Posts Tagged ‘teaching artist’

h1

Conservation and Visual Art

June 4, 2017

Yarmouth High School Artist Residency

Art classes at Yarmouth High School in Maine are channeling their creativity in a new direction.  Students, led by internationally known artist Tim Christensen and Yarmouth High School Art Teacher Holly Houston, are creating clay masterpieces to showcase endangered wildlife from across the globe. The results are stunning and serve as an artistic display of the beauty in nature we strive to protect every day.

Students researched threatened and endangered critters to best convey their subjects through art. The students used clay to create sculptures, pots and tiles and later incorporated food and habitat needs and animal adaptations into their artwork using sgraffito, a carving technique. The contrast of light carvings on the dark surface draws the eye to every detail.

Each student approached the the assignment in a creative way to raise awareness for the species of their choosing. Not only did they develop new techniques for clay, but they learned how to share meaningful conservation messages through art.

Alex’s inspiration was the New England cottontail. “I was concerned with the endangered animals that live near and around me. This animal is found in young forest habitats which are depleted in this area and more habitat is needed to help it recover.”

Kelcie chose the piping plover as her focal species. “I chose the piping plover because it is an animal I am familiar with but did not know it was endangered before I started this project. The piping plover is found along the Atlantic Coast, including Maine. If you’ve been to the beach you have probably seen these birds before. They enjoy nesting on the beach near the dunes and forage for food near the waves. Unfortunately our presence of the beach has disrupted their habitat. In order for them to repopulate we need to give them space to breed and live.”

Daly describes how she planned to convey what she researched about the roseate tern through her work. “The viewer would be able to see where the roseate tern lived and what it ate, as well as their flight patterns. My primary goal with this piece was to convey this animal in the middle of an action, such as fishing or flying. The tern at the top was placed there in order to show how the Tern glided through the air, which would give the viewer clues about what kind of bird it was. The central tern was placed in order to show it capturing its food, something that also provides important information about this animal to the viewer.”

Many students had similar accounts; drawing attention to wildlife that need it most. Their work shows many species that are protected in many different ecosystems across the globe. For many species, work has been done to protect both wildlife and their habitat but much more is needed to ensure their survival. CLICK HERE to learn more about endangered species and how you can help!

The following post is being reprinted from the U.S. Fish & Wildlife Service blog located at THIS LINK.

h1

Prescott Memorial School

May 4, 2017

Teaching Artist Residency

When Patty Crawford started her job as the Literacy Coach and Interventionist in RSU 40 this school year she made a suggestion to the staff at Prescott Memorial School in Washington to consider contracting with artist Tim Christensen to provide a learning opportunity for students and staff.

Prescott Panda

Over a two week period Tim worked with the schools students and staff to create a large, approx. 7′ long, wall installation. The installation is in the shape of the school mascot, a panda, and composed of 105 sgraffito tiles. Individual artists used sgraffito to engrave a tile with their interpretation of a characteristic from Prescott’s PBIS goals. Their hope is that the installation will not only be a beautiful piece of art, but that it will also be used on a regular basis for the reinforcement of positive character traits.

Tim is on the Maine Arts Commission Teaching Artist Roster and is a Teaching Artist Leader with the Maine Arts Leadership Initiative. Recently his “story” was posted on this blog. He can be reached at http://www.timchristensenporcelain.com/ if you’d like to get in touch with him directly and learn more.

h1

In Today’s News

April 30, 2017

Dance Education Funding

John Morris, teaching artist

Up to $3000.00 grants are being offered to schools/districts who are interested in providing dance education for students in grades PK-12. The Maine Arts Commission Teaching Artist roster located at https://mainearts.maine.gov/Pages/opportunities/Teaching-Artist-Roster has 14 dance educators included. Contact one of them if you are a school interested in applying for the funding. The grant application deadline is May 16.

Read more about the opportunity in the article at http://www.centralmaine.com/2017/04/18/new-dance-education-grant-program-offered/.

h1

MALI Teaching Artist Story – Tim Christensen

April 25, 2017

MALI Teaching Artists series

This is the eighth blog post of the Phase 6 Maine Arts Leadership Initiative (MALI) stories. And, this is the first one provided by a Teaching Artist Leader. This series includes a set of questions so you can learn a little bit about the Teaching Artists work.  CLICK HERE  for more information on MALI. CLICK HERE  for more information on the 81 Teacher Leaders plus 4 Teaching Artist Leaders.  CLICK HERE  for Arts education resources. CLICK HERE  for the MALI Resource Bank. Search in the “search archives” box on the bottom right side of this post for past teacher leader stories. There have been 78 posted to date. Thank you Tim for sharing your story!

