Posts Tagged ‘MAC’

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Another Arts Teacher’s Story: Hilary Martin

March 21, 2017

MALI Teacher Leaders Series

This is the fourth blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) Teacher Leader stories. This series includes a set of questions so you can learn a little bit about the work each Maine visual or performing arts teacher or artist is doing.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 74 posted to date. Thank you Hillary for sharing your story!

Hilary Martin is currently working as a grades K-8 ed. tech. at the Vassalboro Community School in AOS 92. Before this year, beginning in 2013, she worked as the K-12 theatre teacher at the Vinalhaven School, where she taught K-5 drama, high school public speaking, and middle and high school electives in acting, directing, playwriting, and technical theatre and design. While at Vinalhaven Hilary also directed after-school productions.

What do you like best about being an arts educator?

Having the opportunity to help students be creators, and giving students who might not be highly successful in other classes a place where they can shine.

What do you believe are three keys to ANY successful visual and performing arts education?

Community support, investment from administrators and colleagues, and a passionate teacher.

How have you found assessment to be helpful to you in your classroom?

Assessment allows me to get a sense of what students have and haven’t mastered, so I know what curriculum areas to spend extra time on, and it allows me to give students useful, constructive feedback on their work.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

Being an arts educator can often feel very isolated–a lot of time you’re the only one in the building in your subject area, and being a theatre teacher even more so, as there aren’t that many of us in the state! Being involved with MALI has been a wonderful opportunity to network and share resources with other theatre teachers.

What are you most proud of in your career?

While at Vinalhaven, I began taking students to the Maine Drama Festival. Our first year attending we placed second at the regional competition, and the program has been successful enough to continue under the new Vinalhaven theatre teacher. I’m very proud of how I was able to expand the already very strong theatre program at Vinalhaven!

What gets in the way of being a better teacher or doing a better job as a teacher?

Time, or the lack of it! With all of the responsibilities teachers have there is very little time for professional development, collaborating with colleagues, or even individual curriculum planning–all things that are crucial to being an effective educator.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to luck” or circumstances?

While on Vinalhaven, I had the opportunity to become a literacy interventionist, in addition to my work as the theatre teacher. This gave me a great opportunity to improve my skills as a teacher and get to know my students in a new way. While to some extent that opportunity was a result of being in the right place at the right time, it was also a result of my own hard work and commitment to continuing my education and training.

Look into your crystal ball: what advice would you give to teachers?

Know your limits, and don’t be afraid to say no to additional commitments. Arts educators tend to love what we do a great deal, and as a result it can be easy to overextend ourselves–I know I’ve found myself in positions where I took on more than I could reasonably handle! Remember to leave yourself space for rest and recovery.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would create a program to expand the number of in or after school theatre programs for elementary students. For many students, their first opportunity to participate in theatre comes in middle or high school, but elementary students can benefit just as much from being involved in theatre.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

It’s hard to say, but I hope that by the time I reach 94 I’ll have the perspective to look back on all the moments of my life as valuable learning experiences!

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Another Arts Teacher’s Story: Pam Chernesky

March 14, 2017

MALI Teacher Leaders Series

This is the third blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) Teacher Leader stories. This series includes a set of questions so you can learn a little bit about the work each Maine visual or performing arts teacher or artist is doing.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 74 posted to date. Thank you Pam for sharing your story!

Pam Chernesky teaches theatre and visual art at Houlton Middle/High School. She has taught art and theatre in Maine for the past 29 both downstate (Gov. Baxter School for the Deaf and Bonny Eagle High School) and, has been teaching art in the County for the past 3 years. Her high school courses include Art 1, Art 2, Advanced Art, Ceramics, Photography, and Theatre. She also teaches art and theatre with 6th, 7th and 8th graders in the Middle School. In total Pam teaches about 400 students with 3/4 of her time in visual arts and 1/4 teaching theatre.

What do you like best about being an arts educator?

 I love seeing students connect with each other and discover their own creative voice. In my district students have not had any elementary art or theatre so I see them transform into artists. Teaching students to take risks, believe in their ideas, and work collaboratively energizes me on a daily basis.

What do you believe are three keys to ANY successful visual and performing arts education?

Opportunity to learn, passionate teachers who love sharing their craft, and resources and support from the administration and the community. If these happen consistently then success is at hand.

How have you found assessment to be helpful to you in your classroom?

Many of my students have their first ever art or theatre class in middle or high school and truly believe they can’t create, have no ideas, or are afraid that they will get it “wrong”. Quality assessment provides clear expectations for both the students and me.   They see their progress toward meeting standards and realize that they CAN achieve and create.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

I definitely cherish meeting and working with so many wonderful arts teachers from across the state who are like-minded and willing to think outside the box. The trainings and leadership opportunities that have been afforded to me since joining MALI are impacting my practice and leadership in so many ways.

What are you most proud of in your career?

I am proud of the accomplishments of my students. This includes the state and nationally recognized performers and artists, as well as the students who just take my classes to earn a graduation credit and instead learned so much more. I know that when you learn to create, you will be less likely to destroy. When you put yourself out there and take a creative risk, you will be less likely to criticize different ideas. When you connect with others and see diverse ways to express ideas, you will not see your world in such a black and white, right and wrong view. The arts impact every human being who participate in profound and long-lasting ways, and I am proud of my part in facilitating those changes in my students.

Visual Art and Theatre teacher Pam Chernesky and Dance and Phys. Ed. teacher MaryEllen Schaper (Bonny Eagle Middle School)

What gets in the way of being a better teacher or doing a better job as a teacher?

In schools, time is always a huge factor, coupled with the strange concept that the arts are not a “core” subject and therefore don’t really matter in the same way as other subjects. The resistance to change at a systemic level is most frustrating. I think that if schools let all the arts teachers reinvent the way a school day would operate, I could be a better teacher and my students would see connections and be better learners and future citizens.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to luck” or circumstances?

I have worked hard to expand offerings for students both during school and in extra-curricular areas. Students participate in the MLTI Screensaver Challenge, the Scholastic Art Awards, art shows outside of school and the MPA One-Act Festival. I am on the boards of our community arts center and the local children’s theatre. Most people have no idea of the hours of work and coordination it takes to build relationships, provide opportunities, and share those successes with the community.

Look into your crystal ball: what advice would you give to teachers?

Never underestimate your power as a teacher to change a student’s life and make a difference. Your students are learning more than vocabulary or skills, they are learning to think, empathize, connect and become better human beings, and we teach all those things through the arts.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would travel with my family and experience arts and cultures around the world. I could probably even get a ticket to Hamilton in New York! I would also save money for my daughter’s college expenses as she pursues her love of music. I would use the rest of the money to provide more opportunities for my students. Field trips to museums and performances are out of reach for many rural schools who live great distances away from those venues. It would be a thrill to be able to afford to take them to see the works of art that they have only seen in books or on the internet, or to see live performances.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I hope not. I struggle with balancing my family life with my arts life, and it is wonderful when they intersect. I am lucky to have the loving support of my family but I don’t underestimate the time we have together. Hopefully at 94 I can look back with fond memories of it all! I know I love what I am doing right now.

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Another Arts Teacher’s Story: Jaclyn Bousquet

March 9, 2017

MALI Teacher Leaders Series

This is the second blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) Teacher Leader stories. This series includes a set of questions so you can learn a little bit about the work each Maine visual or performing arts teacher or artist is doing.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 73 posted to date. Thank you Jackie for sharing your story!

Jaclyn Bousquet presently teaches Visual Art to grades 9-12 at Traip Academy in Kittery, ME where she has spent the majority of her five year teaching career. At Traip Academy, Jackie teaches seven visual arts courses including AP/Advanced Art, Mixed Media, Art Fundamentals, Drawing, Painting, Stained Glass, and Pottery. On average, Jackie teaches about 125 students per year with many repeating students taking multiple art courses each year. In addition to teaching art, Jaclyn is also a Co-Advisor for the class of 2017 and the S2S/Interact club.

What do you like best about being a music/art/theater/dance educator?

I love the positive relationships I have fostered with my wonderful and passionate art students. It is the most amazing feeling in the world to know that I am making an impact on these students by encouraging their creativity and exposing them to the visual arts.

What do you believe are three keys to ANY successful visual and performing arts education?

The essentials for any successful visual and performing arts education include, community and school investment, a passionate and effective art teacher, and a budget!

How have you found assessment to be helpful to you in your classroom?

Assessment is helpful in providing feedback to students so that they may improve upon their future work, as well as make revisions to make stronger work. Quality assessment and rubrics also validates the arts as integral to a well rounded education.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

As the only visual arts educator in my building, I often work in isolation. Becoming involved with MALI has enabled me to network and collaborate with other visual arts teachers across the state. Working with MALI has also encouraged me to become more confident in my own leadership abilities, as I have been pushed outside of my comfort zone in creating and presenting workshops for other art educators.

What are you most proud of in your career?

I am extremely proud of the partnerships I have worked so hard to create with the surrounding community over the last four years. I have collaborated with local businesses, art galleries, and community members in order to enhance student learning and advocate for the arts. As a result of my efforts, I now have three annual art shows that occur in the community, as well as other meaningful projects that encourage students to communicate and collaborate with community members outside of the classroom.

What gets in the way of being a better teacher or doing a better job as a teacher?

Time! As a teacher with seven art courses, it often feels as though I am racing time even with a block schedule. Having enough time to create meaningful and engaging lessons and art activities, provide students with meaningful feedback through assessment, and engage in professional development is extremely challenging.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I am lucky to be working in a community that places strong value on the arts, so I think the work involved with setting up art shows and collaborating with local businesses can easily be overlooked or underestimated. I’ve worked extremely hard to set up community partners and display student work in public spaces in order to advocate for my program.

Look into your crystal ball: what advice would you give to teachers?

As a relatively new teacher myself, there are still many things I am figuring out! The advice I would give to a new teacher, and that I often need to remind myself, is to continue making art and pursuing your own passions because it will radiate into your teaching. Additionally, I would stress the importance of changing things up and avoiding routine in the classroom. It is easy to repeat successful lessons year after year, but just like our students, it is important for us to take risks in order to learn and grow and become stronger educators.

If you were given a $500,000.00 to do with whatever you please, what would it be?

The first thing I would do is revamp my classroom with new cabinetry and storage, and workstations for kids. Maybe I would create an entirely new classroom and expand our program! I would also invest in some expensive new Pottery equipment. I might create some kind of arts enrichment program or grant for schools that do not have formal arts education programs in place.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

This is a hard question! I will be so wise by the time I am 94, that any “regrets” will be thought of as learning experiences that helped shape who I am. I believe that everything happens for a reason and that I am always exactly where I need to be and that things unfold for a purpose. In the present, I am doing what I love and would not trade a minute of it!

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POL: Heading to the State Finals

March 2, 2017

Poetry Out Loud

Maine Arts Commission Announces Top Ten Poetry Out Loud Finalists

screen-shot-2017-01-03-at-7-02-27-pmAUGUSTA, ME–The art of poetry and competition is alive and well in Maine, as 42 individual high school students competed at the Poetry Out Loud Regional Finals February 27 and 28.

This year’s regional poetry recitation contest was hosted at Hampden Academy in the north, and Thornton Academy in the south. The Maine Arts Commission, which administers the competition at the state level, is pleased to announce the top 10 finalists who will participate in the State Finals at the Waterville Opera House on March 13 at 3 p.m.  The event is free and open to the public.

CONGRATULATIONS to the following Maine high school students – we are so proud of you!

Northern Maine Regional Champions

  • Natalie Lisnet, Grade 12, Bangor High School
  • Kate Hodgson, Grade 12, Camden Hills Regional High School
  • Emma Beyor, Grade 12, Erskine Academy
  • Gabrielle Cooper, Grade 12, Gardiner Area High School
  • Antyna Gould, Grade 12, Medomak Valley High School

Southern Maine Regional Champions

  • Amran Mahamed, Grade 11, Deering High School
  • Jordan Bryant, Grade 120, Greely High School
  • Sabrina Small, Grade 12, Maine Coast Waldorf School
  • Skyler Vaughn, Grade 12, Maine Girls Academy
  • Arielle Leeman, Grade 12 Morse High School
Poetry Out Loud Northern Regional Finalists left to right: Antyna Gould, Medomak Valley High School; Gabrielle Cooper, Gardiner Area High School; Emma Beyor, Erskine Academy; Kate Hodgson, Camden Hills Regional High School; Natalie Lisnet, Bangor High School.

Poetry Out Loud Northern Regional Finalists left to right: Antyna Gould, Medomak Valley High School; Gabrielle Cooper, Gardiner Area High School; Emma Beyor, Erskine Academy; Kate Hodgson, Camden Hills Regional High School; Natalie Lisnet, Bangor High School.

Poetry Out Loud is organized by the National Endowment for the Arts, and the Poetry Foundation to encourage performance art, memorization, and public speaking skills in high schools nationwide. Since the contest started in 2005, nearly three million students and 10,000 schools have participated.  Maine high schools consistently draw a high participation rate from around the state.  The top-qualifying student from each participating school is then selected to compete in either the Northern or Southern Regional Finals. There are two rounds of recitation in which students must perform one poem written pre-20th century, and one poem that consists of 25 lines or fewer.  The final round is reserved for the top 10 performers to recite one final poem. Performances are judged on the student’s physical presence, vocal articulation, dramatic appropriateness, and evidence of understanding of the poem.  The juried panel then chooses the top five finalists from each region to move on the State Finals.

Poetry Out Loud Southern Regional Finalists left to right: Sabrina Small, Maine Coast Waldorf School; Skyler Vaughn, The Maine Girls’ Academy; Arielle Leeman, Morse High School; Jordan Bryant, Greely High School; Amran Mahamed, Deering High School.

Poetry Out Loud Southern Regional Finalists left to right: Sabrina Small, Maine Coast Waldorf School; Skyler Vaughn, The Maine Girls’ Academy; Arielle Leeman, Morse High School; Jordan Bryant, Greely High School; Amran Mahamed, Deering High School.

The Maine State Finals will take place on March 13 at the Waterville Opera House. The doors will open at 2:30 p.m. The state champion will receive $200 and a $500 stipend for the purchase of poetry books for the winner’s school. The winner will then be flown to Washington D.C. in April to participate in the National Finals and compete for a total of  $50,000 in awards and school stipends, as well as a $20,000 scholarship.

For more information about the State and National Finals, please visit Maine Arts Commission: Poetry Out Loud 2017 or contact Argy Nestor, Maine Arts Commission Director of Arts Education at argy.nestor@maine.gov or 207-287-2713.

The Maine Arts Commission shall encourage and stimulate public interest and participation in the cultural heritage and cultural programs of our state; shall expand the state’s cultural resources; and shall encourage and assist freedom of artistic expression for the well being of the arts, to meet the needs and aspirations of persons in all parts of the state.

 

 

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Another Arts Teacher’s Story: Jason Bannister

February 28, 2017

MALI Teacher Leader Series

mali_v1_color_100ppiThis is the first blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) Teacher Leader stories. This series includes a set of questions so you can learn a little bit about the work each Maine visual or performing arts teacher or artist is doing.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 72 posted to date. Thank you Jason for sharing your story!

screen-shot-2017-02-26-at-10-11-23-pmJason Bannister presently teaches Theater to grade  7 and 8 students at the Troy Howard Middle School, RSU 71, Belfast. He has taught for 14 years, all in Belfast – 5 years at 4th grade, 3 years middle school ELA, 6 years middle school theater. Jason teaches 250 kids each year, one trimester of performing arts (theater primarily) each year for two years. He also directs the drama club productions and created the Maine Student Acting Competition.

 

What do you like best about being a theater educator?

I have the opportunity to teach something I love to kids, to expose them to theater. The best thing is seeing a student develop an interest in theater from taking the class, and maybe joining the next production onstage.

What do you believe are three keys to ANY successful visual and performing arts education?

There needs to be support from your staff and administration. You shouldn’t have to sell the importance of theater arts education to them. There needs to be a proper space to rehearse, perform and store costumes, sets and props. And the class needs to be required, but with the understanding that not everyone is ‘into it’ – so you need to find interesting ways to teach kids about theater where they aren’t worried they’ll have to get up in front of the class.

How have you found assessment to be helpful to you in your classroom?

I have used many different forms of formative and summative assessment in my performing arts classes. Some are helpful, but sometimes the process is more valuable than the product.

What have been the benefits in becoming involved in the Maine Arts Leadership Initiative?

I was given a chance to focus on a particular unit of study I was creating for my classes. I bounced ideas off other theater teachers. I don’t get this chance very often as the only theater teacher in RSU 71.

What are you most proud of in your career?

When I see a former student go on to college and major in theater. Especially when I remember them being shy or not into theater before taking my class or being in a play/musical I directed.

What gets in the way of being a better teacher or doing a better job as a teacher?

I see some teachers using old units over and over. I am always re-inventing units or coming up with new projects. I try to keep what works well and get rid of what doesn’t. When I started my performing arts class years ago lots of kids didn’t like it. This year most kids love it. If I didn’t make changes to what and how I teach I wouldn’t be effective.

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I guess being a performing arts teacher in a middle school where the class is mandatory for kids to take. I worked hard to get this class created. There just aren’t lots of programs in Maine like what I’ve created. I am honored to have my job, but it’s been (and continues to be) a long road.

Look into your crystal ball: what advice would you give to teachers?

Fight the mindset some people have about theater arts education – it IS NOT an extra fluff type of subject. You can’t just say ‘oh, well the kids have drama club after school’ – that isn’t the same. Theater arts education is so important in so many ways to so many different kids. Don’t settle – work your hardest to get an equal footing with the ‘core subjects’.

If you were given a $500,000.00 to do with whatever you please, what would it be?

That’s simple – I would put it towards building a proper theater to perform in. Enough of these cafetoriums. It’s ridiculous that there isn’t a dedicated performance space in my school district.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I have regrets everyday – how I could have taught that better, worked harder to connect with a student, not said something that hurt someone’s feelings. I guess I hope when I’m that old I won’t regret the time I’ve spent teaching theater and the time I’ve missed with my own children.

THE MAINE ARTS LEADERSHIP INITIATIVE

 Committed to the development of Teacher Leaders to ensure deep understanding and meaningful implementation of high quality teaching, learning and assessment in the Arts for all students.

If you are interested in becoming a teacher leader please email Argy Nestor at argy.nestor@maine.gov.

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Arts Learning Grants

February 27, 2017

Maine Arts Commission grants

Screen Shot 2016-01-25 at 10.18.08 PMThe Maine Arts Commission awards grants to artists, arts organizations, and arts educators through 12 different programs. The 2017 applications for six of these, with a deadline of March 23, are now open. The Arts Learning grant is especially for schools and educators working with students providing arts education.

APPLICATION DEADLINE: MARCH 23, 2017, 5 PM.

The maximum award is $5,000. Last year the average grant award was $2,300.

ABOUT THE ARTS LEARNING GRANT

Funds are to be used to enhance PK-12 arts education through teaching artist programs, connections with community arts education, curriculum planning, professional learning for arts educators, teaching artists and teachers of all content.

The proposal should include the use of best educational standards-based practices reflecting 21-century teaching and learning.

PK-12 schools, community organizations, and cultural institutions acting as or in partnership with teaching artists are eligible to apply for the Arts Learning grant.

There is a required 50% in-kind or cash match for this grant. (For example, an applicant asking for $5,000 must provide $2,500 of matching support.)

The funding cycle for this program is July 1, 2017 through June 30, 2018. 

ELIGIBILITY REQUIREMENTS

Your school or organization is eligible to apply only if it meets all of the following criteria:

  • Is a nonprofit organization, legally established in the state of Maine.
  • Has a 501(c)(3) tax-exempt status from the Internal Revenue Service, is a public school, or is a unit of municipal, county or tribal government.
  • Is in compliance with final reports required for any previous Maine Arts Commission awards received.

REVIEW CRITERIA

Arts Learning Grant applications are reviewed on a competitive basis using the following criteria:

  • Demonstration of high-quality arts education teaching and learning opportunities. (25%)
  • Clear description of the project and its impact. (20%)
  • Evidence of significant collaborative planning among teachers and other partners and capacity to carry it out. (20%)
  • Description of evaluation methodology with clear objectives and outcomes. (15%)
  • Alignment with State of Maine Learning Results for Visual and Performing Arts. (10%)
  • Assurance that the project will include certified, trained teaching artists and will provide professional development opportunities where appropriate. (10%)

APPLICATION NARRATIVE

  1. In two to four sentences, please describe your idea. (638 characters max.)
  2. Clearly state the objectives for the idea, and plans for evaluating your success. (1,275 characters max.)
  3. Describe your partnership, collaborative planning and the learners that you serve, including underserved students. (1,275 characters max.)
  4. How does your proposal align with the State of Maine Learning Results for Visual and Performing Arts and other standards if relevant? (1,275 characters max.)
  5. Who are the professional teachers and teaching artists involved in this project? Summarize their professional experience.(1,275 characters max.)

APPLICATION PACKAGE REQUIREMENTS

A completed application in the Grants Management System (GMS) for the Arts Learning Grant contains:

ONLINE

  • Completed answers to all narrative prompts
  • Completed project budget
  • Most recently completed Form 990 (for organizations only)
  • Resumes, bios, or curriculum vitae for all key personnel. Include resumes for all teaching artists
  • One to three letters of support from individuals or representatives of organizations or schools who can speak to their anticipated benefit from the project
  • Lesson Plan/Unit showing learning outcomes and assessment tools

To read all of the details please go to https://mainearts.maine.gov/Pages/Grants/artslearning.

If you have any questions please contact Argy Nestor, Director of Arts Education, Maine Arts Commission at argy.nestor@maine.gov.

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Mega Message from Suzanne

February 13, 2017

Teaching as a Craft

Skills, collaboration, support, and innovation –

Quality professional development for educators is characterized by the above areas demonstrating the understanding of introducing, reinforcing and supporting deeper understanding of knowledge and skills. Our profession is a craft.

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Mega-Regional Professional Development opportunities with the Maine Arts Leadership Initiative, in support with your Maine Arts Leadership Associations, are exponential in value for learning about best practices or expanding your skills to bring back to your school, colleagues, and classroom/studio/stage/rehearsal room.

This is educator to educator professional development – what you need, and when you need it.

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Suzanne Goulet

Yes, the next one is during a weekday – for some an in-service day. Yes, this sometimes means that you will be away from your students artists/performers for one day. And YES, you will be glad you did.  This is the catcher/pitcher conference on the mound – a time to come together, share, and grow. I always leave with gems that impact my students, my practice, my craft, immediately

Please join us, and consider asking someone to join you – for our profession, for your craft.

Looking forward to meeting you at the next Mega-Regional.

Thank you to Suzanne Goulet, MALI teacher leader and visual art teacher at Waterville Senior High School and Maine Art Education Association Teacher of the Year, for writing this blog post!

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