Archive for the ‘Integration’ Category

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Book Arts Making a Difference School Wide

March 7, 2023

Gardiner High School

Periodically I have learning opportunities that are so pleasurable! I am grateful that I have more flexibility in my schedule at this point in my life to consider options. Last fall I participated in a Book Arts class that took place at a beautiful location, a stones throw from Mussel Ridge Channel, in the mid-coast called 26 Split Rock Cove located in S. Thomaston. 26 Split Rock Cove is owned by artist and poet Sandy Weisman who moved to Maine in 2010 after working at Massachusetts College of Art as the director of museum education.

It was fun to take the class alongside retired Bangor High School art teacher Kal Elmore. It was like a mini-Haystack workshop with a variety of people (artists, educators, and creatives) attending. A pleasant surprise was meeting Gardiner Area High School (GAHS) science teacher Sharon Gallant.

This wasn’t the first book making class that Sharon had taken. In fact, in the summer of 2021 she had taken a week-long bookmaking summer class at the University of Southern Maine. At the conclusion of the class Sharon was so excited that she wrote a grant to Oak Grove for funds to support a school wide book making project. Her goal for the 2021-22 school year was simple but enormous – transition the school/subjects/teachers and students from paper and pencil to creating books. Sharon provided book art training to staff. We all know the value of professional development for teachers and when a staff come together to learn, community is created and expanded upon. In this case Sharon noticed that the staff confidence grew, classrooms opened to possibilities for projects, and conversation was stimulated among staff implementing projects as curriculum options were considered.

“Participants discussed ways they might use the book art samples in their classes in the varying content areas in the upcoming year. Participants were informed of the grant and the opportunities for supplies to be checked out from the library, prep of supplies by students doing community service, and support from us. In November (2021) and in March (2022), 21 staff members across all content areas participated in learning book art creation techniques.”

You might be asking WHAT? and wondering WHY! This is an example of one teacher getting excited about something learned, trying it in her classroom and understanding the potential of student learning all because of making books!

Librarian Debra Butterfield has been incredibly supportive and added so much to the project. A room off of the library was set up to store the materials and provides access for students to check out the materials, the same as library books. The school has a community service component as part of high school graduation. Debra worked with three trained student volunteers and as other students saw volunteers using professional cutting machines and a variety of tools provided by the grant, other students offered to volunteer. The student volunteers have grown to twenty who are not involved in sports or other clubs. The preparation of materials before, during, and after school has connected them to GAHS in a meaningful way. One student stated, “ I love preparing book art materials because I see in classes how much teachers and students appreciate that the supplies are prepped for them.” Volunteers have learned the importance of quality control, deadlines, and school service.

After I met Sharon at the Book Arts workshop we arranged a day for me to visit GAHS. I spent time with students in the social studies class with teacher Susan LeClair. Students were totally engaged in creating accordion books on The Great Depression and New Deal. The approach was structured but flexible, the materials plentiful, the atmosphere was supportive, relaxed and creative. The classroom was set up similarly to a ‘workshop model’. Students are introduced to history material, art materials and techniques at different intervals in the book making process. They work independently understanding their goals using a rubric based on a total of 100 points.

  • Causes of the Great Depression – 50 points
  • New Deal Programs – 50 points
  • Illustration – 25 points
  • Organization – 25 points

Susan is a veteran teacher having seen many changes during her teaching career. She shared that students had become passive, going through the motions of learning, memorizing for the test and to obtain a good grade. Many immediately forgetting material as soon as information was spit out for the paper and pencil test. Making books provided the opportunity for students to demonstrate learning in an engaging way. Understanding and retention of the material was evident as they created the story using illustrations. Not to mention students were proud of their creations.

