Archive for the ‘VPA’ Category

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Pride in Educators

August 16, 2022

Much to be proud about!

Debra and Rebecca

Arts educators need to, and do, advocate for Arts Education in many different ways. Hopefully, at the end of the day, the advocacy efforts change the access and equity to high quality Visual and/or Performing Arts Education for all students. Advocacy can heighten awareness of the ‘why’ of Arts Education. Efforts may relate to curriculum or assessment or scheduling or numerous other topics that impact an education in the arts. Sometimes we need to seek opportunities and sometimes we’re forced to advocate. And, other times an opportunity unfolds in front of us. Like the time I was on a 2 hours flight sitting next to my superintendent. I had the ear of the person who could make a huge difference in the arts education program. You betcha, I took advantage of the chance to have a conversation that included promoting arts education.

Two amazing arts educators recently had the opportunity to present about their programs. One a theatre teacher, the other, a music teacher. They had an audience that was filled with not only educators, Pre-K through higher education, but people from the business sector as well. I sat in the audience listening to them and chills ran up my arm and I could feel the pride fill my heart and brought tears to my eyes. I often think about how fortunate so many learners are for excellent arts education programs. It takes all of us to bring this magic to schools and school districts but without outstanding and qualified teachers in classrooms, goals fall short.

Congratulations to Rebecca Edmondson and Debra Susi for using your voices and representing all that is ‘right’ and ‘good’ about education. Rebecca is the K-6 classroom music teacher at Conners-Emerson School in Bar Harbor and the 2022 Hancock County Teacher of the Year and Debra is the theatre teacher at Maine Central Institute in Pittsfield and the 2022 Somerset County Teacher of the Year. I am so proud and grateful for what each teacher is doing to represent all Maine arts educators. Both were selected as semi finalists for the 2023 Maine Teacher of the Year.

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Maine Arts Education Partners in Leadership

June 20, 2022

Teaching Artists and Educators Invited!

This is a great opportunity to become part of a dynamic network of arts educators across the state of Maine. This year-long experience begins with a 3-day Summer Institute, held at a beautiful outdoor setting sure to jumpstart your leadership journey.

August 1-3, 2022. APPLICATION deadline June 23. There is no cost.

If you’re selected your role begins with the 3-day institute at Pilgrim Lodge, August 1-3.

MAEPL would love to build community with educators and teaching artists who know or have someone interested in arts integration. If you have someone in your building or your community or have partnered with someone in the past please have them attend this summer with you!

MAEPL recently moved from the Maine Arts Commission and is now a program of the Maine Department of Education.

FOR MORE INFORMATION

QUESTIONS? Contact Iva Damon, Program Team Lead: MAEPLLeadership@gmail.com or ‪(802) 695-0198‬

August 1-3, 2022. APPLICATION deadline June 23. There is no cost.

SUMMER INSTITUTE LOCATION
Pilgrim Lodge is a camp run by the United Church of Christ of Maine on Lake Cobbosseecontee in West Gardiner, ME. This beautiful venue has cabins with electricity and plumbing, large indoor and outdoor meeting spaces, modern dining facilities, wifi in main buildings, good general cell reception, and recreation options including swimming, human-powered boating, and trails. 

PURPOSE 

The Maine Arts Education Partners in Leadership (MAEPL) is committed to developing and promoting high quality arts education for all. MAEPL operates on the premise of “teachers teaching teachers.” All of our design teams, institutes, and professional development opportunities offer/encourage collaboration.

This We Believe’ Statements outline our foundational beliefs and practices.  

COMMUNITY 

  • Teacher Leaders: Maine Visual or Performing Arts Educators with a professional teaching certificate who teach an Arts discipline in a public or private school.  
  • Teaching Artist Leaders:  Professional Teaching Artists in Maine with demonstrated experience collaborating within educational or civic environments to design and lead student-centered, values-driven residencies drawn from mastery of their artistic discipline.    

TRAININGS, COLLABORATION, & WORK  

MAEPL is built on an institute model, by application. There is a Summer Institute for Teacher Leaders and Teaching Artist Leaders. Returning community members are encouraged to participate. 

At the Summer Institute new Teacher Leaders and Teaching Artist Leaders will learn foundational practices in instructional design and leadership skills. Participants will take part in a variety of workshops focused on emerging needs in Arts Education professional development.  