You can view his beautiful artwork at http://www.timchristensenporcelain.com/.

Tim Christensen works primarily in porcelain, with sgraffito. He has been teaching art and pottery since 2002. His favorite age group really depends on the project at hand, but generally, his favorite group is middle school. Tim loves collaborating with art teachers of any type, and enjoy the challenges and rewards of working in our public schools.

What do you like best about being a teaching artist?

I like that every day is a new day, with new kids and new challenges. I find that I can come into a classroom and work with the young artists unencumbered by any expectations on either of our parts. It allows the experience to be both fruitful and fun for everyone, and often can provide a new view on learning for both the teacher and student. I love helping students to discover their visual voice, and love inspiring them to say the things that they most need to say.

What do you believe are three keys to ANY successful visual and performing arts education?

Any endeavor must be challenging, engaging, and have clearly defined, achievable, parameters for success.

Have you found assessment to be helpful in your classes, workshops and residencies, and if so, how?

I very much like teaching in environments where assessments are used. I find that the students rely on rubrics, when available, as a basis I for formative self-assessment. I like that a rubric, used correctly, opens up a project for multiple pathways of showing success, and engages the students in customizing a project to best fit their interests.

What have been the benefits in becoming involved in the Maine Arts Leadership initiative?

MALI has allowed me to learn about and discuss the latest ideas and science in education with the leaders in our field, and has given me a voice within my community. Before MALI, I didn’t know there even WAS a community.

What are you most proud of as an artist and/or a teaching artist?

As a TA, I am most proud of those moments where I see a student or teaching professional leap forward in their understanding of a student’s abilities and thoughts. As an artist, I am most proud of the hard work it has taken to develop my voice, AND develop an audience to hear it.

What gets in the way of doing a better job as a teaching artist?

There are only 24 hours in a day…..

What have you accomplished through hard work and determination that might otherwise appear at first glance to be due to “luck” or circumstances?

My entire life as an artist is due to hard work and determination. I know that sounds glib, but it is true. In 2007, I moved to the woods in Maine with a tent, some skills, and a stack of lumber, and literally built my life from clay, dirt, wood, and sweat. Everything I have accomplished since then has come from that basis, and still is derived from those 4 assets.

What advice would you give to someone who is thinking about becoming a teaching artist or is just starting out?

Get out there and do it. Don’t wait for perfect conditions. Create acceptable conditions, and improve them as you can. Also, always assume that you are on the right path, and that there is a solution to every problem you encounter. Work every single day. Trust your thoughts and instincts, and work on ways of expressing those things that make it easier for others to understand you. Tell everyone who will listen about your ideas, and your passion. Lastly, if you don’t see a way forward, make one: not just for yourself, but to make the way easier for all those people who are not as confident of their feet as you are.

If you were given a $500,000.00 to do with whatever you please, what would it be?

I would be doing exactly what I am doing right now.

Imagine you are 94 years old. You’re looking back. Do you have any regrets?

I do, but not around the way I have spent my time, only in paths not taken, or too soon abandoned.

h1

In Today’s News

April 17, 2017

Poet Brian Evan-Jones

“I create a blur of color,” said one young poet.

Another student wrote, “I’m a shiny pearl, white and precious.”

“I remind you of the memories that have happened in the past,” a student wrote.

“It was as if I was saying I love you mom and dad with my eyes,” another young poet wrote.

Brian Evans-Jones

These are some of the lines that 2nd graders at Central School in South Berwick have written as part of an artist-in-residency with poet Brian Evans-Jones. Brian is on the Maine Arts Commission Teaching Artist roster and has created a program called “Literacy Through Poetry.” The residency at Central School was made possible through a grant from the Marshwood Education Foundation.