As the school year, 2021-22 continued the ideas morphed and grew. Sharon’s description of what followed, thanks to the enthusiasm of teachers and the grant funding:

We have supported a range of projects this year with our support with instruction in classes. Following is a sample of some of the projects implemented this year that replace traditional paper and pencil assessment. A biology teacher created nature journals with compartments for collecting samples. A foreign language teacher had year four students create illustrated children’s literature books and then hosted a student lead reading to other foreign language levels. Social studies teachers have created a variety of projects as they have learned about the founding of our country, abolitionists, immigration, and world cultures. English teachers are currently having students create illustrated poetry selections for National Poetry Month, a showcase for learning from a variety of texts read this school year, and another focused on the exploration of fairy tales. Our library is physically in the center of our school with an English/social studies wing on one side and a science/math wing on the other. Historically students have rarely shared about their assessments for learning from one side of the building to another. Book art, however, has changed the culture. It has been a connecting force with students talking with each other across classes and disciplines. Through these projects, we have had a focus on developing templates as rough drafts and this repeated experience has fostered a habit of mind focused on quality, planning, and revision that we see transferring to research, the writing process, and scientific inquiry. This has been an unexpected benefit of the grant. Students have been more present in their learning and deepened their own personal expectations for quality. One student stated, “Thank you so much for letting me make a book to show what I know. I don’t test well, and I’ve never felt the teacher knows what I know.”

Beyond projects in the classrooms, we have offered opportunities for students and staff to come together for after school sessions to learn advanced book art making techniques with holiday card making in December and Valentine card making in February. The sessions were intended from 2:00 to 3:30, but because students and staff were in the flow of creating together, the events lasted closer to 5:00 pm. Several students reflected on how amazing it was to be a learner along with their teachers. These experiences, which created amazing positive school energy, showed students the role that book art can play beyond the classroom for personal pleasure and engagement.

Due to such a positive response from students, we quickly realized that students needed a venue to showcase their impressive book art. We approached the art teacher, who has an annual K-12 art show, to feature book art as an added feature to expand the show to an art extravaganza. We have invited all students who have made a book to participate in the show. One student, who struggles academically, exclaimed in shock and delight, “You seriously want to show my book. No one has ever asked to have my work displayed!” This reaction alone exemplifies our belief that students need an alternative form of assessment. Book art fills that space.

No doubt about it, the excitement and impact that one person has made, the collaborative spirit and flexibility of staff and the support from administration has all come together to make a huge difference in teaching and learning at GAHS. Evaluating the program helped determine the next steps for Year 2. And, funding helped again. Sharon’s words describe it best:

During our tremendous success with book art as an alternative form of assessment, we quickly realized that there was still work to be done. We have a large population of students without access to materials at home, a space at school to complete book art projects, and the need for additional after school enrichment experiences.

The first year of Turn the Page funding allowed us to introduce a new form of assessment and purchase materials for multiple classes to simultaneously work on these projects. While several class periods are devoted to time in class for these projects, to ensure the quality of work required to complete a book, students are asking to work on the books at home. With the additional funding, we created supply kits, issued through the school library catalog, with all necessary materials for students to bring home to further work on their books. Not only does this assist students who need more time, but it also makes it easier for those who are economically challenged to have access to all materials not available at home. Through all of the amazing success of year one, we did note the disparity between students who had home access to additional embellishment and those who struggled with the basics. These kits eliminate any barrier for success.

Book art has truly made a significant shift in our attempt to establish learning environments and experiences that feature collaborative relationships, rigorous and meaningful curriculum, and shared instruction. It also addresses various forms of inequity and empowers young adults to thrive at school.

GAHS’s commitment to responding to and making needed changes are exemplary. What an outstanding example filled with possibilities. I am grateful that I had the opportunity to meet Sharon and visit the school to see the project in action! Are they proud of their accomplishments? You betcha; again in Sharon’s words:

We are very proud and grateful for what this grant has allowed us to do for professional development, student engagement, and expanded community connections. We have presented to the Plymouth State art class, at Viles for a pre-service teacher training , and a Saturday Maine Association of School Libraries conference session scheduled. Students have told us that they want to create with their hands, do meaningful projects, and have deep engagement with their learning.

