice topic. If you’d rather read than listen, each new episode comes out also in an email, on Sunday’s. You can learn about all that she has to offer and sign up for her weekly emails on the START HERE PAGE. An example of the podcast resources that Jennifer provides is episode #147 Why White Students Need Multicultural and Social Justice Education  from June 7th an interview with Sheldon Eakins who founded the Leading Equity Center, an online resource for educators.

I was first introduced to poetry by my 7th grade language arts teacher Mrs. Leeds. Each week on Friday we would learn about a poem, write it down in our poetry notebook, and over the next week memorize it and each student in my class would stand and recite it. I can dig into my memory today and recite Stopping by Woods on a Snowy Evening by Robert Frost and In Flanders Fields by John McCrae and probably a few others. Every so often I rediscover my poetry notebook and think about how nervous I was standing up in my front my class. I don’t recall actually learning how to recite poetry. We’ve come a long way in this area; now we have poetry slams, hip hop, jazz poetry, beat poetry, spoken word, and Poetry Out Loud (POL). POL is a partnership of the National Endowment for the Arts, Poetry Foundation, and the state and jurisdictional arts agencies. The Maine Arts Commission administers the recitation program.

I’ve been curious for some time about how ‘poetry’ has, for the most part, been taught in English or language arts class. Why poetry is considered an art form yet in schools we don’t include it when we reference visual and performing arts. In our standards documents it’s not clearly defined as part of the arts. When I try putting poetry in context I explain it like this: in schools poetry is behind the English teaching door and in the real world it is part of the performance arena.

I wanted to better understand this separation so I did a little sleuthing on the internet and, of course, I start with the Greeks. From the Ancient Greek word ποιεω (pronounced poieo) which means ‘I create’. Definition: an art form in which human language is used for its aesthetic qualities in addition to, or instead of, its notional and semantic content. In most poetry, it is the connotations and the “baggage” that words carry (the weight of words) that are most important. Poetry.org.

And further on about ‘spoken word’. Spoken word is poetry, and more recently spoken word poetic performance art that is word-based. It is an oral art that focuses on the aesthetics of word play such as intonation and voice inflection. It is a “catchall” term that includes any kind of poetry recited aloud… Unlike written poetry, it has less to do with physical, on the page aesthetics and more to do with phonaesthetics, or the aesthetics of sound. Wikipedia

A focus on words, sounds, presentations and performances using poetry has become more prevalent in our society since about the 1980’s but certainly it is embedded and has been for years in many cultures and their traditions. The connection between poetry as a performance and music is closely aligned.

In fact, in Ancient Greece, the spoken word was the most trusted repository for the best of their thought, and inducements would be offered to men (such as the rhapsodes) who set themselves the task of developing minds capable of retaining and voices capable of communicating the treasures of their culture.

I think poetry’s biggest potential is to light kids up and engage them in learning about themselves and the world. If only Mrs. Leeds had someone guide her in the pedagogy of teaching poetry. A good reason to promote integrated curriculum.

Here’s where the intersection of learning takes place for me. On my phone last week a video from America’s Got Talent popped up. A powerful performance by Spoken Word Artist Brandon Leake began to help me formulate curriculum for racial justice. You can LEARN more about Brandon and the organization he established Called to Move. I suggest using Brandon’s performance with your students.

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