Posts Tagged ‘Carolyn Brown’


MAEA Conference and Awards

April 12, 2022

What a day for art education!

The Maine Art Education Association (MAEA) concluded an outstanding spring conference by presenting three, no four, awards to deserving educators. But first a word about the conference. I’ve been around long enough to see institutions transform, some for the third and fourth time. I had the pleasure of working on the planning committee for the MAEA spring conference that was held on Saturday, April 2 in Rockland at the Farnsworth Art Museum and CMCA. I’m not just talking about a conference that was held in both facilities but what took place was magical. It was delightful to see the two institutions partner with MAEA to put together a very worthwhile day for art educators.

Presentation by Daniel Salomon

The conference entitled Radical Reuse was planned and implemented by a group of people who had never worked together before, some new to their positions, and everyone went above and beyond. Over a two month period every Thursday the education staffs of both institutions and the MAEA conference planners came together on zoom to plan the annual spring conference. THANK YOU to everyone for a job well done! From CMCA: Mia Bogyo, and representing the Farnsworth: Gwendolyn Loomis Smith, Katherine Karlik, and Alexis Saba. MAEA president, Lynda Leonas, coordinated the effort with board members Iva Damon and Christine Del Rossi supporting. From the Rockland school district Richard Wehnke helped.

Printmaking with Sherrie York – Lynda Leonas and Iva Damon

The keynote was provided by Krisanne Baker, Medomak Valley High School art and ecology teacher and artist. She is committed to advocating for the ocean and inspires her students to learn about water quality, availability and rights, and ocean stewardship. Guest speaker Daniel Salomon who teaches in The Hatchery at Camden Hills Regional High School provided background information on the work he is doing with students utilizing and reusing materials and the role we each can play.

Gallery tour, Farnsworth

After the opening speakers, conference participants attended sessions on printmaking with Sherrie York, art making around ‘place’ with Alexis Iammarino, toured the Farnsworth Museum, and toured CMCA. Several merchants from Downtown Rockland supported the conference goers with discounts. During the middle of the day Daniel’s students from the Hatchery, set up outside CMCA, shared several of the projects they have been involved in this year.

Alexis Iammarino demonstrating, CMCA


The day concluded with honoring the work of four educators with an amazing backdrop of quilts at CMCA. The educators are outstanding in and out of the classroom, engaged in work at the local, regional, and state level. They work (and play) tirelessly, sometimes alone and often collaborating with others. Every day they exhibit all that is right about education. In their respective institutions they have a place at the table where they continuously advocate for students and art education. We know that an excellent education in the arts is essential, and these educators strive for every student to experience just that. 

The awards committee was led by Belfast Area High School art teacher Heidi O’Donnell. Members of the committee included Hope Lord, Maranacook Middle School art teacher and Suzanne Goulet, Waterville High School art teacher, and myself. The awards, clay vessels, were created by Carolyn Brown, Camden Hills Regional High School art teacher. In addition each educator received a plaque for their classroom and a pineapple.

The 2022 Administration/Supervision Art Educator of the Year was presented to Dr. Rachel Somerville who is at Maine College of Art & Design and Westbrook Schools. She was introduced by Melissa Perkins, Congin Elementary School art teacher, Westbrook.

Melissa presenting Rachel

The 2022 Secondary Art Educator of the year was presented to Iva Damon, art teacher at Leavitt Area High School in Turner. She was introduced by Lynda Leonas, president of MAEA and an art teacher at Walton and Washburn Elementary Schools in Auburn.

Lynda presenting Iva

The 2023 Maine Art Educator of the Year was presented to Matthew Johnson, art teacher at Westbrook High School. He was introduced by Deb Bickford who also teaches art at Westbrook High School.

Lynda Leonas presented a surprise pineapple award to Heidi for outstanding leadership and contributions to the MAEA board. She is stepping down from the board as she takes on a leadership position with the National Art Education Association.

