Posts Tagged ‘teaching artist leader’

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Practicing My Way Back

November 6, 2017

Tom Luther

Tom is a piano player working at the Midcoast Music Academy and a new Maine Arts Leadership Initiative (MALI) Teaching Artist Leader. In September Tom had, not one stroke, but two. In line with Tom’s incredible positive attitude he is an amazing example of growth mindset.

Instead of sitting around feeling sorry for himself he decided to take advantage of his condition and document what he is doing as part of his rehab. Each week he creates a video that provides what and how he is doing for his students (and others).

His videos are located on his YouTube channel spheremusik. To date he has 7 videos in the series called Practicing My Way Back. If you are a music educator, I am sure they will be of special interest to you. All educators will find these fascinating and there is a good chance you will want to share these with your students for multiple reasons.

Tom can be reached at tomluther@midcoastmusicacademy.com

Tom did an interesting project that was included in a blog post in February called 1,000 Musicians Follow-up and a post in June about a course he was teaching called Live Coding Using Sonic Pi.

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Teaching Artist Leader

October 2, 2017

Tim Christensen

Maine Arts Leadership Initiative Teaching Artist Leader Tim Christensen took an amazing journey this summer. The Center for Maine Craft presents 30 Days at Sea, an exhibition of prints, books and clay work by Tim Christensen, October 5-November 19, 2017. The exhibition will feature new works created during, and in response to, the artist’s 2017 journey to Sydney, Australia via container ship.

In Tim’s own words

“In my work, I document the natural systems, as I understand them, that I see in my surroundings here in coastal Maine. This trip is an extension of that, is part of my life as an artist, was possible because of my life as an artist. And as so often happens, there were many rewards from this which I would never have had available: Off the Galápagos Islands, I watched hundreds of dolphins leaping out of the water, joyfully racing toward my ship to play in the bow wake…1000 miles from Pitcairn Island, I saw the ocean and sky, devoid of all life, saw the earth naked, and watched the conversation between sky and water play out over and around me…A day out of Panama, I saw long and thick wind rows of our discarded plastic, sheltering and entangling leatherback sea turtles, Mahi Mahi, sharks, and manta rays…Above a nameless series of seamounts, I saw clouds of flying fish erupting from the water for days on end, hundreds per minute. In the middle of nowhere, I saw a place on earth where I was 1500 miles from the nearest other human. To witness these things was a privilege, to represent them in art an even greater one.”

The exhibit will be at the Center for Maine Craft, off the turnpike toll plaza at West Gardiner. The opening is October 13 to kick off Maine Craft Weekend!

To learn more visit the Maine Crafts Association website.

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Marshwood Middle School

September 25, 2017

MALI Teacher leader and Teaching Artist Leader collaboration

It’s been a lot of fun planning, and an idea that began as a seed back in snowy February, but Marshwood Middle School Grade Seven and Eight Chorus is embarking on a new curriculum to compose an original work that will be premiered at their June concert with guidance and instruction from two MALI teachers.
Thanks to Maine Arts Leadership Initiative Teacher Leader, Kris Bisson and Teaching Artist Leader, Brian Evans-Jones. Below is the description of this fabulous work!  

Bridging Adolescent Learners – A River Runs Through Us: Composing our Story is a year-long chorus composition unit that will be explored by the Grade Seven and Eight Choruses throughout the 2017-2018 school year. Through weekly classwork, a field experience, and working with a guest poet-in-residence, students will create their own original lyrics, melodies, harmonies, and accompaniment for an original piece to be performed in their June concert.

An important aspect of this project will be the S.T.E.A.M. (Science, Technology, Engineering, Arts, and Math) inter-disciplinary explorations students will make throughout the project. Also critical to an authentic learning experience will be the integration of our work with poet, writer, and MALI Artist-TeacherBrian Evans-Jones, a local resident of South Berwick, who will lead the students as Artist-in-Residence in finding their writing, speaking, and singing voice.

An early piece of our project is to bring the entire chorus (seventy students) and Mr. Evans-Jones on a field trip to the bridge on Vine Street in South Berwick, the Great Works Bridge, at Leigh’s Mill Pond and the Great Works River. This trip will take place on SEPTEMBER 19 from 8:15 – 9:50 a.m. Here the students will be able to have a direct experience with the river as well as with the condemned bridge structure in order to create more meaningful and informed writing for their musical composition.

Coincidentally, the existing bridge, closed in 2007 due to deterioration beyond the state of Maine’s repair, is being removed in 2018 and a grassroots effort to construct a footbridge is already successfully raising funds to support the effort through their group, The Great Works Bridge Brigade. The Chorus students will have the opportunity to discuss their work with them and take action to make a difference financially, musically, and ethically in their local community.

Goals of this project include science, mathematic and technological integration; collaborative learning, creative thinking, listening skills, reflective writing, problem solving; exploratory composing techniques, music theory, form and analysis; various recording platforms, and online manuscript technologies.

Students will keep worksheets, reflective journal sheets and videos, and e-journals in Google Classroom to record thoughts, reflections, and developing lyric and melodic ideas.

The opportunity to have an artist-in-residence is a wonderful enhancement to the curriculum being explored. Having an expert help students with their learning is always a beneficial experience for all. Last year was the first time Choral Director and MALI Teacher Leader, Kris Bisson, and her students composed in the choral ensemble and the experience was amazing:

“Through composition in the chorus classroom, students are able to explore their own individual and collective ideas that help them express themselves personally as well as musically. Students elevated and increased their musical knowledge through the composition process and it was such an engaging and advanced learning experience for all. I am very excited to have the students reflect on their sense of place in their community, the history of our rivers and towns, the importance of keeping a bridge to connect our community, and have the opportunity first-hand to directly influence change around them.  At our Spring Concert, June 5, we will be sharing an informance, or interactive performance, where the students will have the opportunity to share their learning and conduct audience participation at our premiere performance.”

A very special recognition of appreciation is extended to the Marshwood Education Foundation for supporting this project.

Updates throughout the year can be found on our website:  https://sites.google.com/a/rsu35.org/mms-chorus-music/
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In Today’s News

August 21, 2017

Maine Arts Commission Teaching Artist

Tom Luther, one of our new Teaching Artist Leaders with the Maine Arts Leadership Initiative (MALI) made the news today. Tom is a musician and teaches piano and digital/computer music. He works at the Midcoast Music Academy in Rockland.

He has created a plan for his MALI work called Standards without Standards. How Teaching Artists Can Create a Flexible Learning Template. Tom spent three days with other teaching artists and PK12 arts educators at the MALI Summer Institute at Thomas College earlier this month. His application for Teaching Artist Leader included: “I’ve found teaching to be an intensely creative act, as well as a tremendous tool for personal growth, both for myself and my students. Teaching has helped me become a better listener and observer.”

You can read the entire article from the Village Soup by CLICKING HERE.

Tom’s bio

Tom Luther is an improvising composer, pianist, and media artist working in acoustic and electronic environments. He has performed throughout the state of Maine with his modern jazz group TLQ (Tom Luther Quintet), an ambient music trio called Algorithm, and as a soloist. Luther is also a media artist, working with video, live installations, and interactive objects. In his work, Luther applies traditional composition, improvisation, generative, and interactive techniques, drawing freely from his experiences in numerous musical forms. The messages and stories are universal, and genre is simply a cultural idiom appropriate to a certain group at a certain time. Luther explores these notions through adapting techniques from different genres to create hybrid works that straddle the worlds of jazz, classical, electronic, and ambient music, bending genre and blurring the boundaries that define them. He has released two albums of his music with the TLQ, “Everything Is Blue” (2012) and “Necessity(2015). His interactive installation “Spine” premiered at Waterfall Arts in 2015, and he has shown two multi-media works as the Kelpie Gallery’s annual “Wet Paint on the Weskeag” fundraiser. Luther was a featured solo performer at “Jazz on a Summer’s Eve” at the Camden Opera House, and performs regularly with TLQ and as a sideman with the Mike Whitehead Group. He is currently working on a new ambient/downtempo trio, and an interactive floor puzzle that creates music. Luther is a graduate of the Hartt School of Music, and studied privately with pianist and composer Anthony Davis.

 

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MALI Teaching Artist Story – Tim Christensen

April 25, 2017

MALI Teaching Artists series

This is the eighth blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) stories. And, this is the first one provided by a Teaching Artist Leader. This series includes a set of questions so you can learn a little bit about the Teaching Artists work.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 78 posted to date. Thank you Tim for sharing your story!

You can view his beautiful artwork at http://www.timchristensenporcelain.com/.

Tim Christensen works primarily in porcelain, with sgraffito. He has been teaching art and pottery since 2002. His favorite age group really depends on the project at hand, but generally, his favorite group is middle school. Tim loves collaborating with art teachers of any type, and enjoy the challenges and rewards of working in our public schools.

What do you like best about being a teaching artist?

I like that every day is a new day, with new kids and new challenges. I find that I can come into a classroom and work with the young artists unencumbered by any expectations on either of our parts. It allows the experience to be both fruitful and fun for everyone, and often can provide a new view on learning for both the teacher and student. I love helping students to discover their visual voice, and love inspiring them to say the things that they most need to say.

What do you believe are three keys to ANY successful visual and performing arts education?

Any endeavor must be challenging, engaging, and have clearly defined, achievable, parameters for success.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

I very much like teaching in environments where assessments are used. I find that the students rely on rubrics, when available, as a basis I for formative self-assessment. I like that a rubric, used correctly, opens up a project for multiple pathways of showing success, and engages the students in customizing a project to best fit their interests.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

MALI has allowed me to learn about and discuss the latest ideas and science in education with the leaders in our field, and has given me a voice within my community. Before MALI, I didn’t know there even WAS a community.

What are you most proud of as an artist and/or a teaching artist?

As a TA, I am most proud of those moments where I see a student or teaching professional leap forward in their understanding of a student’s abilities and thoughts. As an artist, I am most proud of the hard work it has taken to develop my voice, AND develop an audience to hear it.

What gets in the way of doing a better job as a teaching artist?

There are only 24 hours in a day…..

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

My entire life as an artist is due to hard work and determination. I know that sounds glib, but it is true. In 2007, I moved to the woods in Maine with a tent, some skills, and a stack of lumber, and literally built my life from clay, dirt, wood, and sweat. Everything I have accomplished since then has come from that basis, and still is derived from those 4 assets.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

Get out there and do it. Don’t wait for perfect conditions. Create acceptable conditions, and improve them as you can. Also, always assume that you are on the right path, and that there is a solution to every problem you encounter. Work every single day. Trust your thoughts and instincts, and work on ways of expressing those things that make it easier for others to understand you. Tell everyone who will listen about your ideas, and your passion. Lastly, if you don’t see a way forward, make one: not just for yourself, but to make the way easier for all those people who are not as confident of their feet as you are.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would be doing exactly what I am doing right now.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I do, but not around the way I have spent my time, only in paths not taken, or too soon abandoned.

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Calling Teaching Artist Leaders

April 16, 2016

Leadership role

Maine Arts Leadership Initiative, Phase VI

Visual and Performing Arts Teaching Artist Leader Application

OVERALL INFORMATION

Join us for a GREAT opportunity! The Maine Arts Leadership Initiative (MALI) invites YOU to be part of Phase VI. For the past five years, MALI has worked with visual and performing arts educators from Maine schools to become leaders in developing arts education in their districts. As the initiative enters Phase VI, MALI has grown to include 73 teacher leaders. For the last two years, teaching artists have been included in our summer institute.

Teaching Artist John Morris leads the MALI teacher leaders in some stretching

Teaching Artist John Morris leads the MALI teacher leaders in some stretching

This year, we are looking for teaching artists who are interested in being leaders and helping to develop teaching and learning in the arts. This is an opportunity for you to participate in professional development and networking, as well as to have a voice in the direction of arts education in the state of Maine.

If you are selected, you will be required to attend our summer institute, August 10, 11, and 12, 2016. We will provide professional development workshops and support for you to develop your own workshop related to your area of arts expertise. We will then ask that you take what you’ve learned and share it with other teaching artists, educators and community members in your region and beyond.

If interested, please send a completed application by the Friday, May 6, 2016 deadline to Argy Nestor at argy.nestor@maine.gov ASAP. Details are below.

Selected Teacher Artist Leader responsibilities for the 2016-17 school year include:

  • Communicate by wiki
  • Attend the three-day Summer Institute, August 10-12, 2016, USM, Portland
  • Present your draft workshop and receive feedback, at an all-day event, date and location to be determined
  • Present the finished workshop in your region
  • Present a workshop at a mega-regional workshop site that will be coordinated by the MALI leadership team
  • Attend a retreat to reflect on the work of Phase VI with teacher leaders and the leadership team to be held winter/spring 2017

To access the teaching artist leader application please CLICK HERE. If you have any questions please contact Argy Nestor, Director of Arts Education, Maine Arts Commission.

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