Collaboration, networking, and the sharing of resources are an expectation as a member of the MAEPL community. During the Institute participants will develop an individualized growth plan that will be shared with others for feedback and suggestions.  

Throughout the school year, participants will continue to share how their individualized growth plan is developed and implemented, and they will have the opportunity to share at a Critical Friends Day, and with a thought partner. At the Winter Retreat participants review and reflect on the work done, and allow for time to get feedback to plan for the next Summer Institute.  

TEACHER LEADER/TEACHING ARTIST LEADER ANNUAL EXPECTATIONS

  • Attend Summer Institute 
  • Work with a thought partner 
  • Develop a individualized growth plan 
  • Share the outcomes of your individual growth plan within the MAEPL community and beyond (i.e. workshop, resource, video, article, etc.) 
  • Share feedback and information about MAEPL through teacher leader stories and as part of your outcomes of your personal growth plan 
  • Collaborate, network, and share resources 
  • Participate in Critical Friend Day 
  • Attend Winter Retreat

August 1-3, 2022. APPLICATION deadline June 23. There is no cost.

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2022 Maine County Teachers of the Year

June 12, 2022

Congratulations!

The 2022 County Teachers of the Year were announced recently in Augusta at the State House. I love that there are so many teachers each year nominated who represent all that is ‘right’ with education. Each of us in the profession, no matter what our role is, should feel the pride!

I’m especially excited this year that there are two performing arts teachers; representing Hancock County is Rebecca Edmondson who teaches music at Conners-Emerson School, Bar Harbor and representing Somerset County is Debra Susi who teaches theatre at Central Institute, Pittsfield.

Hundreds of teachers across Maine are nominated by a member of their school community. The application process is rigorous, not a lightly designed ordeal, with a teacher selected from each county by a panel of educators and other individuals who are members of each county.

Maine County Teachers of the Year serve as ambassadors for teachers, students, and quality education state-wide throughout the year. The Maine County Teachers of the Year are available to make presentations to local and regional organizations. Throughout the summer, they will continue to participate in an intensive selection process. In the fall one of these sixteen teachers will be named the 2023 Maine State Teacher of the Year.

I’m sure the blog readers join me in congratulating all of the county teachers of the year, especially Rebecca and Debra!

The Maine Department of Education’s Teacher of the Year Program is administered through a collaborative partnership with Educate Maine. To learn more about the Teacher of the Year Program visit: https://www.mainetoy.org/.

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Insect Lab

March 22, 2022

Learning opportunity for teachers

Below is an invitation from Maine artist Mike Libby! Mike is a graduate of Bangor High School and is an amazing artist who established INSECT LAB. Now, he’s sharing his ideas with teachers. I encourage you to respond to Mike and join him on zoom during one or all of the sessions. What a super opportunity to consider how Insect Lab could be part of a lesson or perhaps your school curriculum.

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We’ve Lost a Giant

February 6, 2022

Touched so many

Sadly, we lost a giant in the arts on Friday, February 4. Ashley Bryan was 98 years old and lived everyday joyfully! His face in the photo below is how I will remember this amazing artist, advocate, storyteller, poet, and humanitarian.

Just a couple of weeks ago I read an interesting story in the Maine Sunday Telegram about a family in Virginia who purchased a home where their great grandparents lived as slaves on a plantation. I thought of Ashley Bryan and his book, Freedom Over Me. I cut the article out of the paper and sent it to him. As Ashley has done in so many books it is a beautiful collection of words and pictures. On the mainland near Ashley’s home on Little Cranberry Island he heard there was to be an auction that included paperwork from a plantation where slaves were held. Interestingly enough, the paperwork was from an auction that was selling 11 slaves. The paperwork described only the necessary items to buy and sell slaves; name, age, height, price, and little else. Ashley imagined much more about these individuals and gave them lives; describing their skills, their hopes and dreams, in poetry and images. Each are alive for the reader on the pages of the book.

Freedom Over Me is one of over 50 books that Ashley has written and illustrated. For years his children’s books have been steady and gently forceful educating on issues of color and racial diversity. He has used song, poetry, spirituals, folktales and much more to share Black culture. He received awards and recognition for many of his books including including two Coretta Scott King awards and the Laura Ingalls Wilder Award. He found joy in telling his stories with people of all ages through singing, tapping and moving. Ashley’s presentations started with a Langston Hughes poem My People. The youtube video below will help you understand why Ashley shared this poem and you’ll hear him reciting.