Susan LeClair, Social Studies teacher – Sharon Gallant, Science teacher

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Insect Lab

March 22, 2022

Learning opportunity for teachers

Below is an invitation from Maine artist Mike Libby! Mike is a graduate of Bangor High School and is an amazing artist who established INSECT LAB. Now, he’s sharing his ideas with teachers. I encourage you to respond to Mike and join him on zoom during one or all of the sessions. What a super opportunity to consider how Insect Lab could be part of a lesson or perhaps your school curriculum.

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Art and Writing Collaboration

June 1, 2021

Amazing project

Secretary Bellows hosts student artists and their artwork at office

AUGUSTA – On Wednesday, Secretary of State Shenna Bellows hosted student artists from King Middle School in Portland and Sweetland School in Hope, Maine-based artist Rob Shetterly and Assistant House Majority Leader Rachel Talbot Ross of Portland for a viewing of the students’ artwork and poetry on display in the Secretary of State’s main office.

The students made the artwork in partnership with Americans Who Tell the Truth, a non-profit arts and education organization founded to foster and inspire a profound sense of citizenship in students.

“Challenging young people to think deeply about the world and their place in it through art and poetry is a wonderful project and we’re honored to display it,” said Secretary Bellows. “I was delighted to get the chance to meet the students and hear what they learned about themselves through this project.”

Raya Luehman

“These students, some of them immigrants, are all well aware that this country has struggled to live up to its own ideals and struggled to infuse its laws with justice, so for them to meet Shenna Bellows and Rachel Talbot Ross who are dedicated to making those ideals real for everyone and making all of our laws just, was an incredible thrill,” said Shetterly, an artist whose portrait project became Americans Who Tell the Truth. “The students went home with new respect for Maine government and what they can do as citizens.”

“I was honored to spend time with students from King Middle School and Sweetland School alongside Secretary Bellows and Rob Shetterly,” said Talbot Ross, a legislator from Portland who represents the district that includes King Middle School. “I was really inspired by the words, the artwork and the level of engagement from the students in examining the lives of people who have been dedicated to truth and justice. It’s clear these students will carry on our legacy in years to come.”

Several of Shetterly’s portraits hang in both Secretary Bellows’ and Rep. Talbot Ross’s offices in the State House Complex.

The art will be on display on the second floor of the Nash School Building, which houses the Secretary of State’s main office, at 103 Sewall Street in Augusta through next week.

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Artistic and Scientific Opportunity

February 10, 2021

Students in K-12 invited to submit artwork

A couple years back I had the opportunity to serve on the selection panel for the Maine Audubon’s Federal Junior Duck Stamp Challenge provided for students in grades K-12. It was a pleasure to help out and I was so impressed with the student artwork. This challenge is a great opportunity for interdisciplinary connections – science and art – for teachers across the state. And, the big winners are the students! Learners can understand how the Federal Duck Stamp Program is one way to conserve our country’s wildlife and wildlife habitat.

Maine Audubon is collaborating with U.S. Fish and Wildlife Service for the 27th annual Federal Junior Duck Stamp Program, and we’re looking for Maine students to submit some creative, innovative, beautiful waterfowl art!

Maine Junior Duck Stamp Best in Show 2019-20: “Watchful Waterfowl” by Saffron Labos, 16, Freeport

The Federal Junior Duck Stamp Conservation and Design Program is a dynamic, multidisciplinary curriculum that teaches wetland and waterfowl conservation to students in kindergarten through high school. The program encourages students to explore their natural world, invites them to investigate biology and wildlife management principles and challenges them to express and share what they have learned with others.  This program and curriculum lend themselves to learning in a variety of forms, remote, hybrid teaching and in-classroom instruction.

Click here to see the artwork selected from the 2019-2020 Maine Junior Duck Stamp Challenge!

The winning artwork from a national art contest serves as the design for the Junior Duck Stamp, which the U.S. Fish and Wildlife Service produces annually. This $5 stamp has become a much sought after collector’s item. One hundred percent of the revenue from the sale of Junior Duck stamps goes to support recognition and environmental education activities for students who participate in the program.