Heidi O’Donnell, right with her Belfast colleagues Linda Nicholas, middle and Kathie Gass, left

As we move away from the challenges of the pandemic I urge you to consider:

  • Become a member of MAEA, if you are not already one
  • Volunteer to become a board member and take on a leadership role
  • Nominate a colleague who is worthy of recognition

For more information please go to the MAEA website.

Photos taken by Heidi O’Donnell and myself.


MAEA Fall Conference Keynote

October 1, 2015

Sharing her presentation –  Carolyn Brown

Screen Shot 2015-09-29 at 3.12.59 PMCarolyn teaches Visual Arts at Camden Hills Regional High School and is the Maine Art Educator of the Year for 2016. The award is presented by the Maine Art Education Association. Below is the presentation she gave at the fall conference at Haystack Mountain School of Crafts.

Ripple Effects

I made about a hundred versions of this presentation. Should I use the latest research on the relationship between the arts and cognitive development? Should I give a play-by-play history of my long teaching career, the ups, the downs, the crying in the storage closets? Or tell you how important it is for each of you to be strong advocates for arts education, so we can prevent losing ground in the face of budget cuts and pressure to conform to standards? Should I explain, with a diagram and the latest educational lingo, how to write a compelling…. assessment rubric? Instead, I decided to just let this write itself.

I’m going to start with a poem. I spent most of my childhood and teenage years hunched over my desk writing for hours on end, and making little paintings and drawings. Finally, in high school, I had my first real art class, and my teacher, Bruce Elfast, changed everything. He held the orange for me, as the character in the poem does.

By Denise Duhamel

I just didn’t get it—
even with the teacher holding an orange (the earth) in one hand
and a lemon (the moon) in the other,
her favorite student (the sun) standing behind her with a flashlight.
I just couldn’t grasp it—
this whole citrus universe, these bumpy planets revolving so slowly
no one could even see themselves moving.
I used to think if I could only concentrate hard enough
I could be the one person to feel what no one else could,
sense a small tug from the ground, a sky shift, the earth changing gears.
Even though I was only one mini-speck on a speck,
even though I was merely a pinprick in one goosebump on the orange,
I was sure then I was the most specially perceptive, perceptively sensitive.
I was sure then my mother was the only mother to snap,
“The world doesn’t revolve around you!”
The earth was fragile and mostly water,
just the way the orange was mostly water if you peeled it,
just the way I was mostly water if you peeled me.
Looking back on that third grade science demonstration,
I can understand why some people gave up on fame or religion or cures—
especially people who have an understanding
of the excruciating crawl of the world,
who have a well-developed sense of spatial reasoning
and the tininess that it is to be one of us.
But not me—even now I wouldn’t mind being god, the force
who spins the planets the way I spin a globe, a basketball, a yoyo.
I wouldn’t mind being that teacher who chooses the fruit,
or that favorite kid who gives the moon its glow.
When I started teaching, in 1984, I was the “first ever” art teacher in the whole district of Lisbon and Lisbon Falls. No art room. No sinks in the classrooms. I unfolded tables at 6 a.m. in the mornings when I taught in the cafeteria, and folded them back up before gym class. I carried buckets of water to the classrooms for cleaning paintbrushes.  In one of the five buildings I taught in, this was up two flights of stairs. I was about a thousand years younger then.

Fortunately, I had something- some people- who made it possible to continue.  The first grader who asked for “mascara” to put on the eyelashes of his mask. (I handed him a black marker.) The fifth grader who said he wanted to be an artist because he now knew it was okay for a boy to like drawing.
I also had a teacher mentor. She was a classroom teacher-turned G/T teacher, who was assigned to be my mentor in a pilot program that year. Because of her, I stayed in teaching.

Because of some of you acting as mentors, others have stayed in teaching. Because of you, some of your students found their voices by learning about art, and using their minds and hearts to make things that matter. Those are little ripples you make in the world. The edges of those ripples are too distant for you to see, because the effects are endless.

Looking back through my teaching career, at Mt. Ararat School in Topsham, at an International School in Tokyo, in the new schools in Poland, Maine, and Rockport, a few things come to mind. One is that teaching, really teaching, is exhausting. With the younger grades, there are questions to answer, runny noses to wipe, displays to organize, sinks to scrub, not to mention lessons to plan, assessments to write, and so on.

With older students, there are still questions to answer, of course, and big questions to ask of them; sometimes I think that half of the task of teaching high school students is to get them to take risks like kindergarteners do every day.

Any of this is a big task. The most important job in the universe is teaching. To be able to do this, you have to have something deep, and sensitive, and joyful, and knowledgeable, and persistent, and brave, and amazing inside of you. I am convinced that to be a good art teacher, you have to be humble, as well as somewhat confident, but humble enough to be open to new learning. You have to be quiet, as well as “breathing from the diaphragm” when you speak to your class. You have to be able to listen with sensitivity, as well as talk. You have to keep changing, and growing.

If you teach the same lesson, the same way, to every class, year after year, you might have successes: the carefully but imperfectly shaded portrait of Jimi Hendrix, Rest in Peace; the painting of a lighthouse a thousand miles away, from some 1990’s calendar, that Grandma can put on her fridge; but you won’t have any surprises. To be an excellent teacher, you have to take risks. Put yourself in the position of your students: try something new. Hold onto the bungee cord, hold tight, but jump, look at the magnificent rushing river underneath your dangling feet, and look back up at your colleagues at the top of the bridge- whoo hoo!

One of the weirdest and most exciting teaching experiences I ever had was at Mt. Ararat. One of my classes was a 3D Design class. I was really into installation art at the time, and we had a huge entryway to the school that I found all sorts of ways to mess up. One year, I invited the sculptor Michael Shaughnessy to work with the class. We brainstormed together ourselves, and then with the students, to come up with some ideas for installation sculptures based around themes of the students’ choice. The largest and most exciting piece was conceived by all of us collaboratively. The students decided to use the theme of the interactive process of teaching and learning. We gathered all the extra desks and chairs from a storage room, and arranged them in a giant spiral in the main lobby, about 20 feet across. We lined the top of each desk with potting soil, and planted seeds in the dirt. We suspended lights from the ceiling to represent the light of knowledge, and teaching. Slowly, over a couple of weeks, the seeds sprouted and grew lush green grass. The remarkable thing about this was that this weird sculpture, in the main lobby of the school, was not damaged or vandalized. This was before security cameras were routinely installed in hallways. In fact, at the end of the two weeks, students wanted to keep it there. They loved how it changed every day, how they understood the metaphors we tried to communicate, and that they grew to find more meaning in it, from their own experiences. It was a sad day when we had to dismantle it.

That project was one of the most memorable and exciting because it was a risk. We had to plan extensively, we had to negotiate with the principal, communicate with the Fire Marshal; we had to be willing to accept that for some students and parents, this might just be too bizarre and conceptual to accept. Because the students were integral to every part of the process, however, it was valid for them. It was their project. That was crucial, and I think it’s important to remember that, as we work at creating lessons tailored to meet specific district and state standards. It has to be their projects, their ideas, their learning.

We are among the luckiest art teachers in the world, I think, in that we have so many amazing opportunities in Maine. We have a beautiful natural world to observe. Immersing oneself in nature is a critical aspect of being a sensitive human steward of the world. Nature teaches by example, if you take time to be still and watch, and listen.

We also have a strong tradition of the arts, and arts organizations. When we gather here at Haystack, we have the energy of many hands, many minds, many voices coming together. Some of us find we grow much more in the single weekend here at Haystack than we can in a month on our own at home. The challenge is to hold onto that energy, keep it vibrating, keep it rippling, keep it flowing when we return to our classrooms, and ordinary lives next week. How do we take this sacred creative time, in this sacred special place, and transport it back to share with our students, and our colleagues, while keeping it fresh and whole for ourselves?