My People

The night is beautiful,
So the faces of my people.

The stars are beautiful,
So the eyes of my people.

Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.

In 2013 the Ashley Bryan Center was created to  to “preserve, celebrate and share broadly artist Ashley Bryan’s work and his joy of discovery, invention, learning and community. The Ashley Bryan Center will promote opportunities for people to come together in the creation and appreciation of visual art, literature, music, and the oral and written traditions of poetry. The Center is fiercely committed to fostering cultural understanding and personal pride through scholarship, exhibitions and opportunities in the Arts.” The center has been doing impactful work since its inception. One component is the distribution of Ashley’s book Beautiful Blackbird. Each year copies are given to schools, libraries, and organizations serving underserved children. To date, over 20,000 books have been distributed in Maine, New York City, Atlanta, and Philadelphia.

I was fortunate in August of 2018 to travel with Central Elementary music teacher Kate Smith to Islesford to meet and visit with Ashley in his home. We were touched by his energy, joy and childlike view of the world. What a gift! We visited the Storytelling Pavilion where we viewed his amazing puppets and stained glass windows. Yesterday I shared the sad news of Ashley’s passing with friend and colleague, Catherine Ring. We agreed that there are some people that should live forever, they enrich every life they touch and make the world a better place. Ashley was one of those people, and fortunately as he reminds us in the video (linked above), that what we create will last. The art he created during his 98 years on this earth will last and there’s no doubt in my mind that it will continue to impact people of all ages in a positive and thoughtful way. At some level his message lives on in each of us touched by Ashley and his work (and play) so he’s not really gone.

If you ‘d like to learn more about Ashley visit the Ashley Bryan Center website. To contribute and to learn what a donation could support visit the donate page on the center’s website.

Earlier blog posts on “Argy’s Point of View” blog are linked below. They are filled with photos, ideas, resources, links, and so much more. One of my favorites is the story of a former student, Aaron Robinson, who collaborated with Ashley to write an African-American requiem for chamber orchestra, choir and spoken voice called A Tender Bridge.

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Reflecting and Listening

January 15, 2022

Taking time to process and remember over time

A lot has been said about education and educators since the pandemic started in March of 2020. During the earlier months educators were the heroes. People began to realize the value of teachers. I read on a facebook post by a teacher this week that she wished to return to the early days of the pandemic when teachers were appreciated. When parents, especially parents, realized how challenging teaching is and how critical the teacher was to their child. We all know that doesn’t just refer to the ‘teaching’ part of a teachers day but the support teachers give to social and emotional learning, and so many other pieces that teachers teach individual students.

This morning I listened to a 6th grade student from Georgia on public radio say that her mother gave her a journal recently to document her stories of the pandemic. She only wished she had started writing at the beginning of the pandemic because she’s forgetting how she felt and what happened during those earlier days.

As we know time seems to race faster as the years go by. I’m sure some of you can relate to the 6th grader. Those of you that wear both hats – juggling teaching and parenting, in many cases, handled even more than usual.

What did you try during the early days of remoteness that you felt was a disaster and what actually turned into a success? In the spring of 2020 I remember gathering on zoom each morning with my middle schoolers for ‘breakfast club’. Students had a chance to connect with each other and their teachers. They ate, laughed, and connected in ways unmeasurable. It was optional but almost every student was there almost every day. It helped them to remember the importance of connecting and communicating in a ‘non-learning’ way. Let’s face it, we know how important it is for many to connect, not because we have to but because we want to.

Here are a few questions to help you sort your role as teachers during the pandemic. Answer the questions by writing or an art creation (movement, acting, musically, visual art, poetry):

  • What have you learned earlier in the pandemic that you continue to apply?
  • As things got turned on their head, what did you try that you found was successful or a complete failure?
  • What were the points in time that caused you to pivot?
  • Name what you felt when teachers were being referred to on a daily basis as ‘heroes’?
  • Make a list of what you want to remember from the pandemic as a teacher; the positives, and the challenges?
  • Select a quote that you can identify with in your role as a teacher. Make it large and post it (at home or at school) and use it as motivation and a remembrance that what you’re doing is amazing, every day!

Compile a list of quotes from the amazing work teachers are doing that are helpful in keeping your spirits up and remembering: whatever you’re doing is enough!! I can’t say that enough.

bell hooks, September 25, 1952 – December 15, 2021

As we start another calendar year and head towards two full years of living in a world-wide pandemic here are thoughts and what’s been learned from teacher leaders; on teaching, adapting, pivoting, and noticing students to help them do their best at learning.

A HUGE THANK YOU to Rob Westerberg, Anthony Lufkin, and Iva Damon for going above and beyond and sending their thoughts. Valuable information from Maine Arts Educators. You’re invited to share your thoughts. Please post at the bottom or email them to me at meartsed@gmail.com and I will update this post.

What are your ah-ha moments in teaching this year? What’s most important to you?

  • Two things have helped me pretty profoundly. The first is staying hyper organized. I tend to lean that way ordinarily, but by always staying a step or two ahead of everything that needs to be done, it has helped to relieve a LOT of stress and peripheral distractions from my school day and my interactions with classes/students. The other thing is treating each individual school day as its own mountain climb… I climb a different mountain every day. Consequently at the end of the day I feel a genuine sense of accomplishment. Some climbs are easy, others hard. But either way I leave school feeling very proud and, honestly, very happy. It has helped me keep my focus off of what I cannot control, and instead on the most important things in my professional life: the students. In some ways I already feel like 2021-2022 is the best professional self I have ever been. ~Rob
  • Students are so excited to be back in the classroom. It is why I love teaching. The privilege to provide the space to have students learn and explore what they are capable of doing is why I love going in every day. It’s also so important to remember to remember what is within one’s control and what isn’t. A new technique I learned was to think of oneself as a river, it’s okay to have things flow in, but allow them to continue to flow on and not hold onto what isn’t healthy or supportive to you.~Iva

Do you have any techniques/daily rituals/helpful hints for others that help you and your students focus?

  • Every start of every class, every day: I prompt the students to show me fingers, 5 means “I’m doing amazing”, 1 means “I shoulda stayed in bed…”. I look them over and it’s a conversation starter for me, reacting to what they are showing. If someone’s a 1 or a 2 I may ask, “School or stuff or both?” I certainly don’t need to know more than that, but even that response can lead to other discussions as a class (strategies for dealing with stress, compartmentalizing home stuff and school stuff, being a teenager in the 21st Century or even specific things). It also allows me to provide empathetic stories in my own experience if the situation fits. After we’ve done that, I have the class itinerary on the board, talk them through it, and off we go. The students have expressed directly to me how much they deeply appreciate this. They know it’s not just a quick tack on, that I truly care. EVERY teacher truly cares, but we don’t always have a platform to empathize in real time with our kids. This allows me to do so. It’s amazing how much this one piece – even over just a few minutes – centers and focuses my kids as we prepare to work together. For some the effect lasts the rest of their school day. It’s made a difference for me too. ~Rob
  • I have been using walks as a transition to class. We have been starting each class by doing a loop around the building outside. It has been a great opportunity to informally check-in with students, how their day is going, and makes for a more seamless transition for class to begin when we return inside. ~Iva
  • The structure of my art classes has changed a lot for me over time, significantly with the adaptations need to cope with the pandemic, but also as I develop a better understanding of learning processes, and gain more experience teaching art.  Creating a studio mindset is something that I have worked to achieve, while still maintaining the structural instructional practices needed to develop new skills and understanding.

Working at the elementary level, time is always an issue with one of the biggest inhibitors I have found being the way schedules are set up. Because of the limited time available, I have really had to focus on what is important, and what can be discarded. There are a few strategies that I have implemented that while I had concerns about them taking away from instructional or production time at first, I have found to be invaluable.  

One process that a colleague shared with me is something called a “silent doodle”. This is a little piece of paper on the student’s desk when them come it that they “warm up” with when they first some into class.  The primary reason for implementing this was to help them settle in after a transition, and give me time to get things ready (especially when I did have not time between classes). What I have found though, is that this becomes an amazing creative outlet, and a form of reflection where they often draw images using the skills we have worked on in class. We only spend 2-3 minutes on this, and so while it takes that time, when they are done, they are ready for instruction and creation.  

