Dance education funding – “Hopes for the Future”
This is the third of three blog posts included, February 9 – 11, describing the dance education residency that took place in December 2016 from a special grant called the “Hopes for the Future” funding. Maine Arts Leadership Initiative (MALI) Teacher Leader and dance educator from Thornton Academy Emma Campbell collaborated and planted a seed and it grew into a dance education opportunity for Maine students. Thank you to John Morris, teaching artist and dancer for contributing this post. He describes the work that he did in MSAD #33 with the grant funding. Please note: funding will be available again during 2017. Please watch the blog and the Maine Arts Commission arts education list-serv for information.
A Teaching Artist’s Perspective
John Morris
Thanks to a dance grant created by the Thornton Academy Dance Program and the Maine Arts Commission, in December of 2016 I conducted a week-long arts residency for MSAD #33, in Northern Aroostook County. My approach in working with students in dance is creative, student-centered and standards-based. I give students foundational movement tools to invent and explore their own movement, and I guide them through the process of making their own dances.
In collaboration with visual arts teacher Theresa Cerceo, I worked with a group of middle and high school students, and with S.L.A.M.!, the high school arts advocacy group directed by Ms. Cerceo, to create dances based on a theme of identity and community. The dances were shared during an end of week holiday performance put on at Wisdom Middle/High School.
During the week, I also worked with music classes at the elementary school in the district. Along with music teacher Charles Michaud, we explored connections between the elements of music and dance. In addition, I worked with Ms. Cerceo’s visual arts classes to explore the same theme of identity and community.
It was a full week working with every grade level, from Pre-K through grade six, to explore their class content in movement. The students created dances based on poems and visual art works they had made individually and as a group in the weeks before the residency. Their dances incorporated the elements of dance movement, including use of different shapes, change of speeds, and variation of high, middle and low levels. We worked together to structure their dances with clear beginnings, middles and endings. We also addressed the crucial life skills of collaborating with others, building confidence, and evaluating work – all in one class session.
I encountered students in the elementary school at every age and developmental level who were eager to move, explore, and make connections to other content areas, including music, visual art and language arts. They were curious, inventive, and open to exploring the arts in a structured way to express their thoughts and feelings.
The middle and high school students, having more time together, were able to more deeply explore the dynamics of working collaboratively, the process of making artistic choices, and polishing artistic work for performance.
The week went by in a blur, and before I knew it, the performance (a full house!) was over, and I was making the long drive toward southern Maine. I felt both satisfied and inspired by the students’ work. What made this residency so successful? Three factors, which I believe are important for the success of any arts residency in the schools, stood out.
Planning and prep work in collaboration with the teacher
Ms. Cerceo and I were in contact long before the residency began, brainstorming ideas together using a shared Google Doc that allowed us to work around our busy schedules. We arrived at a theme (identity and community) that would be timely for her students to explore in visual art and writing, and that I could work with easily in dance.
As the residency drew closer, we continued to share documents, trade emails, and supplement with a few timely online conference calls. Ms. Cerceo articulated her plan for exploring the theme with her students before my arrival. I shared an outline of how I would approach the theme in movement based on her work and the student samples she posted online. This step was critical, helping me to be ready with a flexible plan for each class, and know what to expect when I walked into each classroom.
Full support of the school administration
Ms. Cerceo maintained regular contact with her administrators about our plans. As a visiting teaching artist, it was both reassuring and freeing for me to know that I had their support. I felt free to fully engage with the students in the creative process of dance-making.
The administrators introduced themselves and welcomed me to their schools. The superintendent of schools in the district sat down with me early one morning before classes began to talk about the residency. The teachers I met expressed their support for the project, and turned out in force for the performance on Friday night.
Classroom culture
I could tell that the students were used to focusing on the process of structured creative exploration in their classes. Also, because their teachers had prepared them for my visit, they were excited and positive about our working together. One fourth grade student even sent me a video in advance, inviting me to create a dance with her!
This expectant, growth-oriented mindset set the tone for our time together, and was supported by the collaborative planning Ms. Cerceo and I did beforehand. The connections she and I found between our ways of working helped her to guide the students with confidence that my work with them would integrate with their classwork, and deepen their connections to the arts.
Thank you John Morris for providing this blog post and the work that you did before and during the dance education residency in MSAD #33. I am sure that the learning that you provided will be felt for the lifetime of those involved.
On a chilly Friday night in early December the Wisdom Middle / High School Arts Faculty hosted the Holiday Night of the Arts. The performance was very well attended with the Wisdom High School cafeteria being filled nearly to capacity. The audience was treated to a variety of holiday songs, new and old. In addition, SLAM!, the Student Leadership in the Arts Movement, Wisdom’s student led arts advocacy group, created a performance art piece as a form of arts advocacy. The evening included the Pioneer Band, solo performances, student artwork, and for the first time ever, thanks to the Teaching Artist Dance Grant from the Maine Arts Commission and the Thornton Academy dance program, two dance performances under the direction of teaching artist, John Morris. The students created dance performances were the result of a week-long residency with Mr. Morris. Students worked with Mr. Morris & art educator Ms. Theresa Cerceo to create original dance pieces based on students’ poems around the theme of identity & community.
Throughout the week, John worked with two groups of high school students, S.L.A.M.! and a volunteer group of 8 students that became known as, The Butterfly Group. The students worked with John, first learning basic techniques, warm ups and then exploring concepts around identity. S.L.A.M.! used a poem about artistic process and struggle written by member, Jasmine DeMoranville, as inspiration for exploring personal expression and collaboration. The Butterfly Group took time to write “I am…” poems and then, individually created movements in response to their writing. Through much planning; reflection, critique and practice, the students worked with John to use their individual work and build a unified dance that expressed their interdependence as a community.
In addition to the work Mr. Morris did at the Wisdom Middle/High School, he had a full week, teaching in the elementary visual art and music classes as well. Along with Mr. Charles Michaud, John worked with general music classes, using dance to teach music elements. The work done in the Ms. Cerceo’s classroom was integrated with visual art lessons that were implemented before Mr. Morris’ arrival, around the theme of individual and community identity. Under John’s direction, students used dance to further explore their compositions as well as artistic purpose and communication. These dances included individual, small group and whole class collaboration.
In November of 2015 a collaborative performance was held at Thornton Academy in Saco. Two schools and five dance studios work together as part of the Community Dance Project to create the performance and raise funds to help establish a dance education grant. The “Hopes for the Future,” funding was available to schools/districts who have no dance education program in place during the school day. Applications were accepted with a handful of guidelines. Two of them being that the funding was to be used during the 2016-17 school year and a dance educator from the 
I was thrilled to be able to travel to the County and visit the classrooms and see the students in action working with John Morris. Along with John worked closely with art teacher Theresa Cerceo and music teacher Charles Michaud to be sure that the learning opportunity was at an extremely high level. The preparation work that both teachers did before John arrived was evident. The 5 days were documented very well with photos, video footage, quotes from students and staff. It was obvious at the culminating performance on a chilly Friday night in St. Agatha that the opportunity exceeded the expectations.
Dr. Fern Desjardins, Superintendent of Schools, MSAD #33 said the following:
Lisa Bernier Principal at the Dr. Levesque Elementary School, Frenchville said the following:
Recently I traveled to the County (as Aroostook is affectionately know to many) and learned a great deal AND had a fabulous time. The early morning drive north on 95, once I reach Bangor, is an opportunity to turn off the radio and look and think. It took me almost 4 hours from my home to my first destination, Wintergreen Arts Center in Presque Isle.
From there I headed north to visit Maine Arts Leadership Initiative (MALI) Art Teacher Leader and Leadership Team member Theresa Cerceo. First stop, after my hour drive was at the Dr. Levesque Elementary School in Frenchville where Theresa was teaching a science lab. Yes, art integration in action. It wasn’t about the product but about learning by asking questions and experimenting with materials. For example, students were grinding leaves with a little bit of water. Students test scores in math and reading have increased due to the work that ALL teachers are doing during the weekly labs.
The day was complete with a discussion on PBE to learn where arts teachers in the County are on the continuum. And, two woman from the Partners in the Arts Presentation shared information about the organization and encouraged teachers to apply for grant funding.
On Thursday, March 24 the State House in Augusta was mobbed with students articulating what the arts mean to them, individually and collectively. Their messages were clear and legislators from all regions of Maine were listening.
After the legislators themselves came downstairs a formal program included remarks by Acting Commissioner of the Department of Education, William Beardsley; Maine Arts Commission Arts Education Director, Argy Nestor; Farnsworth Museum Education Director, Roger Dell; Maine Resilience Building Network Co-facilitator, Sue Mackey Andrews; and Arts Education Program Manager at Americans for the Arts, Jeff Poulin. There were also student performances by the Biddeford Intermediate School Select Chorus, conducted by Andrea Wollstadt, by a Bangor High School English class working with teaching artist Katenia Keller, that had choreographed a piece collaboratively, and an art advocacy group speaking piece performed by SLAM! from SAD 33 in Aroostook County, directed by Theresa Cerceo.
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