Deb Cram wrote the above for seacoastonline.com. You can view a video and read the rest of the article by CLICKING HERE. Thanks to Central School music educator Kate Smith for sending me the information to share!

h1

Dance Grant Series 1

February 9, 2017

Dance education funding – “Hopes for the Future”

This is the first of three blog posts that will be included, February 9 – 11, describing the dance education residency that took place in December 2016 from a special grant called the “Hopes for the Future” funding. Maine Arts Leadership Initiative (MALI) Teacher Leader and dance educator from Thornton Academy Emma Campbell collaborated and planted a seed and it grew into a dance education opportunity for Maine students. Learn more from this series of posts. Please note: funding will be available again during 2017. Watch the blog and the Maine Arts Commission arts education list-serv for information.

img_4605In November of 2015 a collaborative performance was held at Thornton Academy in Saco. Two schools and five dance studios work together as part of the Community Dance Project to create the performance and raise funds to help establish a dance education grant. The “Hopes for the Future,” funding was available to schools/districts who have no dance education program in place during the school day. Applications were accepted with a handful of guidelines. Two of them being that the funding was to be used during the 2016-17 school year and a dance educator from the Maine Arts Commission Teaching Artist roster had to be selected to provide the artist residency.  The roster presently has 15 dance artists.

The funding was to be used as seed money so schools/districts would actually have a complete opportunity to experience the benefits of dance education for learners. In April 2016 the funding was awarded to MSAD #33, comprised of Dr. Levesque Elementary School in Frenchville and Wisdom Middle/High School in St. Agatha located in the northern most part of Aroostook County.  The district’s 240 students and teachers had the unique opportunity in December 2016 for dance educator/teaching artist John Morris to spend a week in their schools.

screen-shot-2016-12-07-at-2-00-25-pmI was thrilled to be able to travel to the County and visit the classrooms and see the students in action working with John Morris. Along with John worked closely with art teacher Theresa Cerceo and music teacher Charles Michaud to be sure that the learning opportunity was at an extremely high level. The preparation work that both teachers did before John arrived was evident. The 5 days were documented very well with photos, video footage, quotes from students and staff. It was obvious at the culminating performance on a chilly Friday night in St. Agatha that the opportunity exceeded the expectations.

screen-shot-2016-12-09-at-9-49-40-amDr. Fern Desjardins, Superintendent of Schools, MSAD #33 said the following:

“MSAD #33 had a unique opportunity to have a dance artist come to the District for a weeklong residency to introduce K-12 students to dance education as an art form.  I gratefully acknowledge Thornton Academy for their generous donation to the Maine Arts Commission to make the competitive grant, “Hopes for the Future” possible.  To bring dance to our rural area opened our students to a different way of expressing themselves by using a talent they may not have recognized or even considered.  This could have opened career options for some of our students who were not destined to seek a post-secondary college degree.  As I watched the closing performance of students at Wisdom Middle/High School’s Night of the Arts, I saw how dance artist John Morris had reached students of all academic abilities.  I was convinced I needed to make an effort to bring Mr. Morris back next spring for a follow-up residency.  He made it possible for a segment of our student population to really express their creative talents that are not otherwise discovered and displayed for our community to observe and truly appreciate – as they did on the evening of December 9, 2016.  The smiles, applause, and comments from the audience brought much pride to our little school.”

screen-shot-2016-12-07-at-2-19-39-pmLisa Bernier Principal at the Dr. Levesque Elementary School, Frenchville said the following:

“Having Mr. Morris in MSAD# 33 was phenomenal for students.  Not all students will excel in sports.  The students who participated and benefited in the Dance Residency are students who have talents that would have remained hidden otherwise, especially at the high school level. Administrators and the community of MSAD# 33 believe in the arts and it’s ability to shape and mold the lives of all students. The residency solidified our belief.  We are also very lucky to have exceptional educators who care enough to go above and beyond to bring such activities to the district.”

Over the next 3 days you will have the chance to read more posts that explain the details of the dance education residency. If you have questions please don’t hesitate to contact me at argy.nestor@maine.gov.

h1

In Today’s News

January 1, 2017

MAC Teaching Artist roster, new additions

The Village Soup highlighted two of the Maine Arts Commission’s latest additions to the Teaching Artist roster, Bridget Matros and Jeffrey Weinberger. Read the article by CLICKING HERE.

The MAC Teaching Artist roster is provided at no cost for those seeking a teaching artist to provide learning opportunities for students across the state in schools and community settings. The roster is located at https://mainearts.maine.gov/Pages/Education/Teaching-Artist-Roster. Description of the Teaching Artist program is located at https://mainearts.maine.gov/Pages/Education/Teaching-Artists. The call for new artists to apply to be on the roster occurs twice a year. Please contact me if you have any questions at argy.nestor@maine.gov.

screen-shot-2017-01-01-at-5-37-57-pm screen-shot-2017-01-01-at-5-37-44-pm

 

 

%d bloggers like this: