Posts Tagged ‘CMCA’

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Meet Mia

July 6, 2022

Mia Bogyo, Education Programs Manager, CMCA

I was so happy to have a lengthy conversation with Mia Bogyo and to learn her story. Mia has a bubbly personality and is an enthusiastic creative person who approaches each task at hand positively. When Mia smiles it is with her whole being. She is totally committed to her work in art education and applies her energy so everyone benefits. Her story…

Mia Bogyo uses the pronouns, she/her and is the Education Programs Manager at the Center for Maine Contemporary Art (CMCA) in Rockland. Mia’s high school experience at George Stevens Academy in Blue Hill heavily influenced her pathway to art making and teaching. She was able to take advantage of all the programming that Haystack Mountain School of Crafts in Deer Isle had to offer high school students.

Mia at work!

Mia went to the University of Southern Maine (USM), started in the Studio Arts program and then switched to the Art and Entrepreneurship program. During her freshman year she was involved with Oak Street Studios (downtown Portland) and Side X Side and really loved teaching with both programs. She was experimenting with teaching in the community arts programming and in-school/out of school and after school programs. With further consideration she had the choice of majoring in the community art education program or study for a BFA with a K-12 certification. She jumped into the art education program and continued doing some teaching at Oak Street Studios and Side X Side, gaining in-depth experiences. She taught during the school year as well as during the summer. She student taught at Oceanside Elementary School in Portland, Falmouth Middle School, and Casco Bay High School in Portland and graduated in 2018 which gave her comprehensive experiences to help her consider public school teaching or a community education pathway.

USM has agreements with Maine College of Art + Design (MECA+D) and Southern Maine Community College (SMCC) which enables students learning opportunities at all three campuses. Mia traveled to Greece with a MECA+D study abroad summer program.

PUBLIC SCHOOL EXPERIENCE

Mia took on a long-term substitute position at Canal Elementary School in Westbrook. She was contracted for three months and it turned into six. The experience provided something that she couldn’t possibly have planned for. She was impressed with the Westbrook art education program and received a great deal of support while there. She had the chance to attend department meetings with the K-12 art staff and she had ongoing communication with department chair Rachel Somerville who provided incredible support. She even had the chance to advise a student teacher from Maine College of Art + Design. This was a unique experience, chaotic at times, however, between the student population and the support she was provided, everyday was an adventure. She was inspired and walked away with a new confidence and clarity a direction.

She also taught at the Gorham Arts Alliance in their pre-school and after school programs. This experience provided Mia a better understanding of younger learners which was invaluable. This gave her the confidence to work with young children. Soon after she left there, the pre-school became more a part of the public school. Mia views this positively because it helps facilitate a sequential art education program starting at a younger age. Schools adjust their art programs since students have art education prior to kindergarten.

MOVE TO ROCKLAND

Two and half years ago Mia moved to Rockland and visited CMCA to learn about their programming. She was impressed with their educational offerings and that most of it was being facilitated by a volunteer, Sandy Weisman. They had a serious conversation about CMCA’s five year plan which included a comprehensive art education program. Mia’s philosophy and CMCA’s were so aligned that they offered her the position of Education Programs Manager. She is grateful for the mentoring that Sandy provided and for her collaborative ongoing work with Community Arts Instructor Alexis Iammarino, who oversees the ‘Arts @ Work’ program.

Look Inside program

CMCA EDUCATION PROGRAMS, for all ages

VISION – Dedicated to promoting dynamic engagement with contemporary art and artists, the Center for Maine Contemporary Art offers programs that fuel the imagination, stimulate forward thinking, and cultivate conversation.

The priority is to develop programming that:

  • Expands access to the new ideas and modes of expression inherent in contemporary art
  • Provides authentic and experiential art education that engages local artists as teachers and mentors
  • Empowers individuals to explore their own capacities as creative thinkers and makers

CMCA learning programs:

  • Art Lab – Offering hands-on education programs year round for all ages.
    • Look Inside specifically geared to K-12 school visits, created by professional museum educators and assisted trained volunteer education staff, invites students to look at and understand the world in new ways. The program strengthens the following:
      • Visual literacy
      • Interdisciplinary learning
      • Deep and thoughtful looking
      • Hands-on creating making
    • Expanded program supporting K-12 school visits and professional development for Maine art teachers online and in person
    • February and April school vacation workshops
    • Summer Art Camp facilitated by guest teaching artists
  • Arts @ Work is a free mentorship program connecting high school students across the mid-coast region to arts leadership, career development, volunteer opportunities and studio practice development. This program is facilitated by Community Arts Instructor Alexis Iammarino.
  • Community Partners are plentiful at CMCA which help to connect artists of all ages, races, genders, socio-economic status, and abilities to contemporary artwork and artists.
Mia leading Look Inside program

PANDEMIC

The pandemic offered Mia and CMCA some challenges along with opportunities. They quickly shifted to online offerings. They built over 1,300 art kits with each kit being attached to one lesson. Over time students participating collected tons of ideas and materials. Parents are grateful for the quality art supplies to help steer their child while at home and most likely will last for a very long time. They worked with the local teen shelter providing art kits while they were doing food distribution.

Covid influenced and impacted decisions and direction. They are building on the challenges. Returning from the pandemic to in-person has been a different kind of challenge. They continue to offer online opportunities and will not lose what they learned during the most difficult part of the pandemic. They have streamlined their communication. CMCA is the only organization in the area providing online. They are now very open for schools and love having groups visit.

The other big learning is that they are clear that “creativity can be a step away from technology now.” They used technology to engage people while simultaneously making and offering the art kits, serving all ages, PreK through adults. Since it was difficult to get kids online they pre-recorded the lessons and the local school district communicated the information to students.

The instruction reached quite a distance during the pandemic. Schools as far away as Machias and Kennebunk participated during the heart of the pandemic. CMCA provided virtual tours and workshops. Perhaps due to the pandemic programs with classroom teachers are growing.

Mia has connected with the teachers at Harbor School and George Stevens Academy and provides workshops for students there.

Artlab

SCHOOL AND COMMUNITY RELATIONSHIPS, OPPORTUNITIES

CMCA has a free membership for Rockland residents. In many cases this starts with the teacher and the local schools.

CMCA is at a turning point, growing from what they’ve learned about young and adult learners. They are diversifying their teaching staff and including artists from the mid-coast. Many are interested in teaching and sharing what they do. Covid has shown that teachers, formally trained or not, can and wants to give back. Adult community members are interested in learning from an expert.

Mia teaches the elementary and middle school gifted and talented program in RSU 13 (Rockland) which she teaches at the school. The students also visit the CMCA shows throughout the school year.

The After School program involves partnering with the local schools through their 21st century program.

Rockland High School program is called ‘Arts at Work’, established in 2017, and CMCA partners with that program. Teaching artist, Alexis Iammarino facilitates this program. Internship for high school students at CMCA, focusing on the community. Alexis also oversees the mural program in the summer as lead artist for Arts in Action, which has been painting murals for several years in public spaces throughout Rockland. The town is being visually transformed thanks to the murals these young people have created with Alexis.

The ArtLab portion will expand to be more community based space for teaching artists.

CMCA is building on their relationship with the Mid-coast School of Technology. Together they are considering alternative learning spaces with an interest in the Graphic Design and Film programs offered at the school.

CMCA is part of the RSU 13 Youth Alliance. The organization is made up of more than 15 organizations who put out a newsletter and meet monthly. The organizations are located in the mid-coast, from Rockland to Camden, and are connected with youth, trying to build connections with youth and/or provide opportunities for youth. The group also supports each other by checking in with members to learn what is needed for youth, to help address struggles and to understand what is being heard from youth.

Mia leading Third Sunday

MAEA RELATIONSHIP

Mia works closely with Maine Art Education Association, hosting conferences and communicating about the resources that CMCA has for educators. She enjoys exploring this together with teachers and providing professional development in a collaborative manner, planning and implementing.

SUMMER

CMCA is 70 years old and the 5th year that they’ve been in their new facility in Rockland. On the 3rd Sunday of the month they have Sunday tours. In partnership with the Farnsworth Art Museum this summer they are offering joint field trips for children and summer camp programs for children in RSU13. Mia is honored that organizations wish to collaborate with CMCA but focusing on the numbers is a priority for them. And, getting everyone on the same timeline is a challenge.

LOOKING AHEAD

The education portion of CMCA will continue to grow while being mindful of their mission and goals. They will hire a part-time employee (10-15 hires a week) to help maintain the programs that they are currently housing. In Mia’s own words: “It is so exciting to have new work that turns over, exciting to have this space to use, exciting to make connections. I am wanting to do (provide programming for). “I am always reminding myself to slow down.”

Thank you Mia for providing so much information for the blog readers so they can learn (more) about you and the education programs at CMCA.

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MAEA Conference and Awards

April 12, 2022

What a day for art education!

The Maine Art Education Association (MAEA) concluded an outstanding spring conference by presenting three, no four, awards to deserving educators. But first a word about the conference. I’ve been around long enough to see institutions transform, some for the third and fourth time. I had the pleasure of working on the planning committee for the MAEA spring conference that was held on Saturday, April 2 in Rockland at the Farnsworth Art Museum and CMCA. I’m not just talking about a conference that was held in both facilities but what took place was magical. It was delightful to see the two institutions partner with MAEA to put together a very worthwhile day for art educators.

Presentation by Daniel Salomon

The conference entitled Radical Reuse was planned and implemented by a group of people who had never worked together before, some new to their positions, and everyone went above and beyond. Over a two month period every Thursday the education staffs of both institutions and the MAEA conference planners came together on zoom to plan the annual spring conference. THANK YOU to everyone for a job well done! From CMCA: Mia Bogyo, and representing the Farnsworth: Gwendolyn Loomis Smith, Katherine Karlik, and Alexis Saba. MAEA president, Lynda Leonas, coordinated the effort with board members Iva Damon and Christine Del Rossi supporting. From the Rockland school district Richard Wehnke helped.

Printmaking with Sherrie York – Lynda Leonas and Iva Damon

The keynote was provided by Krisanne Baker, Medomak Valley High School art and ecology teacher and artist. She is committed to advocating for the ocean and inspires her students to learn about water quality, availability and rights, and ocean stewardship. Guest speaker Daniel Salomon who teaches in The Hatchery at Camden Hills Regional High School provided background information on the work he is doing with students utilizing and reusing materials and the role we each can play.

Gallery tour, Farnsworth

After the opening speakers, conference participants attended sessions on printmaking with Sherrie York, art making around ‘place’ with Alexis Iammarino, toured the Farnsworth Museum, and toured CMCA. Several merchants from Downtown Rockland supported the conference goers with discounts. During the middle of the day Daniel’s students from the Hatchery, set up outside CMCA, shared several of the projects they have been involved in this year.

Alexis Iammarino demonstrating, CMCA

AWARDS PROGRAM

The day concluded with honoring the work of four educators with an amazing backdrop of quilts at CMCA. The educators are outstanding in and out of the classroom, engaged in work at the local, regional, and state level. They work (and play) tirelessly, sometimes alone and often collaborating with others. Every day they exhibit all that is right about education. In their respective institutions they have a place at the table where they continuously advocate for students and art education. We know that an excellent education in the arts is essential, and these educators strive for every student to experience just that. 

The awards committee was led by Belfast Area High School art teacher Heidi O’Donnell. Members of the committee included Hope Lord, Maranacook Middle School art teacher and Suzanne Goulet, Waterville High School art teacher, and myself. The awards, clay vessels, were created by Carolyn Brown, Camden Hills Regional High School art teacher. In addition each educator received a plaque for their classroom and a pineapple.

The 2022 Administration/Supervision Art Educator of the Year was presented to Dr. Rachel Somerville who is at Maine College of Art & Design and Westbrook Schools. She was introduced by Melissa Perkins, Congin Elementary School art teacher, Westbrook.

Melissa presenting Rachel

The 2022 Secondary Art Educator of the year was presented to Iva Damon, art teacher at Leavitt Area High School in Turner. She was introduced by Lynda Leonas, president of MAEA and an art teacher at Walton and Washburn Elementary Schools in Auburn.

Lynda presenting Iva

The 2023 Maine Art Educator of the Year was presented to Matthew Johnson, art teacher at Westbrook High School. He was introduced by Deb Bickford who also teaches art at Westbrook High School.

Lynda Leonas presented a surprise pineapple award to Heidi for outstanding leadership and contributions to the MAEA board. She is stepping down from the board as she takes on a leadership position with the National Art Education Association.

Heidi O’Donnell, right with her Belfast colleagues Linda Nicholas, middle and Kathie Gass, left

As we move away from the challenges of the pandemic I urge you to consider:

  • Become a member of MAEA, if you are not already one
  • Volunteer to become a board member and take on a leadership role
  • Nominate a colleague who is worthy of recognition

For more information please go to the MAEA website.

Photos taken by Heidi O’Donnell and myself.

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Maine Art Ed Workshop

October 10, 2020

Registration deadline – October 12

Activating Hybrid Learning with Center for Maine Contemporary Art MAEA Workshop

Saturday, 17 October 2020, in-person

Center for Maine Contemporary Arts in Rockland, 9:30AM – 3:30PM.

ONLY 19 SPOTS LEFT!!!  JOIN US TODAY!

Pre-registration is required – $50.00 per person 

Registration Deadline:  Monday, October 12th

In support of the Maine Arts Education Association (MAEA), CMCA is offering a full day professional workshop for Maine Art Educators, including contemporary art exploration, making, and conversation featuring the CMCA 2020 Biennial.
CMCA curatorial and education staff will guide participants through a variety of activities and ideas for incorporating contemporary art into your classrooms, both in-person and online. We’ll take a close look at the diverse themes and artworks in the Biennial and discover a range of artmaking processes, ideas, and artists that will heighten curriculum and personal practice. Re-energize and regroup as a community of artists, educators, and contemporaries during this one-day workshop.
Please email mbogyo@cmcanow.org with any questions about the workshop.
To ensure safe social distancing, the workshop will be split into 2 groups; masks required.
For the complete schedule, please visit MAEA website!

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Artist Toolbox Workshop

May 10, 2020

Center for Maine Contemporary Art

Monday – Thursday, May 25 – 28 | 6:30 – 8pm
Zoom Workshop | $30 to participate
Led by Kim Bernard
Pre-registration required; limited to 10 participants

The Artist Toolbox Workshop is designed for artists who want to develop the skills necessary to successfully represent themselves and advance professionally in the current art sector. Creating a strong body of work is the most important part of being an artist, but how do you pay the bills, juggle time, money, studio and life?

This four-part workshop takes a deep dive into hi-priority topics such as image documentation, finding exhibiting venues, artist/gallery relationships, writing an artist statement, bio and resume, building a website, networking, getting exposure, social media, grant writing, finding residencies, time and money management, and sustaining an ongoing professional creative practice.

Kim Bernard received her BFA from Parsons School of Design in 1987, and her MFA from Massachusetts College of Art and Design in 2010. She mentors emerging artists individually, and teaches professional development workshops to artists nationally. Her work has been shown in solo and group exhibitions across the U.S., including at the Portland Museum of Art, Currier Museum of Art, Fuller Craft Museum, Harvard University, The Art Complex Museum, and University of New Hampshire Museum of Art. Her work has been reviewed in The Boston Globe, ArtNews and Art New England. She is the recipient of a Piscataquis Region Artist Advancement Grant and grants from The Kindling Fund, New England Foundation for the Arts, and Maine Arts Commission. She was artist-in-residence at the Physics Department at Harvard University, and at the University of New England.

The Artist Toolbox is made possible by major support from the Roxanne Quimby Foundation.

REGISTER

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CMCA

October 3, 2019

Kindling Fund

The Center for Maine Contemporary Art in Rockland is hosting a Kindling Fund grant workshop presented by SPACE. The workshop runs for about an hour including a brief overview of the program and will coach audiences on how to create a competitive application, with time for questions at the end.

Projects supported by The Kindling Fund have included: curatorial projects that focus on unconventional artistic practice; public art projects, interventions, and site specific installations; the publication of writing directly related to the visual arts; and the creation of artist residencies and artist-run exhibition spaces.

The grant was established in 2015 in response to the needs of individual artists across the state and to the needs of Maine’s arts community at large. The Regional Regranting Program connects Warhol Foundation support with localized partner organizations who value artist-driven contemporary and independent practices. Thirteen other regranting initiatives around the United States fulfill a similar need.

For more details, please visit Kindling Fund.

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