Another process I have implemented in many classes that I got from some of the collaborative projects I have done with the Farnsworth Art Museum Educational Program, is a quick noticing activity using visual thinking skills. We do what we call an I see…I think… I wonder critique of an artwork. A few times a week at the beginning of class I portray an artwork, sometimes relevant to our project but often not, that we spend a few minutes looking at. I have students raise their hands to tell me what they see in the picture, things like colors, shapes, objects, etc. I then ask for what they think the art work is supposed to show or mean, or why it was created based on those observations. Finally, I ask what else they wonder about the artwork based on what they have seen and what they think. I usually fill them in with a little information about the art and artist, but it is brief, intended to help them realize that there are not always answers to some of those questions. This again takes a few minutes, usually 5 minutes or so, but has created the framework for looking more critically at art, and developing ways to talk about one another’s work using effective constructive criticism. 

The speed of which  I go through instructions, and the modeling of techniques are also significant components to giving students adequate time to work on their projects. Having lots of examples including student examples in progress and completed are also key contributors to helping students understand the steps and processes we are working on. One of the areas I struggle with is giving students the opportunity to “complete” projects. I have the mind set of ‘process over product’, focusing on giving them as many opportunities to try new techniques and mediums as possible. I understand that this can be very frustrating for students who are more methodical in their approach so that balance between finishing and moving on is one I am constantly adjusting.  

While there are many other small factors in my teaching approach that contribute to my teaching “style”, one of the other structural features I have been trying to incorporate more is the use of choice for students. While some of them are adaptive choices, many of them are simply an alternative. For example, I have had a 3D printer donated to our program by the Perloff Family, and have been using some cad programming in my projects. Giving students the option of using 3D printing versus clay, allows those with tactile discomfort, the opportunity to express their ideas in a different form. I still make sure they experience the nature of clay in other projects, but by having some choice, even with miniscule differences, has made a big difference in student motivation. ~Anthony

Now that we’re in the second year of the pandemic; please share what you’ve noticed about students and how they’re adapting to the challenges?

  • My students have never been more grateful for the things we often took for granted pre-pandemic. There is an excitement around rehearsals and classes that is almost tangible, because the kids really missed it. They are struggling too… back in school full time, singing with masks on, social/emotional issues that continue from this past year, but their gratitude seems more overt and embedded in what they do in my classes. I think that gratitude has helped them to move forward even as it remains a challenge. ~Rob
  • They need space to talk through their concerns, hopes, and have adult models to help them establish healthy tools to cope with their new world they are a part of. Students are the most resilient and have been able to bounce with the extreme changes that keep coming their way, but time to stop and reflect is so very important. ~Iva

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Maine Artist: Angela Warren

December 16, 2021

Maine graduate, successful visual artist

Unlike other professions educators don’t often see or know the outcomes of their day to day teaching. Sure, the ah-ha moments are evident on our learners faces, and student questions often lead to student-centered learning that is exciting but the long term impact is not often known. We know that the arts teach so much more than is measured.

Stanford University professor Eliot Eisner created 10 Lessons The Arts Teach:

  1. The arts teach children to make good judgments about qualitative relationships. Unlike much of the curriculum in which correct answers and rules prevail, in the arts, it is judgment rather than rules that prevail.
  2. The arts teach children that problems can have more than one solution and that questions can have more than one answer.
  3. The arts celebrate multiple perspectives. One of their large lessons is that there are many ways to see and interpret the world.
  4. The arts teach children that in complex forms of problem solving purposes are seldom fixed, but change with circumstance and opportunity. Learning in the arts requires the ability and a willingness to surrender to the unanticipated possibilities of the work as it unfolds.
  5. The arts make vivid the fact that neither words in their literal form nor numbers exhaust what we canknow. The limits of our language do not define the limits of our cognition.
  6. The arts teach students that small differences can have large effects. The arts traffic in subtleties.
  7. The arts teach students to think through and within a material. All art forms employ some means through which images become real.
  8. The arts help children learn to say what cannot be said. When children are invited to disclose what a work of art helps them feel, they must reach into their poetic capacities to find the words that will do the job.
  9. The arts enable us to have experience we can have from no other source and through such experience to discover the range and variety of what we are capable of feeling.
  10. The arts’ position in the school curriculum symbolizes to the young what adults believe is important.

