Deep Learning with Pottery and Poetry
January 23, 2018YEEHA at Sweetland School
What happens when a collaboration takes place with an arts integrated school and two teaching artists? MAGIC! I had the amazing opportunity to be present while young learners were engaged in connecting their learning through pottery and poetry.
Lindsay Pinchbeck, founder and director of the SweetLand School in Hope invited poet Brian Evans-Jones and potter Tim Christensen to create connected curriculum and learning for the school’s students.
Both Brian and Tim are on the Maine Arts Commission (MAC) Teaching Artists roster and are Maine Arts Leadership Initiative (MALI) Teaching Artist Leaders. Lindsay is a member of the MALI Design Team and started her school three years ago.
This blog post combines the background information with the participants responses, observations, learnings, and feelings.
Brian shared a style of poetry called the Anaphora, with repeated lines. He pushed the children to apply real and imaginary content into their poems. He helped the children generate ideas and then edit and refine their poetry. His goal was to support each child to make a 5 line poem, they all generated much more work. I observed writing, reading, sharing, helping one another, public speaking, laughter and pure joy as the children created and shared their work.
Tim worked in the studio over 4 days with the children to create 5 or so place settings – cups, plates, bowls, even forks and spoons were created. The children took their lines of poetry and added the words from the poetry workshop along with images to each piece. Stories of travel and adventure, wove through their clay making experiences as Tim led the children forward in their pottery explorations.
- “I know what you find in the magical misty woods!” “A smiling carrot.”
- “What do you do when you don’t know what to draw?” Tim “I make a mark and see where it takes me.”
- “You know what I have to say about this – It’s really hard but incredibly fun.”
This week I observed a community of learners drive their learning forward. They advocated for what they needed, supported one another, weren’t afraid to ask questions and were giving and thoughtful hosts with our visiting artists. We saw the children at their best, staying focused for long 2 hours sessions in detailed work and generating work they were proud of. The power of visiting artists to inspire cannot be underestimated. In this safe environment where the children have learned to be themselves and own their ideas they were able to fly with the support of professionals who are passionate about sharing the magic of the process and their craft. We as a staff learned alongside the children and were a community of learners together.
To say thank you at the end of their visit the children encircled Brian on Tuesday and Tim on Thursday and sang to both visiting artists. This has officially been termed “Sweetlanded,” by Tim and it’s a pretty magical experience. When all the pieces have been fired we plan to have a special celebration of the work at the Hope Library. Thank you Brian and Tim! and a note of thanks to Argy Nestor and the Maine Arts Leadership Initiative where this collaborative residency was hatched. It was a magical experience.
In this circle deep peace
In this circle no fear
In this circle Great Happiness
In this circle safety.
This moment felt completely, beautifully appropriate for my experience on the residency. It wasn’t just that the song used anaphora (repeated phrases) to create its structure, which was the technique I had helped them learn for the poems they wrote with me. It was that, through their song and their spontaneous desire to give it to me, they were teaching me something, as they and their school had done all residency.
During the previous two days, I had sometimes felt the opposite of deep peace, great happiness, and safety: I had feared that my whole work at the school was going awry. I am not now sure why I felt this way, except that panic and a feeling of ineluctable disaster are often a part of a creative process. But by the students’ continued steady efforts, and I suppose mine too, things had turned out right in the end. Their poems collectively were funny, tender, deeply personal, wildly inventive, and above all wonderful to hear all read out one after another, as they had just done.
When I sat in the middle of their voices, I knew that they had given me this moment to teach me that I need not have feared: if you keep working, wisely and with good heart, your projects will succeed.
So what I will take away from this residency is a feeling of gratitude, not for what I taught, but for what I learned. I learned that a vision, to create a school where the arts are not peripheral but central, can be made to happen, by Lindsay and her husband Chris. I learned that children who are skillfully supported to trust their own decision-making and imaginations can invent the most marvelous things, such as the spontaneous class play involving sheep and blades of grass that was scripted and performed by the grade 1-3 group, to illustrate concepts of division and remainders, based on a poem they’d made about the number 17. I learned that there is more scope in my own teaching to allow students to make their own choices about how they grow their writing. And I learned a little, just a little, about what can be achieved if we step back, let go of control, and trust the kids, the process, and the art.
I am so not surprised that this was such a success! This is how all schools ought to be!
by Thomas Luther January 23, 2018 at 7:37 amThanks for your comment Tom! I was so grateful that I could find time to visit during the residency. It was amazing! ~Argy
by Argy Nestor January 23, 2018 at 4:30 pm