This program has a free downloadable curricular guide to help support learning about waterfowl habitat and conservation. The guides provide fun, age-level appropriate activities that will enhance your curriculum and students’ knowledge of wildlife and habitat.

Madison Grimm, a 13-year-old from South Dakota, took top honors in the Service’s National Junior Duck Stamp Art Contest with her acrylic rendition of a wood duck. Her artwork will graces the 2020-2021 Junior Duck Stamp.

Maine Program and Submission Info

Students will be able to submit an entry of approved waterfowl art into the competition. Designs are considered in four grade categories—K-3rd grades, 4th-6th grades, 7th-9th grades, 10th-12th grades—with recognition for first, second, and third places and honorable mentions.

The Maine Best of Show entry will be considered with artwork representing each state in the country. One design will be selected at the national level to create the Federal Junior Duck Stamp. Proceeds from the sale of Junior Duck Stamps (which cost $5 each) support conservation education by providing awards and scholarships for students, teachers, and schools.

You can download the teacher guides here and view the contest rules and entry forms here.  For questions and/or curricular support, please contact Maine Audubon’s Lead Educator, Linda Woodard at lwoodard@maineaudubon.org.

Resources
Eligible Species
Videos
Waterfowl & Wetlands

The submission deadlines for the 2020-21 challenge is March 1, 2021. Send submissions to:

Maine Audubon
Attn: Junior Duck Stamp
20 Gilsland Farm Rd
Falmouth, Maine 04105

Thanks to our sponsor, L. L. Bean, for donating a deluxe backpack to the grand prize winner.

Maine Audubon works to conserve Maine’s wildlife and wildlife habitat by engaging people in education, conservation, and action.

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Communicating Science Through Art

February 1, 2021

Artist and Scientist Jill Pelto

On May 21, 2017 I wrote a blog post about artist and scientist Jill Pelto. Jill uses her art to communicate scientific research. As many are well aware, scientific jargon to the rest of the world can be easily misunderstood. As educators we know this happens when we communicate with non-educators using educational jargon that others don’t understand. This is an opportunity to hear from Jill herself talking about incorporating her scientific research and climate change data into watercolor paintings to share stories about what is happening in the environment.

Join Jill Pelto, climate change artist and scientist, as she talks about communicating human-environment connections on Wednesday, Feb. 3, at 6:30 p.m. via Zoom. Her talk will cover how she uses her dual background to incorporate scientific research and data into watercolor paintings, and why interdisciplinary science communication is a powerful way to share environmental stories. 

Jill Pelto holding up a watercolor of the landscape at one of the remote campsites she worked at in the Antartica while pursuing her Masters of Science.

Her diverse background has allowed her to create artwork that engages broad audiences with climate change data. Because climate change can be difficult to verbalize and visualize, Pelto hopes her work will encourage open dialogue about human impacts at different scales. She is inspired by her work in Antarctica, and on alpine glaciers in Washington, and by other scientists who are fighting to conserve fractured ecosystems. From the impossible blues of a single glacier to the concentric secrets held across nature, Pelto shares many stories of change.

Measuring Crevasse Depth

Pelto’s work has inspired online features in Smithsonian, PBS News Hour, and National Geographic. It is also being used in K-12 curriculum programs across the U.S. and Canada. Her work also was featured on the cover of the July 2020 Time Magazine. Pelto will be exhibiting at the Friends of Maine Coastal Islands National Wildlife Refuge Art Gallery in Rockland this summer.

Register at http://bit.ly/2M8UNYi or on the Friends of Maine Coastal Islands National Wildlife Refuge website at mainecoastislands.org. For questions, email info@mainecoastislands.org or call 594-0600, ext. 5.

This article is from the Courier-Gazette and Camden herald, and The Republican Journal, January 28, 2021.

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Happpppy 2021

January 25, 2021

Over the last month during the time that I wasn’t blogging 3 deer came to my backyard almost every night munching on the acorns that have piled up under our Oak trees. The time I may have spent blogging, which I often do late or early in the morning, I spent watching the deer. While the moon was bright and we had snow on the ground they stood out quite well and I could watch from one of two windows. They didn’t notice me when I stood perfectly still.