The next bunch of slides are some of my own artwork- done during the past few years- I have been  fortunate to take workshops and classes at Haystack, Waterfall Arts, and Maine College of Art, and have been influenced by my time working in Tokyo)

Studies demonstrate that practice in the arts stimulates cognitive growth- the prolonged concentration needed for in-depth problem solving and creating with our hands actually makes new neural connections in our brains. It is this paying attention, in the real world, in real time, that is crucial to our jobs as teachers, as creative artists, and as caretakers of our planet.

I will close with a short poem by Wendell Berry, titled

The Vacation              
By Wendell Berry

Once there was a man who filmed his vacation.
He went flying down the river in his boat
with his video camera to his eye, making
a moving picture of the moving river
upon which his sleek boat moved swiftly
toward the end of his vacation. He showed
his vacation to his camera, which pictured it,
preserving it forever: the river, the trees,
the sky, the light, the bow of his rushing boat
behind which he stood with his camera
preserving his vacation even as he was having it
so that after he had had it he would still
have it. It would be there. With a flick
of a switch, there it would be. But he
would not be in it. He would never be in it.
I ask you all to go out, back into the night, back into your studios here at Haystack, and be in it. Absorb the positive ripples sent out in your workshop. And back in your real lives, back in your classrooms, spread the ripple, and be in it. Hold the orange, the world, in your hand, and be in it.


Celebration of Arts Ed: Camden-Rockport

April 11, 2013

Blaine House event – April 9

IMG_3132On Tuesday, April 9, we had a Celebration of Arts Education to recognize the accomplishments of artists and musicians from Camden-Rockport Elementary and Middle Schools and Camden Hills Regional High School. The First Lady, Ann LePage, Chair of the State Board of Education, Dr. Steven Pound, and the Department of Education came together to celebrate Arts Education. Twenty four students representing grades Kindergarten through 12 are exhibiting art work at the Department. Proud family members watched as the students were recognized for their accomplishments.


Grade 6 student, Mary with Steven Pound and First Lady LePage

Music students in the 8-member, student lead a cappella group The Off-Beats(!) performed the Stars Spangled Banner and Sweet Caroline at the reception held at the Blaine House. After recognition and refreshments families were invited to the Department of Education to view the art exhibit. The Off-Beats(!) stopped at the State House to see Senator Mazurek and sang in other spots in the State House and the Cross Office building. It was a special treat to have them sing in the lobby at the Department with about 20 Department employees watching and listening. The Off-Beats(!) make people smile and a reminder of why it is essential to provide quality arts education for all students!


The Off-Beats(!) student director Alex with Steven Pound and First Lady Ann LePage

You can see the artwork that is on display at the Department by clicking here or viewing the work from the front page of the blog, right side in the section titled “Info”. Look for “Camden-Rockport Schools: MDOE exhibit”. Even after the artwork leaves the Department it will remain on the blog and the songs will remain in my heart and memory! Thank you to the students who have shared their art!

Congratulations and thank you to the visual and performing arts teachers who have taken the time to provide this opportunity for their students. Kimberly Murphy, Camden Hills Regional High School music teacher, Carolyn Brown, Suzanne Southworth, and Russell Kahn, Camden Hills Regional High School art teachers, Kristen Andersen, Camden-Rockport Middle School art teacher, and Susan Dowling, Camden-Rockport Elementary School art teacher.

Camden-Rockport Elementary School student Alexandra Southworth, grade 3 with Steven Pound and the First Lady

Camden-Rockport Elementary School student Alexandra, grade 3 with Steven Pound and the First Lady

Arts Teachers

Dr. Steven M. Pound, State Board Chair, Carolyn Brown and Suzanne Southworth, Camden Hills Regional High School, First Lady Ann LePage, Kimberly Murphy, Camden Hills Regional High School music teacher, Argy Nestor

Off Beats at Blaine House

The Off-Beats (!) perform Sweet Caroline at the Blaine House


The Off-Beats(!) perform at the Maine Department of Education


Grade 8 student Erin with her painting “Degas copy”

Off Beats and Argy

All smiles after an excellent performance – The Off-Beats(!) plus one

Thank you to Carolyn Brown and Janet Gallagher for the photographs included in this blog post!