Eisner’s list, if fully realized, is embedded into every student’s ‘being’ who has walked through the doorway of the arts classroom. Periodically students future includes a direct connection to what they’ve learned and they make an arts discipline their main focus in life. They become successful artists, musicians, actors, and/or dancers. Many of them have stories to share. This is the first ‘student’ story on my blog Argy’s Point of View with the new format. This post includes an interview with Angela Warren who graduated from Bangor High School. If you know other Maine high school graduates whose stories should be shared please contact me at meartsed@gmail.com or add their information in the comments section at the bottom of this post. I’d love to share their story.

ALL ABOUT ANGELA

BACKGROUND

  • When did you get interested in being an artist?

I first became interested in art when I was about 8. My mom was my first art teacher. She taught art classes to kids at a dance studio (where I also took dance) in Hermon, Maine. It was a nice large open space. My first drawings were of oranges and grapes using oil pastels. After starting my drawing and then going home, I couldn’t wait to return to the class the next day to see what I made. It was that moment that I knew I loved creating. I also really enjoyed all the crafts we did at home. My favorite creations were of a little lizard made of my mom’s old bathing suit, and a larger lizard, all held together with hot glue. One of my favorite adhesives to this day!! It wasn’t until high school that I became even more interested in pursuing art. 

  • Who influenced you to create art? 

Yes, my mom influenced me greatly. She was a full time time nurse, but incredible at drawing. I remember she made these way larger than life size polar bear drawings for our school using a thick sharpie, they were so realistic and awesome. She was always doing crafts with us, and encouraging creativity and discovery. I was also influenced by my high school art teacher Ms. Elmore. She noticed a line drawing I made of earrings when I was a freshman or sophomore in high school and said my use of line was very advanced, and to not let that go to my head, lol. Obviously it probably did since I still remember it to this day 🙂 Also, Maine artist Nina Jerome came to our class in high school and taught us about her painting process, I’ll never forget that, and to this day I still sometimes use what she taught us (how to use a bright underpainting to make the other colors pop) in my paintings. I’m sure there is more but that’s what comes to mind right away. 

  •  What was your art education like in K-12?

K-6 there wasn’t an art program at the time in Hermon Maine, so my mom stepped in and taught a lot of art classes to local kids. It wasn’t until high school that I could really focus on art. I was very excited to take Kal’s art class, I had heard awesome things about it. She was a dedicated, nurturing, and a serious art teacher. I remember her summer homework being hard, we had to maintain a sketchbook all summer, and throughout the year. I learned basic drawing skills in that class, and really enjoyed the still life drawing assignments with fabric and bones. I loved the art history we learned as well. I took art all through high school every year, and then AP art my senior year where my concentration I think was nature and landscape. I loved it, the classroom was a place where we could be ourselves, talk and laugh with friends, it was a very positive and well rounded experience. 

  • After high school did you have formal education in art?

Yes, I went to a liberal arts college where I wasn’t sure what I was going to study, but enrolled with a scholarship in art, music, and theatre. I began to again excel at my art classes, so I just kept pursuing it, and then decided I would graduate with a BFA in painting and printmaking. After college I took two years off and prepared for graduate school in art, and went to Maine College of Art for my Masters of Fine Art. 

From the collection: Gulf of Florida Nature Series

  • What kind of art do you create? Share some about your images, where your ideas come from, what influences you?

I create colorful abstract paintings inspired by nature and light. I’m always influenced by nature, light, flowers, water, trees, and also the feeling of bliss that you get when being outside. I get a lot of my ideas walking around outside, hiking, biking, being on a boat, or sitting on the beach. I watch how light peaks through trees, and shifts on water and how clouds change shape. I lived in the Caribbean for 3 years and now the Gulf Coast of Florida, so my current work is influenced by living in these places. I’ve also been inspired to paint the sounds in music, and the peaceful feeling of meditating of breathing in yoga.

Angela set up at an art show selling her work

  • WHAT KAL ELMORE SAYS

Angie was a delightful student! She always had a smile and a kind word. Angie always loved color and paint and was always receptive to comments and suggestions. She is an extremely talented artist and it makes me happy to see her following her dreams. And I also love that she is sharing her knowledge and expertise with others. 

  • What is your message to young people interested in pursuing a career in the arts?

Do what you love and makes you happy. You can start any path you want, whether it’s pursuing an education, or taking some classes here and there, just let your own journey guide you. I definitely value my art education and know that it has given me a strong foundation and network to get me to where I am today. Also be prepared for many ups and downs- success, rejection, frustration, doubt, joy and more.

FOLLOW ANGELA

You can see more of Angela’s work at her website https://www.angelawarrenart.com/ and follow her on instagram https://www.instagram.com/angelawarrenart/ and facebook https://www.facebook.com/angelawarrenart. Where can readers see your work: link to website, facebook, twitter, Instagram, other?

SHARE

Feel free to share this story with young people. Angela is an inspiration that might plant seeds for future artists. Don’t hesitate to reach out to her through her website if you have more questions or better yet, if you know a young person who finds this interesting encourage them to contact Angela. Leave a comment below and share your student stories with me at meartsed@gmail.com.

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Sooooo Grateful!

November 25, 2021

Maine Arts Education Blog is Back!

I can’t think of a better day for the blog to return than Thanksgiving. Happy Thanksgiving to each of you! Even though the blog has been “away”, not a day as gone by when I haven’t thought about my faithful readers. I am thrilled to be blogging again!

APPRECIATING YOU

Now more than ever I am grateful for the work you do for, and with arts education. I know the blog readers represent a wide variety of people – all of you with a connection to arts education! You’re in small and large communities in Maine, cities and rural areas across the United States, and in countries around the world. Thanksgiving Day in the US gives us a chance to pause and give thanks. Now in 2021 it is more important than ever that we practice gratitude. Scheduling saxophone playing time, painting the same group of flowers, mindful breathing, or whatever activity you take for yourself all take practice time. During the last 6 months I’ve had the chance to pause and consider what’s important to me and engage in the art making process as no other time in my life. Along with practicing my art I’ve been practicing gratitude. Through this practice I am more joyful. I hope each of you can find the time on Thanksgiving to reflect on what you’re grateful for and what brings you joy! Please know I am soooooo very grateful for you!

My workspace

BLOG HISTORY

I’m sure some of you are wondering – how did we get here? The Maine Arts Education blog was established in the winter of 2009, while I was working at the Maine Department of Education as the Visual and Performing Arts Specialist. I worked there from 2006 until 2013 (after 30 years as an art teacher). It was David Patterson who suggested I establish the blog. I only wish he was still alive to see how his seed germinated. My initial purpose was to help build a state-wide arts education community which I found (while a teacher in the classroom) was desperately needed. Not an organization that represented the arts disciplines separately but collectively – dance, music, theatre, visual arts and later in my thinking poetry and writing. In 2013 I moved across the street and down the hill to the Maine Arts Commission (MAC), taking the blog with me, and served as the Director of Arts Education until June 2019. My View of the State House Dome continued, just from a different angle. In the fall of 2019 the MAC contracted with me to continue the blog. Three contracts later it was time for change soooooo with some communications with the Commission I am now the owner of the blog. During the years I was blogging while working for the state I posted 4,460 times. (That number still blows me away.) For the last almost 13 years the blog has been titled meartsed (Maine Arts Education) news from Argy with a view of the State House dome. For several years that was daily and I loved it! I’m so excited that the Maine Arts Education blog will continue, no longer, with my view of the State House Dome but with my view from my home across a beautiful field as you can see at the top of the blog. Many of the 4,460 posts were your stories – arts educators, teaching artists, students, schools, arts advocates, arts organizations, and others who are committed to excellent arts education for all. Blogging provided me with the opportunity to celebrate you and your daily work (and play) and I was proud to do so. Your stories are humbling! In addition to your stories I provided research, professional development information, articles, book reviews, events, announcements, interviews, pertinent arts education information, the places I traveled for educational opportunities and all types of other information. For the foreseeable future they will remain for your access and are archived below this one. If you want to search by topic I have tagged all of the posts. You can scroll down on the right side of the blog to the ‘search archives’ box and type in a name or topic and find what you’re looking for. For example, if you’re interested in reading about the teacher leaders (from the Maine Arts Assessment Initiative MAAI/Maine Arts Leadership Initiative MALI) you can type in teacher leaders and their stories will populate the front page. Or you could type in a specific teacher leader’s name and all the posts with that person included will populate the front page. (Try Rob Westerberg, Kate Smith, Catherine Ring, or Jeff Beaudry and you’ll see what I mean).