Considering we’re barely one month into the new year we certainly have experienced many BIG events. I’ve received many resources to help us navigate this world as teachers. Instead of going back and including them ‘after the fact’ I will try my best to incorporate them into blog posts moving forward.

I have to say as an art teacher I have enjoyed the enormous amount of very clever memes of Bernie in his mittens made by an elementary school teacher from Vermont. I loved reading an interview where she mentioned how surprised she was by the attention she was receiving because of the mittens she made for Bernie and the teachers at her daughters pre-school. She had sewn them and gifted them in 2017 in her craft room on a machine that her mother gave her when she was 12 years old. She also mentioned that she had no desire to leave teaching to make mittens full time. She has received hundreds of requests for mittens. My heart warmed when I read that sweatshirts with the photo were being sold for $45 on Bernie’s website with all the proceeds going to VT Meals on Wheels. Creativity benefitting a good cause!

I was so impressed with so many of the components of Inauguration Day, especially the performers. This includes the hopeful words of Yo Yo Ma and his cello performance of “Amazing Grace” delivered to President Biden at the Lincoln Memorial. “Throughout the pandemic, Ma has been delivering cello offerings on Twitter, bringing peace through music in a time of pain for many.” (from https://www.classicfm.com/artists/yo-yo-ma/cellist-poignant-amazing-grace-biden-inauguration-concert/). Lady Gaga’s rendition of the National Anthem was stunning and her outfit spoke volumes in its representation of traditions. The gold colored dove that she wore was a dove carrying an olive branch symbolizing her wish: “May we all make peace with each other.” She went on to say “My intention is to acknowledge our past, be healing for our present, and passionate for a future where we work together lovingly. I will sing to the hearts of all people who live on this land. Respectfully and kindly, Lady Gaga”. I read comments from some of my Maine music colleagues that this was the first time I was brought to tears listening to “The Stars Spangled Banner” brought me

Outstanding performances by Garth Brooks, Demi Lovato, Jeff Bradshaw, Jennifer Lopez, New Radicals, Earth, Wind & Fire, John Legend, and Tom Hanks hosting the TV special.

By far, for me, the highlight of the day was Amanda Gorman’s performance of her poem “The Hill We Climb”. Perhaps it is because I was responsible for the Maine Poetry Out Loud program for the six years I worked at the Maine Arts Commission. I loved and admired the high schoolers who participate in the program. Amanda had all of the components of amazing poetry and by far her performance was truly remarkable. Amanda is 22 years old and the youngest inaugural poet in U.S. history, suggested by Dr. Jill Biden to recite. She is an award-winning writer and cum laude graduate of Harvard University, where she studied Sociology. Amanda is the first National Youth Poet Laureate. I love hearing her goal is to become President. I’m sure whatever pathway she is on she’ll continue to inspire and make a difference in this world.