Youth Art Month Opening

March 4, 2013

Portland Museum of Art

Screen shot 2013-03-03 at 9.11.55 PMThe 19th annual Maine Art Education Association (MAEA) Youth Art Month opening took place this past Saturday at the Portland Museum of Art (PMA). This year marks the 33rd anniversary of YAM which is celebrated to emphasize the value of art education and to encourage public support for art education.

PMA Director Mark Bessire, organizers Stacy Rodenberger and Dana Baldwin, and PMA exhibition designers and installers did an incredible job displaying the 123 pieces of Maine K-12 student artwork. The PMA site states: Sharing this work by K-12 students allows the museum to recognize the value of art education for all children and to encourage public support for quality school art programs.

Congratulations to Manon Lewis for coordinating the event and for the other MAEA board members for their contributions. And congratulations to the teachers who took the time to select the work, transport it to Portland, and provide the information for display. In many cases the teachers attended the opening reception to celebrate their students.

The Saturday event also recognized 2 Outstanding Art Educators: Asa Adams Elementary School K-5 art teacher Nancy Lloyd-Fitch and Camden Hills Regional High School art teacher Carolyn Brown. Both well deserved recognitions for their years of dedication to Maine students.

All the work in the show is outstanding, located near the entrance of the museum and the 4th floor, and will remain on display until March 31st. I recommend that you don’t miss it!


Photo History Project

May 27, 2011

Photography Class Five Town History Project – Camden Hills Regional High School

Thank you to art teacher Carolyn Brown for submitting this blog post.

Kevin Johnson

Students in Ms. Brown’s Photo Studio classes at Camden Hills Regional High School are working on a “Then and Now” photo history project of the Five Towns CSD, including photos from Appleton, Hope, Lincolnville, Camden and Rockport.

Guest photographer and photo archivist Kevin Johnson, of the Penobscot Marine Museum, visited classes in late May. He showed students historic photos from the Eastern Illustrating photo archive, which includes photos of the Five Towns shot between 1909 and 1947. He explained how these photos were made with large cameras and glass plate negatives, and how he and his team of archivists have been cleaning, restoring and digitizing the glass plates. Students then tried out Kevin’s large-format camera, to get a feel for how the old photos were set up and shot.

Kevin Johnson, Heather Eaton

Students have selected old photos from the collection to reshoot with modern tools. The classes will select the best shots and create 25 pairs of images- one of the old shots with the scene as it looks today. These photos will be matted and framed, and become a permanent collection for CHRHS. Additionally, local historians will work with students to give background history about the history of the Five Towns area depicted in the photos. Eventually, the photos will be available on the Penobscot Marine Museum website, and mapped using GIS tools.

This project is supported by Youth Arts, the Bisbee Fund, and a donation from Laurie Adams. Anyone interested in learning more about the project, please contact teacher Carolyn Brown at

More information about the Penobscot Marine Museum historic photo collection can be found on their website at

Kevin Johnson, Dinara Galilulina


Congrats to Camden Rockport Student

May 16, 2011

Lizzie Cox, a junior at CHRHS, had  her artwork selected as First Runner Up in the Congressional Art Competition for the State of Maine. Lizzie is in Advanced Art Portfolio class with Ms. Carolyn Brown, and additionally takes a painting class outside school with instructor Ron Frontin.

Recently Lizzie attended a reception at the Blaine House with Governor and Mrs. LePage. At the reception, she was awarded a $24,000 scholarship ($6,000 a year for 4 years) to Maine College of Art, if she chooses to attend.

BIG congratulations to Lizzie for this award and to her Carolyn, her art teacher!

%d bloggers like this: