Posts Tagged ‘SAD#61’

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Another Arts Teacher’s Story: Jenni Null

May 27, 2014

Fine Arts Coordinator, Instrumental and Choral Music Instructor, K-12, SAD #61 

This is the ninth blog post for 2014 and the third phase of the Maine Arts Assessment Initiative of this series sharing arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others. Jenni was a guest on the MAAI webinar from April on Common Core and the Arts. You can see/listen to the archive by going to http://mainearts.maine.gov/Pages/Education/MAAI-Webinars. Jenni is also working on the team of teacher leaders who are developing resources. The webinar scheduled for June will provide the opportunity for you to learn more about the arts ed resource bank.

png;base645078de7cb68c173dJenni Null is the SAD#61 K-12 Fine Arts Coordinator, Instrumental and Choral Music Instructor. She has taught for 36 years, 35 of which have been in my present district of Lake Region. Jenni teaches Grades 4 and 5 instrumental music in three different schools in three different towns (Bridgton, Sebago, and Naples), and has a very healthy chorus (60+ students) in Naples. When I am not in the classroom, I am overseeing the art, music, and dance program for the District, which includes the scheduling of our fine arts events for the year, as well as assisting colleagues in developing and reviewing the arts curriculum and assessments.

What do you like best about being an arts educator?

I love seeing the excitement in my beginning instrumental students when they are successful
on their respective instruments for the first time.  Coupled with that, is fast forwarding through the years and attending middle and high school concerts where I hear these same students performing. It’s very rewarding to think I gave them their start or awakened a talent within that they didn’t know they possessed.

What do you believe are three keys to ANY successful visual and performing arts education?

A successful visual and performing arts education should have:

  1. Passionate arts educators – These are the think-outside-the-box people who don’t let all the obstacles of the daily minutia get them down. They are the problem solvers!
  2. Supportive administrators –  All administrators say they are supportive, but the ones who truly are, find other areas to cut at budget time. The administrators I admire recognize that the square pegs don’t fit in the round holes. They provide QUALITY time so that arts educators can access students in a meaningful way, rather than seeing how many different classes can be stuffed into the day.
  3. A partnership between arts education and the surrounding arts community, where we share our resources, including performance and art display venues. Professional artists share their expertise in the classroom and provide workshops and mentor opportunities. High School students can work in tandem with these arts professionals and hopefully glean a vision of the arts as a vital part of their lives beyond their K-12 education.

How have you found assessment to be helpful to you in your classroom?

Assessment has helped me to stay focused on the key elements of my program. It also compels me to reevaluate and adapt in accordance with the needs of my students. A fringe Assessment has helped me to stay focused on the key elements of my program. It also compels me to reevaluate and adapt in accordance with the needs of my students. A fringe benefit of assessment is that students pay attention to the grading rubrics and what is required of them to meet standards. In this regard, I feel that today’s students take the arts classes more seriously than their predecessors.

What have been the benefits in becoming involved in the arts assessment initiative?

The Maine Arts Assessment Initiative has introduced me to some passionate arts educators statewide. Participating in this initiative has consequently energized me both in and out of the classroom. We must all be continually involved in advocacy, both individually, and collectively. MAAI has taught me that, “One of us is never as strong as all of us,” and that as a cohesive unit, we have been empowered to elevate arts education for the students of Maine!

What are you most proud of in your career?

For five consecutive years, I was able to organize a school-wide Arts Week for grades 4-6, centered around a musical production. Students learned the musical numbers in general music, and thanks to a grant, I was able to bring in professional artists to work with students in multi-age groups. Each day, the multi-age groups rotated through activities related to the play and aligned to the Maine Learning Results: making props, painting the scenery, working on lighting, (including the scientific properties of combining different colors), the cultural and historical background, and of course being entertained by the visiting professional musicians, dancers, and artists. The entire school was involved through the culminating activity, which was the musical production.  The students worked together as a community and learned so much in a meaningful way that was arts based.

What gets in the way of being a better teacher or doing a better job as a teacher?

People without vision who prevent me from pursuing mine!

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

I worked for two summers for The Edinburgh International Film Festival. I had to fly to Edinburgh for an interview and convince my perspective employers that an American could learn the city well enough to organize all levels of accommodation, from student flats to luxury hotels, as well as travel arrangements for festival attendees.

Look into your crystal ball: what advice would you give to teachers?

  • Don’t let the small stuff get you down!  The endless meetings, paperwork, and duties will not disappear, but in spite of it all; remember you get to do amazing things with students and perhaps transform their lives in a way that others do not.
  • Don’t let boredom set in.  Change it up with a new lesson, new curriculum, or new job!  If you are bored, you can be sure your students are, too.
  • A network is critical for the arts educator to survive, so build one within and outside of your school or district.
  • Advocate for the arts with everyone you meet; administrators, parents, colleagues, and your students.  People need to be reminded why arts education is important.

If you were given a $500,000.00 to do with whatever you please, what would it be?

If I suddenly had a large sum of money, I would set up an endowment that would provide for students to travel to New York City to visit the Metropolitan Museum of Art, Lincoln Center or Carnegie Hall, and attend a Broadway Show. All students deserve the opportunity to have their senses awakened by such world class artistic experiences.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

If I were to start again, I would formulate a plan for my professional life.  I never really did that, but rather just let life happen.  I think that teachers entering the profession today are more forward thinking about where they want to be 10 or 20 years from now.

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Another Arts Teacher’s Story: Linda McVety

April 8, 2014

 MSAD#61 Lake Region School District Music Educator

This is the fifth blog post for 2014 and the third phase of the Maine Arts Assessment Initiative of this series sharing arts teachers’ stories. This series contains a set of questions to provide the opportunity for you to learn from and about others.

IMG_3477Linda McVety is the K-5 general music and grade 3 literacy intervention teacher at MSAD #61, Laken Regiona School District. She has been teaching for 34 years and 25 in her present position at the Songo Locks Elementary in Naples. Population: 495 students.

What do you like best about being a music/art/drama/dance educator?

The best part about being an elementary music teacher is that I have the potential to reach children and give them the gift of music. When asked what I teach I always say “I teach children first.” I can have fun every day and give joy through music to children that may not have a lot of positive in their lives. I want my students to realize that they will have music throughout their lives.

What do you believe are three keys to ANY successful visual and performing arts education?

  1. Support from administration and community
  2. A teacher that believes in the importance of the arts in every child’s education
  3. A teacher who understands the way children learn and can develop his/her lessons and assessments to reach most of her students.

How have you found assessment to be helpful to you in your classroom?

  1. It helps to keep me organized and focused on the goals that I want to accomplish at each grade level
  2. Rubrics help me empower my students to take ownership of their learning

What have been the benefits in becoming involved in the Maine Arts Assessment Initiative?

Sharing and communicating with arts colleagues has been invaluable. I have been able to see what programs are around the State of Maine and have a give/take relationship with my colleagues.

What are you most proud of in your career?

Watching students have that “aha” moment-that says “I love this music” or “I understand this music”. Showing my students my love for playing the cello.

What gets in the way of being a better teacher or doing a better job as a teacher?

  1. All of the extra duties
  2. Attitudes of people who only think of the arts as a “prep” time and not as a valuable part of the educational community
  3. No enough time to plan and put valuable lessons together

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

Having 3 wonderful and successful sons is my #1 accomplishment!

Students that come to school because they love music class.

Look into your crystal ball: what advice would you give to teachers?

  1. Learn discipline techniques but find a way to have fun
  2. Learn and practice collaborating with classroom teachers-find the time to communicate with them
  3. Find another arts colleague to bounce off ideas with and design lessons with-don’t keep yourself in isolation
  4. Go to workshops created by other arts educators-never stop learning

 If you were given a $500,000.00 to do with whatever you please, what would it be?

 I would take a few students around the world to see music, art and dance in different cultures.

 I would buy instruments for students who could not afford them.

 Imagine you are 94 years old. You’re looking back. Do you have any regrets?

Sometimes I forgot to use music as my own saving grace and distressing mechanism. I don’t regret anything in raising my wonderful sons and giving them great educational opportunities, however I do regret not traveling to see more of the world.

 

 

 

 

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Honoring Cathy M. Grisby

April 20, 2013

Maine Elementary Art Educator of the Year

At a ceremony held recently at the University of Maine Museum of Art Cathy Grisby was honored for her years of dedication and received the Elementary Art Educator of the Year award presented by the Maine Art Education Association. Cathy was nominated by colleague Ann Diskin and included the following in Cathy’s nomination:

Cathy being introduced by her colleague Ann Diskin

Cathy being introduced by her colleague Ann Diskin

“…Cathy has been teaching elementary art for 28 years in SAD #61 in the towns of Bridgton and Sebago. She believes that every child is creative and every student can be successful in art. Parent volunteer, Jenni Silverblade says this of Cathy, “She knows how to teach so that each student’s unique ability comes out to the fullest. She has a discerning eye as to what a child can do to turn a piece of art around if it starts falling apart or if the student becomes discouraged.”

Mrs. Grigsby always puts in the extra effort whether it is helping to develop district-wide arts assessments, teaching gifted classes after school, making sets for the plays, exhibiting student work in the community, creating permanent art installations of student work, and just being a positive presence in the school. She has also been a tireless advocate for the arts in her community in her work with helping to found the Bridgton Arts Guild and Gallery 302. In addition, Cathy’s influence reaches other art teachers on a national level through the more than 10 published articles she has written for “Arts and Activities” and “School Arts” magazine over the years.”

Perhaps the most important measure of Cathy’s success is her student’s declarations of art being their favorite subject and their pride at seeing their work on display.“

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When Cathy’s school learned that she was being recognized for the award she showed up one morning to a room full of balloons and congratulatory cards from her students. Not to many days later the staff celebrated her recognition at a staff meeting! Yay for Cathy!

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