NEXT STEPS

Moving forward the blog will contain primarily stories – your stories. I will not be posting every day and when I do post the posts will be in depth. Next week the first story will be posted about the amazing and unique glass studio and the people involved in it happening in Belfast. I know that the pandemic has shifted teacher’s ideas about teaching. I know that you face challenges and joyful moments that are different than pre-pandemic. I want to hear your stories so I can blog about them so others can learn about your work (and play). And, so all of us, your colleagues, can celebrate you! Please don’t hesitate to reach out to me, Argy Nestor, with your story or suggestions for the blog at meartsed@gmail.com.

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World Alliance for Arts Education

June 27, 2021

World Summit – October 11-15

The World Alliance for Arts Education (WAAE) 2021 Virtual World Summit will take place from October 11-15, 2021. The summit is titled Arts Impact 2021: Context Matters, and focuses on Arts Assessment and Evaluation. The purpose of the summit is to bring together arts education professionals worldwide to share the latest research, thought, and practice in arts education assessment and evaluation. We invite primary and secondary school arts educators, higher education professionals, arts education researchers and policymakers, national, state and local education officials from across the world to come together virtually at this international event.

The WAAE 2021 summit will host one pre-summit event, the Young & Emerging Leaders Forum (YELF). This event provides a space for young scholars, emerging leaders, and new colleagues to the field of arts education to share work and develop a community of learning for expanding the pipeline of leaders in the global field of arts and cultural education. The Forum will be coordinated by Jeff M. Poulin, the managing director of Creative Generation.

Proposals are now being accepted for the Virtual World Summit and YELF.

Registration will open on July 6, 2021. If you are interested in registration information, please enter your contact information here

Please help us spread the word. At the close of this email, please find pre-written blurbs to include on social media or in organizational newsletters.

Sincerely, 

The Summit Co-Chairs

Dr. Timothy Brophy, University of Florida

Marcia McCaffrey, State Education Agency Directors of Arts Education (SEADAE); New Hampshire Department of Education

Jeff M. Poulin, Creative Generation

SAMPLE NEWSLETTER, FACEBOOK, OR LINKEDIN BLURB:

Call for Proposals: World Alliance for Arts Education Virtual Global Summit 

The World Alliance for Arts Education is partnering with the University of Florida and SEADAE to host a virtual World Summit from October 11-15, 2021. This event invites out-of-school time, primary and secondary school arts educators, higher education professionals, arts education researchers and policymakers, national, state and local education officials from across the world to submit proposals and attend the summit to network; share research; and examine quality structures, processes and practices. Ahead of the summit, there will be a Young & Emerging Leaders Forum on October 11. Deadline to submit a proposal is July 19, 2021, with decisions by August 30, 2021. More info: http://bit.ly/WAAE2021

SAMPLE SOCIAL MEDIA POST:

Submit a proposal now for the World Alliance for Arts Education Virtual Global Summit focused on examining quality structures, processes and practices of assessment and evaluation in #ArtsEd. The Summit will be held virtually from October 11-15, 2021.  More info: http://bit.ly/WAAE2021
— 
Jeff M. Poulin (he/him/his)Managing Director Creative Generation www.Creative-Generation.org@Campaign4GenC on TwitterInstagram, and FacebookFind us on LinkedIn

jeff@creative-generation.org

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APPLY now!

June 21, 2021

Deadline tomorrow for MAEPL

Curious about the Maine Arts Commission (MAC) program, Maine Arts Education Partners in Leadership (MAEPL)? Wonder why you should consider applying? Listen to arts educator and veteran MAEPL Teacher Leader Charlie Johnson at THIS LINK explain his reasons and the benefits that he’s experienced during his ten years of participation!

DEADLINE TO APPLY IS TOMORROW, JUNE 22, 2021! DON’T DELAY!

DETAILS – THIS LINK

APPLICATION – THIS LINK

DOWNLOAD THE BROCHURE that contains all the information you need!

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