The Hill We Climb

When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade.
We’ve braved the belly of the beast,
We’ve learned that quiet isn’t always peace,
and the norms and notions
of what just is
isn’t always just-ice.
And yet the dawn is ours
before we knew it.
Somehow we do it.
Somehow we’ve weathered and witnessed
a nation that isn’t broken,
but simply unfinished.
We the successors of a country and a time
where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one.
And yes we are far from polished.
Far from pristine.
But that doesn’t mean we are
striving to form a union that is perfect.
We are striving to forge a union with purpose,
to compose a country committed to all cultures, colors, characters and
conditions of man.
And so we lift our gazes not to what stands between us,
but what stands before us.
We close the divide because we know, to put our future first,
we must first put our differences aside.
We lay down our arms
so we can reach out our arms
to one another.
We seek harm to none and harmony for all.
Let the globe, if nothing else, say this is true,
that even as we grieved, we grew,
that even as we hurt, we hoped,
that even as we tired, we tried,
that we’ll forever be tied together, victorious.
Not because we will never again know defeat,
but because we will never again sow division.
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
and no one shall make them afraid.
If we’re to live up to our own time,
then victory won’t lie in the blade.
But in all the bridges we’ve made,
that is the promise to glade,
the hill we climb.
If only we dare.
It’s because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it.
We’ve seen a force that would shatter our nation
rather than share it.
Would destroy our country if it meant delaying democracy.
And this effort very nearly succeeded.
But while democracy can be periodically delayed,
it can never be permanently defeated.
In this truth,
in this faith we trust.
For while we have our eyes on the future,
history has its eyes on us.
This is the era of just redemption
we feared at its inception.
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter.
To offer hope and laughter to ourselves.
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert,
How could catastrophe possibly prevail over us?
We will not march back to what was,
but move to what shall be.
A country that is bruised but whole,
benevolent but bold,
fierce and free.
We will not be turned around
or interrupted by intimidation,
because we know our inaction and inertia
will be the inheritance of the next generation.
Our blunders become their burdens.
But one thing is certain,
If we merge mercy with might,
and might with right,
then love becomes our legacy,
and change our children’s birthright.
So let us leave behind a country
better than the one we were left with.
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one.
We will rise from the gold-limbed hills of the west.
We will rise from the windswept northeast,
where our forefathers first realized revolution.
We will rise from the lake-rimmed cities of the midwestern states.
We will rise from the sunbaked south.
We will rebuild, reconcile and recover.
And every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful.
When day comes we step out of the shade,
aflame and unafraid,
the new dawn blooms as we free it.
For there is always light,
if only we’re brave enough to see it.
If only we’re brave enough to be it.

I am hopeful for 2021 and the future as the artists mentioned above and so many more are given opportunities to let their voices be heard. Another reason why excellent PreK through 12 Arts Education should be afforded to all children no matter their zip code.

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Institute for Arts Integration and STEAM

October 28, 2020

13 Strategies for Making Thinking Visible in the Classroom

For many educators focusing on the process and not the product has been a gradual change. The pandemic has forced this shift rapidly and educators are gracefully embracing it in many cases. This requires a growth mindset and ideas and suggestions from supportive colleagues. Susan Riley’s Institute for Arts Integration and STEAM has put together a comprehensive list of strategies that you can apply (in person and/or remotely) in your classroom environment that will make your students thinking visible.

Why make learning more visible you may wonder? Critical and creative thinking skills are an integral part of teaching and learning, always have been part of arts education. I’m glad that other educators have gotten on board with this in this 21st century. One key for developing and assessing critical and creating thinking skills is to making thinking more visible. If we can see the process students are using to analyze problems, make predictions and draw conclusions, teaching and guiding students thinking becomes easier.

I encourage you to take a look at the ideas Susan Riley suggestions below to support your teaching and students learning.

  1. Use Artful Thinking Routines
  2. Try Close Reading of an Art Composition
  3. Connect with Cooperative Poetry
  4. Explore Ekphrasis Poetry for Vivid Language
  5. Generate One Word Focal Points
  6. Develop Collaborative Narrative
  7. Sketch to Write
  8. Create an Art Recipe
  9. Design Haibun Poems
  10. Perform a Human Slideshow
  11. Build Summarizing Skills
  12. Composing a Soundtrack
  13. Produce Curriculum-Based Reader’s Theatre
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This We Believe

March 23, 2020

Association for Middle Level Education

Call for Student Voice and Visuals

The Association for Middle Level Education is updating our foundational position paper (previously titled This We Believe), that identifies the characteristics of successful middle schools. This critical document serves as the centerpiece of exceptional middle schools around the world that are focused on shaping the best possible educational experiences for their students ages 10 to 15. We’re interested in bringing student voice and visuals to the new edition of the book, and we need your help. We’re seeking student submissions as follows:

  1. A testimonial Students can write a statement of 1000 characters or less in response to one or two prompts:
    • How has a teacher, principal, or other adult in your school had a positive influence on or encouraged you?
    • What’s your favorite thing about middle school?
  2. Two-dimensional art
    This can be any type of artwork including, but not limited to, watercolor, pencil, oil painting, photography, and digital images. The art should express the energy and culture of your middle school and should be submitted as a high-resolution photo or .jpg image. The art should be accompanied by a statement from the student about the inspiration for the art (1-4 sentences).
  3. A reflective poem.
    We’re seeking a poem either about the student, about an adult they appreciate at the school, or about their experiences in middle school.

Each student whose quote, art, and/or poetry is featured in the new book will receive a $25 Amazon gift card and their work will be displayed on AMLE.org and at the #AMLE20 Annual Conference, November 12-14, in National Harbor, MD.

Teachers need to be prepared to submit the art as a high resolution photo in .jpg or .eps format. Poems can be submitted as .doc or .pdf files.

Submissions are due by May 15, 2020. In August 2020, we’ll notify you if your students’ entries are selected for inclusion in the new book.

CLICK HERE TO SUBMIT A STUDENT ENTRY

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The Blog is Back!

March 9, 2020

Yahooooo

I’m back at the Maine Arts Education blog for all you amazing blog readers, 1,472 of you – educators, artists, arts directors, community members and so many more people who I know read the blog every day. So much has happened during my hiatus in the world of arts education. I realize I can’t go back and provide you with ALL of the information that has come across my desk and that has been happening BUT I can share some of the highlights – starting tomorrow. In the meantime if you’ve had an event, attended one, know about an upcoming one and you’d like to send me the information and photos to include in the  blog please don’t hesitate to email me at meartsed@gmail.com. Thanks so much!

I’ve been busy and I’m sure you have as well. Some of my highlights:

  • Meeting with the following educators planning our June trip to Mpamila Village in Malawi to provide professional development workshops in arts integration for 10 days for 20 educators from several villages in the Ntchisi district:
    • Lindsay Pinchbeck, Director and Founder Sweet Tree Arts and Sweetland School
    • Ian Bannon, Teaching Artist and Director of Education, Figures of Speech Theatre and Associate Project Manager, Celebration Barn Theater
    • Amy Cousins, Visual Arts Teacher Gorham Middle School and 2019 Maine Art Education Association Teacher of the Year
    • Hannah Wells, Teacher at Sweetland School and Illustrator & Designer
    • Hope Lord, Visual Arts Teacher Maranacook Community Middle School
  • Mid-Coast School of Technology

    Sewing dresses and pants for the learners in Mpamila School. If you’re interested in supporting this work, please let me know. We have 100 dresses sewn and 70 pants (30 to go). We can use some support to purchase underwear to put in the pockets. T-shirts and beanie babies have been donated by very generous people.

  • Recently we took the Sweetland Middle School students to the Mid-Coast School of Technology for a tour. Amazing new building and the mural designed by students and a local artist at the entrance inside and out is amazing. We will be visiting a sailmakers shop next week and continue making our boat that compliments the Odyssey studies underway. Each week during photography the learners travel to Maine Coast School of Photography to use their facility. Our middle schoolers are participating in apprenticeships with a local photography, jeweler, actor, and at The Apprenticeshop in Rockland. They are having amazing learning opportunities with wonderful artists.
  • Through my HundrED work we’ve connected with an arts integration program in India and are excited about planning with them on a project for the fall.
  • Arts education events including this past weekends performances of Maine Drama Festival at Camden Hills Regional High School – wow, the students were awesome!

I look forward to hearing from you with your news to share!

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Transforming a School Through Arts Integration

December 11, 2019

Edutopia

“The arts provide an access point for everyone,” Caitlin Gordon, a Maya Lin third grade teacher, told Schwartz. “I think it allows children to learn about how the process of something is just as important, if not more important, than the product. I think it just really helps create more of that well-balanced, critical-thinking person that we want for our future.”

Educators and parents alike at the Maya Lin Elementary in Alameda, California believe wholeheartedly in their approach to education with arts integration. They were at risk of closing not long ago and it was the transformation of the school with arts integration that has made all the difference.

You can READ THE ARTICLE written by Laura Lee and published by Edutopia on November 8, 2019.

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